Author: Xin Qiji
On the top of the mountain of the king of Qin, watch the clouds and rain.
Inverted rivers and lakes
Those who don't know clouds are rain, and those who rain are clouds.
Wan Li in the sky,
Destroyed by the west wind.
Looking back, the bright moon is beautiful.
The world is screaming.
Who wants to go to Joey Creek,
Thousands of beautiful women travel west, elk gusu?
So far, the people of the old country are looking forward to it.
The years are passing,
Ask why you don't play drums and musical instruments.
Don't you see me, Wang Ting Xie Ting.
Cold smoke and trees cry.
Appreciate:
The title of this word would have been recorded in Penglai Pavilion. In the same tune, there is also an autumn wind song on the pavilion, which is called "Qiu Feng Pavilion Watching the Rain". Mr. Tang Guizhang said that there was no rain scene in the rain scene poems of Qiu Feng Pavilion, but the first paragraph of an ancient poem of Penglai Pavilion was a rain scene, and the title of the poem was reversed, so it was wrong. On this basis, I revised the word names in Reading Word Serials.
In the third year of Song Ningzong Jiatai (1203), Xin Qiji was reinstated and was appointed as Shaoxing satrap and minister of eastern Zhejiang. According to the record of Baoqing Conference, he arrived on June 1 1 and was called to Lin 'an on February 28th of the same year. Zhenjiang House was changed in the following spring, so it is known that the trip to Penglai Pavilion must be in the second half of Jiatai three years, and according to the words of the west wind and cold trees, it can be concluded that it was made in late autumn.
The first part of Ci seems to be pure scenery writing, but in fact it is lyrical by borrowing scenery. It is not simply to write a scene for the sake of writing a scene, but to have feelings in the scene, to contain feelings in the scene, and to melt feelings in the scene. Penglai Pavilion, where the poet boarded, is located in Shaoxing, Zhejiang Province (that is, Huiji), and Qinwang Mountain in Huiji Mountain, 40 miles southeast of Huiji. Why does he look at this mountain? Because it used to be the place where Qin Shihuang watched the sea and offered sacrifices to Dayu during his southern tour. Boarding this pavilion and looking at this mountain, I can't help thinking of Qin Shihuang who unified the six countries and Dayu who saved the people. The word begins with looking at it, describing the scene of clouds and rain on Mount Qin and the natural changes when the rain just cleared up. Inverted Jianghu is a vivid metaphor for the appearance of storms, which probably evolved from Su Shi's poem "Rainstorm in Youmeitang". I don't know if the cloud is rain and the rain is cloudy. This is from Zhuangzi Tian Yun: Is the cloud rain? Is rain a cloud? Read the sound of this word. Is the cloud going to rain? Is the rain for the clouds? Zhuangzi set this question, and answered it himself, saying that this is the principle of nature. Neither the clouds nor the rain is for anyone's sake, but they are moving in this way, and no other will power affects them to do so. The author said that he didn't know, he really didn't know, and there was no need to investigate. Wan Li in the sky was suddenly blown out by the west wind. The sky turns sharply, and the words turn sharply, meaning cloud. Su Shi's poem Niannujiao Mid-Autumn Festival: Looking at the sky from afar, you can see the sky in Wan Li, with no trace of clouds. Vimalakīrti Jing: I am like a floating cloud, flickering. When the clouds open, the rain will of course be closed. Looking back, I heard the bright moon in the sky and the world was screaming. Zhuangzi is used here again. "The Theory of Everything": The husband's great anger is called the wind. If you do nothing, you will get angry. This is nature, the voice of nature. From the storm to the moon rising and the wind rising, the poet seems to have realized a philosophy in the rapid changes of nature: everything is constantly changing, gloom can be turned into a mystery, and the mystery contains factors of surging clouds; Failure can be transformed into victory, and victory will cause a storm. The description of the natural scene in the first film sets off and paves the way for the next film to pursue Fan Li who overcomes the weak, turns defeat into victory and retreats after success. In the use of language, it is the skill of symplectic words to learn from others and use them for one's own use.
