2. Masterpieces about calligraphy are also painted in the heart.
[Chinese] Yang Xiong: "A watchful eye? For example, ask God. If you study, if you are talented, if you are ambitious, in short, you are like a person.
[in] Liu Xizai: Art? "The book of books, metaphysics also. Tangibility is powerful.
[middle] Kang Youwei: Guang Yi Zhou Shuang Yi? As far as its phenomenon is concerned, the calligraphy of various methods is an abstract art that pursues movement, rhythm and tension with the help of Chinese characters, and has infinitely changing stippling line forms and their progressive combinations. Cong Wenjun: In the interpretation of calligraphy image criticism, I like harmony, anger is rough and dangerous, sadness is gloomy and condensed, and I like plain and beautiful words.
Love is heavy and light, so the words are simple and beautiful, and the changes are endless. Chen Yizeng: "What's the secret of Hanlin? The book "Reform" originated from nature, was established naturally, and was born of yin and yang; Yin and yang are born, and the situation is out.
Cai Yong (middle): "Nine Potentials" is profound and overwhelming, but it is soft and strange. Cai Yong (middle): Although Jiushi learned from one school, it became a multi-body, always following its sexual desire, showing its posture.
Sun: A book called "Qi" must contain spirit, qi, bone, flesh and blood. One of the five is not enough to make a book. Su Shi: The calligraphy of Lun Shu is the same as painting, with expensive handwriting and expensive painting.
Penetrate calligraphy into painting, and painting is not bad; Books are gods when paintings are used to refer to books. Zhou Xinglian (middle): My view of Linchi. The only way to write words is to use a pen and a knot.
Use a pen to make the best use of it, but it must be measured; The knot is in its true state, but it must reflect evenly. Feng Ban: The beauty of The Book of Songs lies in temperament, but in form and quality.
[Chinese] Bao: "Art Boat Double"? Answer Sanzi's question with pen as the quality and ink as the text. [in] Liu Xizai: Art? The essence of a book is the word "backbone".
[in] Liu Xizai: Art? A book should have both yin and yang. Generally, it is gloomy; Seven or eight Hao Da, Yang Ye.
[in] Liu Xizai: Art? The author of the book is also writing about ambition. [in] Liu Xizai: Art? The brushwork and ink sense of the book outline are based on its human temperament.
[in] Liu Xizai: Art? Writing a book can nourish qi and help to replenish qi. Zhou Xinglian (middle): My calligraphy on Linchi is also enough to expand my talents and brew knowledge.
Zhou Xinglian: A good book of my views on Linchi. The same is true of books and paintings.
[English] He Zhu-Tang: A New Interpretation of Linchi is universally acknowledged that China's calligraphy is the highest art, because it can show amazing miracles, colorless but with the brilliance of painting, silent but with the harmony of music, attracting people's appreciation and making people feel happy. [English] Shen: "A Collection of Masterminds of Past Dynasties" China's calligraphy has become the most popular art and the most fascinating art from a very early age; In the world of art, it has become a unique and advanced art.
Chen Tingyou: China's Calligraphy Aesthetics? On the quintessence of Chinese culture, you must try your best to send it. [English] Mrs. Wei: "Pen Map" uses a pen, and her wrist is weak.
[Middle] Yu Shinan: "On the Essence of Pen? Generally speaking, when the wrist is vertical, the front is positive, the front is regular and full of potential. The second truth means that the force is uniform.
It works well when the palm is empty. Li Shimin (middle): The beauty of "brushwork" lies in writing, which makes it round and smooth, but not cramped.
[Chinese] Yan Zhenqing: "On the Twelve Meanings of Zhang Changshi's Style of Writing" is full of flat wrists and double bracts, with empty palms and real fingers, which is wonderful. Han (middle): The power to write with a pen is not power; For strength, the pen is dead.
[Chinese] Lin Yun: The Preface to the stirrup refers to the real thing, which is beyond my comprehension. What do you worship? Lin Yun (middle): In Preface to the stirrup, there is no definite way to put pen to paper, but it should be open and broad. [English] Su Shi: In On Books, knowing the book is not firm, and listening to the pen does not lose the statutes.
Su Shi: Lun Shu holds fast, and it wants to live. You can't write with your wrist. Holding hands is not the main luck; Luck lies in the wrist, wrist is not the main thing.
[middle] Jiang Kui: "What's the score of renewal? Hang the wrist with a pen double hook, so that the left is right, the palm is empty, and the finger is solid, which means that the front is behind the pen. Feng Fang (middle): Ji Shu's big characters move his wrist, while the small characters move his wrist. Meat is not lined with paper, and pens fly like flies.
Feng Fang (middle): If you grasp Ji Shu's wrist, you will have infinite strokes, otherwise it will be difficult to build. Xu Wei: I want to die when I write Bixuan Essence, but I want to live when I write it.
It means dying, and the wrist wants to live. Wang Shu: "On Books? Pen for writing: Only when the arms, wrists and fingers work together can a book be written.
