What is Yu Shinan's influence in calligraphy?

Yu Shinan's works mainly include the tablet of Confucius Temple, the theory of breaking evil spirits, the tablet of Princess Runan, and the preface to the imitation of Wang Xizhi's Lanting.

The Monument to the Confucius Temple was written by Yu Shinan at the age of 69. The inscription is in block letters, with 35 lines and 64 words each. Shortly after the monument was erected, it was destroyed by fire, and rubbings were rarely circulated. Tang Wu has reprints and a few rubbings. Later, there were two versions: one was carved by Wang Yanchao in Xi 'an, Shaanxi Province in the early Song Dynasty, which was called "Shaanxi Edition" or "West Temple Edition"; First, it was carved in the Yuan Dynasty and became a martial art in Shandong, which was called "Wu Jing" or "Dongsi Jing". It is considered to be the best extant rubbings of Yu Shinan's regular script works. It was originally an old object of Kangrichi in Yuan Dynasty and may be supplemented by Shaanxi engraving in Tang Dynasty. Now it has flowed into Japan and is collected by Mitsui Pavilion Arsenal. Song Tuo's Book of the West Temple is now in the Palace Museum and is one of the most famous rare books. The Epitaph of Princess Zhuangnan is the old edition of the 11th year of Zhenguan in Shanghai Museum (637). It is recorded in Xuanhe, Pu Shu. After Mifei's income, he gave it to Wang Yuanmei, Guo Tianxi and Lu Xinyuan. The separation of characters has won the brushwork of Preface to Lanting, which is chic and elegant. In the Ming Dynasty, Li Dongyang called it "the brushwork is round and vivid, but Gofa still exists". One of the Three Prefaces to Imitate the Tang Lanting was handed down as Yu Shinan's ink.