What are the outstanding representative works of Wang Duo's calligraphy?

Wang Duo's four books, Li, Kai, Xing and Cao, are all excellent. Among them, his official script works are not many, and his works are steady and profound, with a high atmosphere. His small script originated in Zhong You, represented by the Song of the North Stone Drum Study in the Post to the Mountain Garden, with neat and steady brushwork. Yan Zhenqing's knot and Liu Gongquan's pen are combined together, very thin and hard, but without the charm of Zhao and Dong. His masterpiece is Zhong Xiangtie.

His cursive script can best represent his artistic personality. Especially after his later years, cursive scripts are often heroic and eccentric, and their courage is far beyond that of Zhao and Dong. His cursive style is characterized by inheriting the elegance and agility of the two kings, and drawing on the strengths of Li Yong, Yan Zhenqing and Mi Fei, he writes freely on long banners or horizontal scrolls. The thick brushwork, dense knot and flying posture in his works, such as qiantang bore, are endless and unstoppable. Every time there is a horizontal pen rising in the vertical escape, it makes the turning and writing skills stumble. Fiona Fang's brushwork is simultaneous, and the ink rises suddenly and thirsts suddenly, and the scattered points have their own rules to be found. Left and right upside down, freely put away, emotionally ups and downs, extremely comfortable.

Judging from the epitaph written by Wu Yangchong at the age of 28, his running script is rooted in Li Yong; Later, Yang Gongjing's inscription on Ousheng Temple was completely in accordance with the brushwork of the Preface to Holy Education. In addition, the brushwork of some works is almost beautiful, nearly meters, but the brushwork is still the second king, and at the same time, it can integrate the strengths of others, and the style is bold and bold, sharp and hearty. His cursive script benefited from Ge Tie, especially rich in Wang Xianzhi's lofty charm. His brushwork is sharp and euphemistic, and his brushwork is Fiona Fang. His brushwork is overlapping in the middle, and his words are precise, broad and round. When he writes a book, he always writes fluently, in one go, with a continuous situation, a patchwork style and full of energy. Calligraphy advocates that "at the end of the book, you will inherit gold and eventually enter the wild road." After entering his later years, he said in the postscript of Du Shuchang Juan: "I have studied calligraphy for forty years, and there must be people who love my book deeply." If you don't know, it's called Gao Xian, Zhang Xu, Huai Su Wild Road. I refuse to accept it! Not satisfied! Not satisfied! "