The next part is lyrical about the past, saying that the past is the way to the present, alluding to reality, and pouring the piece in your chest with the ancient wine glass. First of all, the author tells a legendary historical story in a cross-examination tone: Who invited Xi Shi to the State of Wu on the Ruoye River, which led to the demise of the State of Wu? Vietnamese people are still expecting him to come back by boat! Of course, here refers to, but the author did not directly say, but cited but not sent, saying who the money is. This way of writing is more implicit and enlightening. According to historical records, at the end of the Spring and Autumn Period, Gou Jian, the King of Yue, was defeated by the State of Wu and suffered great humiliation. Counselor Fan Li worked hard to help Gou Jian get together for ten years and learn from the scriptures for ten years, and presented the Xi stone to the king of Wu with a honey trap. Wu lusts after women and does nothing. Wu Zixu, the counselor of the State of Wu, once advised: I saw elk swimming on the platform of Gusu today. Later, the State of Yue finally destroyed the State of Wu and avenged Huiji.
After the victory of Yue, Fan Li thought that Gou Jian was a human being and could be an enemy of * * * *, but he broke up with * * *, so he went boating on five lakes. Poets miss the ancients in front of Qin Wangshan, Dayu Tomb and Huiji Ancient City, which is thought-provoking. It was not Qin Huang and Dayu, nor Gou Jian, the King of Yue, who occupied his mind, but Fan Li. This is because Fan Lizhong is uncompromising, devoted to serving the country and has many revenge strategies, which are closely related to the poet's thoughts and feelings. Volume 18 of Li Xinchuan's Miscellaneous Notes on the Ruling and Opposition Since the Establishment of Inflammation records that Xin Qiji went to Lin 'an to see him, saying that the state of Jin would be in chaos, and born to die was willing to pay him as the prime minister to solve the urgent need. (Korea) was overjoyed. Banning of Qingyuan Party also said that Xin Qiji entered the market in the first month of Jiatai in the fourth year, and Chen took advantage of being a soldier to ask for the salary of senior minister. According to Cheng Jue's Notes on Soldiers, Xin Qiji sent spies to the gold border many times in recent years to detect the reality of nomadic people and wanted to recruit soldiers in the border areas. It can be seen that the author is eager to try his best to restore the health of the Central Plains that is ashamed of snow. On the surface, the people of the old country are looking for Fan Li. In fact, it can be said that he also refers to Xin Qiji. In his later years, he often misses the fighting career of thousands of people holding flags in his prime, and the northern anti-Jin rebel army has been looking forward to his return. Xie Fangde recorded in "Monument in front of Mr. Xin Jiaxuan's Tomb" that loyalty and righteousness began to despair in the northwest. This part uses allusions, not only to say something, but to develop several sentences and describe the main plot to express thoughts and feelings, which is the remarkable feature of its allusions.
It's the end of the year. Why not play drums and instruments? At the end of the word, the author first asks a question in a rhetorical tone: one year is almost over, why not cheer up? The Book of Songs Xiaoya Luming Literature: I have a guest, blowing sheng. Tang Fengshan has a pivot: With food and wine, why not play drums every day? Use it to find happiness, and use it for a while.
The author quoted "poetry" to express the meaning of eating, drinking and having fun in time at the end of the year, and then replied in a rhetorical tone: I don't see you, Wang Ting Xie Ting, cold smoke and cold trees. In the past, Wang and Xie pavilions were deserted and there was nowhere to play. Wang and Xie in the Eastern Jin Dynasty also had close relations with Huiji. Wang Guan refers to the Lanting Pavilion in Huiji, Yin Shan, where Wang Xizhi's Xiumao is located. Xie An once lived in seclusion in Huiji Dongshan and owned a villa. These ancient traces are now only dotted with cold smoke and cold trees.
