Look at the sea, listen to pottery calligraphy and cursive appreciation;
Guan Hai Tingtao calligraphy cursive script 1
Guan Hai Tingtao calligraphy cursive script II
Guan Hai Tingtao Calligraphy Cursive 3
Guan Hai Tingtao calligraphy cursive script 4
Guan Hai Tingtao calligraphy cursive script 5
The artistic beauty of cursive script;
In the process of reading the official script of the Han Dynasty, it is full of neat arrangement and vertical and horizontal order. This is the most basic arrangement, like abacus beads, every word is in a fixed position. Just like a song, it can't be just a song. There must be a lot of rippling notes and rhythmic sound waves, which cooperate organically to form a jumping and swinging action. In Tang poetry, Du Fu's? The window of "Two orioles singing on the top of a green willow and egrets flying into the sky" contains autumn snow in Xiling, and Wan Li is moored at the door. People feel that the division of labor is too stable, and it has become two couplets. There is no difference between explicit expansion and implicit expansion. Poetic scenes are generally open in vernacular, staying within the rules and lacking vividness.
I saw the great changes in Zhang Zhi's cursive script and composition in the Han Dynasty, transforming the whole into the beauty of uneven levels.
The uneven level continues to be carried forward in the hands of the golden people. The whole work is like a pool movement scene in which you come and go, you enter and I retreat, and the virtual and the real are born together. It has changed the situation that every Chinese character falls in a square, no matter how simple it is, or as many as dozens of strokes, it can't be deviant. Calligraphers appear to be free and unrestrained, taking advantage of the trend, such as water coming out of the gate. Zhang Tang Huai Zan Zhang Zhi:? The style of writing is formed in one stroke, occasionally disconnected, but connected by blood and even staggered by climate? , call it? A book? . Obviously, the speed of action has improved and the prescribed position between words has been broken. Even when a pen is written down, a few words are completed one by one. There is a melon whose vines are endless. I often write fluently, and my emotions and skills bloom like buds and I can't stop.
The Lian Bi function of cursive script provides conditions for calligraphers to write continuously. Even calligraphers have a soft spot for writing with a large number of characters. He can command thousands of troops like an excellent conductor. The more words, the more complicated the relationship, and the more talented calligraphers can be displayed. For example, the book Biography of Lian Po and Lin Xiangru by Huang Tingjian is more than18m long, which is a huge project. Huang Tingjian's brushwork is a model of freehand brushwork. Another example is Zheng Banqiao, a Qing man, who combined the brushwork of official script with the painting of bamboo. Throughout the story, the streets are paved with stones of different sizes, sometimes naive and sometimes smart. Insert the long line obliquely with bamboo painting, and suddenly the aura is transparent, and then the rainbow hangs high, and suddenly it is as stable as a rock. It is a surprise to feel the joy of calligraphers shaking out from time to time.
The same content can take different forms in different calligraphers' works. How to make the layout patchwork, vivid and vivid, there is no program to apply, it all depends on the wit and flexibility when creating. Money has been written by many calligraphers, each with its own ingenuity. Huai Su's "A Thousand Characters of Grass" is gentle, which is contrary to his book's mania. The brushwork is intermittent, and the tone is gentle and implicit. Song Huizong Evonne cursive script "Thousand Characters" is sharp and vertical, spinning like a whirlwind, and the rapid curve is like vines, tight and loose, which makes people excited. However, Qian Wen Zi, a running script written by Cheng Nanyun, a calligrapher in the Ming Dynasty, is much inferior, and its ability to adjust the tightness of space is insufficient. Similar to the arrangement of regular script, the placement of each word is too real, which makes people feel less free and easy and more cautious. How to make the whole story as lively as water? Obviously, calligraphers should not be too careful about space movement. Is it honest? .
There are more and more people who like to express their feelings in cursive script, enjoying the romance between a piece of paper, the clouds and waves are mysterious and touching. Bao Chen Shi of A Qing Dynasty put it best: For example, the old man with his young grandson is uneven in length, but his family is sincere and painful. ?