His paintings also have the characteristics of "writing", which reflects his accomplishments in calligraphy. In his early years, he wrote various schools of thought, and his favorite was the running script, especially Wang Xizhi's Preface to the Holy Teaching. It not only collected all kinds of photocopies of the Preface to the Holy Teaching and the remnants of the Ming Dynasty, but also wrote various letters of the right army many times, and built its own calligraphy foundation with the calligraphy of the right army. His calligraphy is clear and vigorous, with far-reaching meaning and long rhyme; Smelly and elegant. His calligraphy style is natural and unrestrained without losing statutes, natural and unrestrained but far from vulgarity, regular without affectation. These calligraphy qualities laid the foundation for his painting. However, in his calligraphy, sometimes the layout of the picture and the charm of pen and ink are reflected, which shows the interactive relationship between China's calligraphy and painting in the creation of two art forms, and also demonstrates the truth that calligraphy and painting are of the same origin. [