This tablet is an important masterpiece of official script in Han Dynasty. It is famous for its elegant style and even structure, so it has always been valued by calligraphers. Sun Chengze's "Gengzi Selling Summer" in the Qing Dynasty said: "Calligraphy is elegant, which complements the' ritual monument' and is also a treasure of Han stone." In the Qing Dynasty, Zhu Luzhen said in "An Introduction to Calligraphy": "There are only more than 50 lines of inscriptions, and there are not many rubbings, and the brushwork is all there. Although the book of naming and counting at that time was not as good as the preface, Xiao's style was unique and beyond the reach of future generations. This hides the true face of the Han people, and the wall leaks in the night rain. " Qing Wanjing's "Even Li?" "An Examination of Hanshu Wei Bei" said: "Calligraphy is beautiful and flying, and it is also a wonder if it is not tied and washed."
Cao Quanbei is elegant and beautiful in many official script styles, and it is even better in brushwork.