It is a major emotional turning point from nostalgia to nostalgia for Wang and Xie. Miss Fan Li and express his thoughts of actively serving the country and revenge; Remembering Wang and Xie has both dissatisfaction with reality and obvious negative pessimism. Facing the changes of nature and history, the author has both the generosity of learning from the ancients and the sadness of dying. Xin Qiji is sixty-four years old at this time. When the author thinks that those romantic figures who were once awesome and famous are all historical relics, his heart is filled with the lament that life is short and fame is like clouds. As far as artistic conception is concerned, this last rhyme is not only given to Wang Ting and Xie Ting, but is related to the whole article and points out the main idea of the whole word. The poet's different feelings about the deeds of these historical figures are completely consistent with the contradictions in his thoughts at that time.
Han Gongchun didn't celebrate the Mid-Autumn Festival.
There was no Mid-Autumn Festival in Zhou Zizhi.
Autumn is still deep, the silver bed is getting cold and the wind is high. ChanJuan should be ashamed of me, too. Time flies, the ground is covered with silver toads, and the fragrant mash is soaked in cold. Except for everything, I was angry all my life and handed in Li Sao for a while.
A sad old friend thousands of miles away asks where the rain is sunny and remembers tonight. The building is * * *, whoever looks at it, Yugui Smoke Point. South branch magpie around, sigh this life, floating to the river high. An appointment is necessary. He is young and often catches cold.
People and the moon will remember nostalgia.
The full moon in Zhang Kejiu will remember the past.
Yunmen temple is deep in the forest, looking back at Ruoyuexi.
Zhu Luo people go, Penglai Mountain is there, and the old tree is barren.
Where is the fairy? Burn Dan by the well and try ink by the pool.
Lotus is ten miles long, and the wind is clear and the moon is bright.
Translation and annotation
Man-Moon Circle: Collection of Qupai Names: In Shaoxing County, Zhejiang Province today.
Deep in the forest, it is yunmen temple: deep in the forest of yunmen temple. Yunmen temple: On Nanyunmen Mountain in Shaoxing County, Zhejiang Province.
Ruoyexi: Located at the foot of Nanruoye Mountain in Shaoxing County, Zhejiang Province. According to legend, it is also called Huanshaxi, because it is the location of Huanshaxi, a western beauty of the State of Yue.
When the Moros left, it meant leaving the Stone Kingdom. Zhuluo: That's Zhuluo Mountain, and this is where the stone washes the yarn.
Burning Dan by the well: alchemy by the well.
Testing ink near the pool: At the foot of Jigu Mountain in Yongjia County, Zhejiang Province, Wang Xizhi, a great calligrapher in Jin Dynasty, often wrote in the pool when guarding Yongjia, so the pool turned black. In Song Dynasty, Mi Fei wrote an inscription "Mo Chi" for Chi.
Make an appreciative comment
Yunmen temple in Memories of Time Past is a famous temple, but the author only uses the word "Shen Lincang Carved" to point out its environment, which makes people daydream. Looking back at Ruoye River, the second sentence shows another picture: When you are in an ancient temple, you see an open stream at the foot of the mountain. Then I went back to history from reality and remembered the anecdote with Wang Xizhi. The whole song gives people a sense of leisure and freedom. Han Gongchun and Xin Youan Qiu Feng pavilion rhyme, two days before the Mid-Autumn Festival in Guihai.
Autumn skin Han Gongchun and heart have an Qiu Feng pavilion rhyme, two days before the Mid-Autumn Festival in Guihai.
It is said that the ladle spring is empty and green, in the quiet room. Next to the terrace, Xie Yan blows, and the human environment is clear. He who hesitates is not enough, which is called the main chest. Heaven is self-harmonious, and everyone has his own advantages, except today.
Choose the east bank of Wolong, look at Penglai and rock valley screen. The autumn wind is cool and plays the flute, inviting the bright moon. Three English smiles are more important than sea bass. Xinle, silver hook shines on your eyes, vying to read Asu Gongshu.