When I was young, I liked literature and poetry, and I daubed a few strokes with my hands. During his study in Wuxi Calligraphy Art College from Liu Shu from 65438 to 0985, the calligrapher systematically studied the regular script inscriptions of Yan Zhenqing, Liu Gongquan and Ou Yangxun. Later, he studied Zhang Qianbei, Zhang Menglong's tablet and Han bamboo slips, and loved Mount Tai's Diamond Sutra. My calligraphy creation covers many calligraphy styles, and Li Shu's works mainly adopt Han Li. Because of its lofty style and different styles, it provides rich materials for my calligraphy creation. I explored and innovated this model, focusing on Mount Tai's Diamond Sutra and Zhang Qianbei, which showed the line texture and changeable modeling characteristics.
Calligraphy takes "writing the heart" as the exploration goal, strives to grasp the essence of tradition and calligraphy, strives to refine people's hearts, strives to take the odd as the right, takes the partial as the center, and strives to express individuality, so as to nourish the weather of the times and deeply realize that the vitality of calligraphy lies in individuality, and no individuality equals death.
On the road of exploration, I tried to write cursive script with the line texture and changeable brushwork modeling characteristics of official script. In terms of composition, it is clear that Banqiao's Paving Stone is patchy in size, which makes the work look atmospheric and dynamic, makes the structure of the characters varied but not rigid, and shows the feeling of following the characters, being clever and hiding fools, being far away from god, being scattered and dull. Some features of contemporary calligraphers Xia Xiangping and Zhou Huijun have been absorbed into official and running scripts. The fine print is mainly Dong Qichang's Shu Su Tie Ti Ba. With its vigorous lines, the style of writing is natural and subtle, with changes in simplicity and beauty, and the characteristics of "small three swords are far away, plain and natural" are released in the atmosphere. Follow its laws, be rich in variety and show its elegant style. Based on Mount Tai Diamond Sutra, it absorbs the characteristics of Mount Tai Diamond Sutra, Zhang Menglong Monument, Zhang Qianbei and Han Bamboo Slips because of its diverse styles, and expresses the author's spirit with the calligraphy spirit of Mount Tai Diamond Sutra. Gradually become the carrier of their own calligraphy pronunciation and personal feelings. Calligraphy is a comprehensive art, which needs in-depth study and exploration. We should work hard on "reading" and "understanding". "Reading" is the basis of exploration, and "enlightenment" is the result of exploration. Read more books, you can learn from each other and learn more, that is, learn from your predecessors, learn from nature and learn from social life. In recent years, I have also dabbled in photography. Calligraphy and photography are sister arts. They are interdependent, complementary and mutually reinforcing. Only in this way can we learn some truth by analogy. Through repeated thinking and deliberation, we have a deep understanding of things and a certain absorption of the calligraphy art of the sages, so that it is possible to make a new breakthrough on the original basis and achieve further sublimation of quality. Only in this way can the author judge the aesthetic feeling of calligraphy structure in rational thinking, and rationally grasp the appropriateness of dealing with "violation of harmony", "singularity" and "sparseness" with dialectical views; Dare to deny the contradiction in calligraphy structure, be good at exploring creative methods suitable for creating the aesthetic feeling of calligraphy structure, and find the dynamic contradiction of unbalanced beauty in the contradiction of balanced beauty.
Calligraphy art still has a long way to go. We should strive to take every step in the future and present better works to everyone.