Question 2: Is it better for beginners to use groove copybooks or ordinary copybooks? Can I really practice calligraphy? I remember that more than 20 years ago, Pang Zhonghua's hard pen swept the world. At that time, he had a groove copybook, and many friends practiced his calligraphy through the groove copybook. Practicing calligraphy, in the final analysis, is to form muscle memory through continuous copying training. Actually, it is the same as playing sports now. Perseverance is the most important thing. There is no shortcut. Write too much. Don't write the words until you are mature. So if there is a shortcut, then this shortcut is that practice makes perfect, and there is no other mystery. The groove copybook is nothing more than drawing a gourd ladle and following the strokes. The advantage is that it is easy to find feelings and grasp the overall structure of words. The disadvantage is that the text details may be handled almost because of the gourd ladle. Unlike ordinary copybooks, it is necessary to compare the similarities and differences in the brushwork and structural arrangement of words by eyesight. The first principle of choosing copybooks is to choose your favorite style, so that you can persevere. Everyone thinks that bad words are practice. The second is that fonts cannot be distorted. For example, many children practice regular script groove copybooks are printed in national standard, and the font is still very large, for fear that children can't see it clearly. In fact, their eyesight is very good. This kind of copybook is actually a "black-hearted" businessman who is hurting people. Whether you can copy with a hard pen or not, even if you write in the same way, it is useless, because there is no beauty at all, only neatness is left. The number of words should also be moderate, and it is best not to choose those versions that are deliberately enlarged and reduced. In the final analysis, colorful line changes only depend on the grasp of "strength, angle and speed" changes when writing. The size of ordinary pen writing is more conducive to the balance of "three degrees" and must conform to scientific laws. For a simple example, the handwriting is 65,438+0 meters Fiona Fang. How can we keep up with the speed? If the speed is too slow, the handwriting will become dull. Practitioners should not expect their writing level to change greatly in a short time, but should be patient and persistent. After choosing the font, I began to practice. You have to understand what your goal is, that is, to pursue "ghosts". The final purpose of your words should be exactly the same as the size, posture and brushwork on the copybook. If your words are stacked with the words in the copybook, it looks like a word.
The order of practice should start with strokes, first strokes, then radicals. The practice of strokes is mainly to train brushwork, how to start, underline, turn and close the pen. Appreciate the "three degrees" change. The practice of radical is mainly about how to transition and echo between strokes. Only on the basis of strokes and radicals can we practice individual whole words. The whole word should consider the position relationship and proportion of the shelf structure of the word, and the word processing methods of different structures are also different. For example, for words with left and right structures, the spatial width ratio of the left and right parts is generally 2: 1 or 1:2. There are fewer words written as 1 with the same width: 1 (the shape of a square is generally the ugliest, although our Chinese characters are called square characters, generally triangles, diamonds and circles look better), and the left and right parts often have skills in dealing with the relationship of "welcome", such as the word "object", and the last word on the left is written as "point" to make room for it. For example, figures with upper and lower structures often have the skills of "overwhelming" or "opening and closing". The upper and lower parts tend to be bigger and smaller. For example, the word "Song" can be slightly wider on the upper cover, and the word "Wood" below can also be covered. For the word "plate", the word "boat" above can be narrower, and the last horizontal line of the word "dish" below can be longer, and the word "boat" above can be "propped up" like a dish. Another example is the combination of words. The word "person" above can be elongated (wider), and the word "mouth" below should be compact (narrower). Some strokes in a word should be written "open", some strokes should be stretched and unrestrained, and some strokes should be "closed" and converged ... These structural processing techniques need to be practiced and experienced slowly. In short, the more grass-roots places, the more patience you need. 1 day without practicing strokes, and then jump directly to "whole word". After practicing vocabulary for 2 days, I began to copy big poems. Perseverance is the biggest obstacle to practicing calligraphy. When you feel desperate and want to give up, just stick to it for a while, which means breaking through a bottleneck and entering a new realm.
It is best to practice the whole word well under the condition that the basic skills are similar. Not everyone can persist in the rough stage ahead, but it is not uncommon if we just spend a few minutes practicing our hands every day as a hobby. As long as you keep practicing, you will eventually be able to write good words. After the whole word problem is solved, you can practice copying poems ... >>
Question 3: It depends on which method you prefer to absorb faster, copying or grooving.
Question 4: Is the grooved wordpad useful? It is better to praise with copybooks. Now 17 years old, writing is particularly ugly. If you want to write neatly, you can remember the copied words when you are comfortable, and you can master the writing structure when you leave the copybook. Your practice will basically be fruitful. Therefore, no matter what materials are used, we must move from copying to memory. The more words you recite, the more successful you will be.
Question 5: Do beginners copy or practice with grooves? Hello, that kind of good landlord.
After you practice regular script, your speed will be three points faster. Isn't that running script?
Without practicing regular script, it is impossible to start directly from running script. Later, you will find that your handwriting can't be written, some are very good and some are ugly.
Question 6: Is it better for first-year students to copy calligraphy or to copy regular script first? Students have a lot of homework, which is a good environment for practicing calligraphy. Don't use any grooves, just lazy. Let ta pay attention to the beauty of words when doing homework
Question 7: If you want to practice calligraphy, is it better to have grooves or to copy directly? Forget that groove.
Post it! Put the copybook aside and write it over and over again.
The main thing is persistence, but the method is not important.
Question 8: Which is better, the groove copybook or the tracing copybook? It is not recommended to practice hard pen calligraphy with grooved copybooks. The groove is that your pen tip passively follows the grain and has no independent thinking of its own. Yes, practicing calligraphy is not only about drawing shapes, but also about thinking, so that we can have a deeper understanding of font structure and make faster progress. There is a saying in calligraphy: tracing can learn lines, and copying can learn spirit. Both should be considered.
Therefore, it is suggested that you can trace the copybook first, then copy it next to it, and finally you can master it.
Hope to adopt!
Question 9: Do you want to practice calligraphy with a good hand or copy it with a good hand?
Post it! Put the copybook aside and write it over and over again.
The main thing is persistence, but the method is not important.
Question 10: Is it better for beginners to find copybooks with grooves or copy paper? I'm a little confused. If you know, can you give me some guidance? 20 minutes. Beginners suggest not to copy, so you will never learn well. Learn the strokes well first, and then try to combine them to practice calligraphy.