Fu Zi Li Shu's calligraphy appreciation;
Fu Zi Li Shu Calligraphy 1
Fu Zi Li Shu Calligraphy II
Fu Zi Li Shu Calligraphy 3
Fu Zi Li Shu Calligraphy 4
Fu Zi Li Shu Calligraphy 5
The development of official script;
There are many stone carvings in Mount Tai, but in terms of scale and calligraphy achievements, Ji Taishan's inscription is the most famous. His calligraphy is vigorous and graceful, and the stone carvings in China since the Han Dynasty can't compare with this one. It has become an important material to study the history of the Tang Dynasty and the calligraphy of seal cutting.
The inscription was carved in neat official script on the natural cliff standing on the mountain. The full text is more than 1000 words, divided into 24 lines. The font size of the text is about 20 cm square. Whether viewed from a distance or from a close distance, the whole monument is magnificent. The inscriptions on Mount Ji were all written by Li Longji. According to legend, Xu Yan modified his writing and Han Shi modified his pen. His elegant writing and dignified and vigorous calligraphy became one of the representative works of the Tang Dynasty.
The inscription of Ji Taishan was fat when it was written, which had a lot to do with the obesity custom in the prosperous Tang Dynasty. The inscription on Mount Jitai is a masterpiece of official script in Tang Dynasty. Its majestic posture, beautiful fonts and dignified posture fully reflect the myriad weather of the feudal prosperous times.
Textual research on the stone platform of the existing forest of steles in Xi 'an was named after the inscription of four square columns. Although its font is much smaller than Ji Taishan's inscription, its rhyme is more refined and detailed.
Li Longji's official script is fluent in pen, moist in stippling, dignified and plump in structure and rigorous in statutes, which not only shows great skill. In the aesthetic pursuit, it also conforms to the prosperous and prosperous weather at that time. As an emperor, he was good at writing official script, which influenced many calligraphers at that time to follow suit, and a number of famous official script writers such as Han Zemu, Shi and Cai appeared, forming another peak of official script after the Eastern Han Dynasty.
After the Tang Dynasty, Lishu fell into silence again. From the Song Dynasty to the Ming Dynasty, although a few calligraphers insisted on learning official script, there was no influential official script master due to the long-term disappearance of Han Li tradition and the changes of the times.
Since the Tang and Song Dynasties, cursive script has continued to prosper, creating a new situation and forming a sharp contrast. Official script is like an undercurrent, endless, waiting for new turbulent conditions and opportunities.