"Thirty-Six Strategies" or "Thirty-Six Strategies" refers to the thirty-six military strategies in ancient China. The language originated from the Southern and Northern Dynasties and was written in the Ming and Qing Dynasties. It is a military book summarized based on the military thoughts and rich struggle experience of the Han nationality in ancient China. It is one of the long-standing cultural heritage of the Han nation. Below is the Thirty-Six Stratagems running script calligraphy works I compiled for you. I hope it will be useful to you!
Picture 1 of the Thirty-Six Strategies running script calligraphy works
Pictures of Thirty-six Strategies' calligraphy works in running script 2
Pictures of Thirty-Six Strategies' calligraphy works in running script 3
Pictures of Thirty-Six Strategies' calligraphy works in running script 4
p>Basic practice methods of running script
The structure of running script: dense but not rigid, clear and ethereal, loose but natural, plain but dynamic. In particular, the cloth structure is different from the structure of regular script, which is more strict. It is often not restricted by the length and size of the stipples of the characters. Instead, it is organized according to the body shape, scattered vertically and horizontally, without any structure, and the charm is clear and comfortable, making each of them unique. Make the most of your posture and get the full and natural feeling. For beginners, it is necessary to use Dharma texts as a model for learning, but not to copy them mechanically. It is necessary to understand and study in Dharma texts, but also to explore more in practice. As long as you persevere in learning and understand in a proper way, you will be successful.
Abbreviation and omission: the writing speed is accelerated, but the original strokes are not reduced, but the strokes are connected by threads and do not exist alone. There is also a simpler situation in running script, that is, the original stipples are simply merged to form a unique writing method in running script.
Leaving the square to escape the round: Regular script has more squares than round, and the folds are mostly square, while running script turns according to the trend, with endless changes, both square and round, flexible and vivid.
Use of buttons. For minor details, you need to close the pen and lift it gently, a little faster. For thick and heavy strokes, you need to press the pen harder and the speed is slightly slower. Of course, the alternation of light, heavy and thick strokes must have a reasonable rising and falling process. There should be no big ups and downs, sudden light and sudden heavy strokes, and it should be made natural.
Proper movement of the wrist: "The beauty of calligraphy lies in the use of pens." Calligraphy is the plastic art of lines, and improving the expressiveness of lines is often a lifelong pursuit of calligraphers. Composition and ink techniques are also inseparable from lines to complete the expression, and the expressive power of lines lies entirely in the use of pens. When talking about using a pen, we have to mention wrist movement. The two are inseparable. The flexibility and subtlety of running script are sometimes achieved entirely by the movement of the wrist. Wrist movement means that during the writing process, the wrist should consciously direct the brush to swing left and right, and press it quickly to make the changes change. In order to make the writing effect smart and smooth.