When commenting on Wang Wei's poems and paintings, Su Shi once said: "There are paintings in poems, which are fascinating; Look at the picture, there are poems in the picture. " The so-called "painting in poetry" means that there are plastic arts factors in language art, and the scenery is written in lyrical form, and the objective scenery is subjective. Such as Wang Wei's poem "Autumn Night in the Mountains":
After the rain, the mountains are empty/the autumn stands late/the moonlight in the pine forest/the crystal stone in the stream/the whisper of the laundry girl coming home in the bamboo forest/the fishing boat in Li Andong/the spring has passed/my friend's prince, what does it matter if you are here? .
The so-called "poetry in painting" means that the tangible picture contains the interest and endless significance of poetry.
In addition, the following works embody "poetry in painting, painting in poetry":
1, "An egret flies over a quiet wetland, and a mango bird sings in a tree in midsummer" ("My cabin in Wangchuan after a long rain")
2. "The grass is green in the rain and the peach blossoms are burning on the water." ("Wangchuan Bie Ye") "White water is outside the field, and Bifeng is behind the mountain" ("New Sunny Wild Hope")
3. "Flowers in the wind in the pool shadow" ("Garden is a gift for my younger brother")
4. "Thousands of trees reach the sky, thousands of peaks cuckoos crow, Shan Yu spends the night, and thousands of silk flies" ("To Zizhou to make Li")
5. "People's residence seems to float on the ripples in the distant sky" (overlooking the Han River) "The grass rings in autumn and the cicadas in the mountains are sad at dusk." ("Working in the Mountains in Early Autumn")
6. "There seems to be no one on the empty mountain, but I think I heard a voice. The sun shone through the Woods and came at me from the green moss" ("Chai Lu")