Peng Charlie's hieroglyphics are based on hieroglyphics. Hieroglyphs are the earliest characters in China, which were written in China before Xiao Zhuan in Qin Dynasty, mainly in Oracle Bone Inscriptions and Yin Ruins in Xia, Shang and Zhou Dynasties. At that time, most of the words came from rock paintings, which was a summary of the visual art formed by people's observation of life at that time. As an image language, it was used as a representative symbol (character) to tell about life. Peng Charlie used these primitive life symbols as his own aesthetic symbols and passed them on to the audience. Pictograph is the earliest aesthetic symbol that is closest to nature, and it is the most acceptable abstract and aggregated natural aesthetic for human beings. I think this is the creative thought of popular aesthetics chosen by Peng Charlie, which makes this natural aesthetics develop in the direction of internationalization.
Peng Charlie's pictographic painting is an art that combines pictographic calligraphy with painting. His paintings are all based on pictographic method, which breaks people's visual fatigue and strongly stimulates your aesthetic vision with image aggregation and abstract contrasting symbols. His dynamic rhythm can beat the inner passion of the viewer, and his realistic and surreal painting style not only makes you feel the vitality and freshness of modern times, but also makes you feel the massiness and glory of thousands of years of culture. Because of the rich historical and cultural background of Peng Charlie's paintings, all the major museums in the world have collected his works.