Zhu Luzhen (middle): As soon as the elbow of the book hangs, the strength of the whole body comes. Zhu Luzhen (middle): The wrist strength of the center in Introduction to Calligraphy is still good. However, the operation of wrist strength depends on elbow strength, which does not mean that it is strong if you are angry.
Zhu He Tang: Linchi New Street hides the head and protects the tail. The strength lies in the words, the pen is hard and the skin is beautiful. Cai Yong (middle): "Nine Potentials" should be reviewed from left to right. Don't leave the program alone.
[Middle] Cai Yong: The Nine Potentials hides the front, points out the traces of discrepancy, and wants to turn left first, then back to the left. Cai Yong (middle): Nine potentials have hidden heads, and the round pen belongs to paper, so that the pen heart often moves in stippling.
[Chinese] Cai Yong: Nine trends protect the tail, sharply lead the trend to the limit, and strive to collect. Cai Yong (middle): There are two methods in the book Nine Potential: one is illness, and the other is astringency.
Get "sick" and "astringent", the book is wonderful. [Chinese] Cai Yong: In Yan Ji, those who are good at writing are bony, while those who are not good at writing are fleshy; Skinny and fleshy are called muscle books, and fleshy ones are called ink pigs; Strength and strength are sacred, weakness and muscle deficiency are morbid.
Mrs. Wei (middle): The first thing in "Bi Tu" is to keep the hidden front and the hidden end. Wang Xizhi: On a book, it can only be called a book if it is ten late and five urgent, ten straight, ten hidden and five out, and fifteen volts.
If the pen is tied in a hurry, it will be like a book for a while, but it will be weak for a long time. Wang Xizhi: In books, coarseness is not important, and fineness is not light.
Slim figure, alive and dead. [Middle] Wang Sengqian: "Pen Yi Zan" is the busiest, and if you are busy, you will lose your strength; Time can't be delayed, and it will be silly to delay.
Ou Yangxun: "Teaching Tactics" is too slow, too rigid, too hasty and too spineless. [Middle] Yu Shinan: "On the Essence of Pen? Changes between paintings of "meaning" and between peaks; Within a minute, I was defeated by Hao Mang.
Sun (middle): The turning point of music score is the right method, which is really turning over the grass. If you want to stay less, you will be strong; If you don't want to be depressed, you won't be depressed.
But, you know, the grass is turning and the grass is staying. [middle] Jiang Kui: "What's the score of renewal? A pen for a real book is like a broken hairpin, like a leak, like a cone drawing sand, like a wall.
3. About the complete works of famous calligraphy sentences ▲ words, voices; Books, heart paintings.
Both sound and picture see a gentleman and a villain. Sound painter, gentleman and villain, emotional.
-Yang Xiong's "Fa Yan" ▲ The depth of the pen lies in the distance from the paper, the distance is floating and thin, and the near is the front weight. Tang Lu's Linchi Tactics ▲ If you want to learn a book, you must first learn to use a pen. The method of using a pen is powerful.
Huang Tingjian's On Books ▲ The so-called law, stress, hook, rejection and guidance. Five generations. Li Wei's "Shu Shu" ▲ You Jun swears with a pen, mostly positive, so it is strict and fascinating; Amethyst is unfolded with a pen, and its side is half of the front, so the spirit is scattered.
Ming. Feng Fang's book tactics ▲ Pay attention to stability when writing, but be light and healthy when using a pen: light will be heavy, and astringency will be astringent, which is called hiding the front. Clear. Feng Wu's calligraphy is a true story ▲ The characters are different from the hidden front, and they are full of enthusiasm. It's better to connect their hands and tails.
Song. Jiang Kui's Continued Book Score ▲ When using a pen, it is especially necessary to hide the front. If you don't hide your front, you will get sick if you speak. What can be done? Tang Xu Hao's "On Books" draws sand with a pen like a cone, making it hide the front and draw it calmly, which is a great success. When using a pen, it often tries to let the pen pass through the back of the paper.
Xu Mo of Don Xu Wei ▲ The so-called eternal difficulty refers to the texture of the pen, not the face of the pen. Clear. Zhou Xinglian's "My Opinion on Linchi" ▲ Learn to have rules and styles; Otherwise, the brushwork is not refined and the words are lost.
The one-word method is structure: the beauty of a stroke is the beginning, and the beauty of a stroke is the end. The way of structure, especially the subtlety of brushwork.
The Eight Anonymous Methods of Yong Zi ▲ Use this pen correctly, horizontally, smoothly, repeatedly, lightly, falsely, realistically, steadily, vertically, tightly and stretched, all of which are solutions. Only by the sharp pen tip can it be in tune. Clear. Zhou Xinglian's My Opinion on Linchi ▲ The two ends of the painting can be seen by pen, while those who were extremely rich by the ancients were cut off in the painting.
There are still traces of manipulation at both ends of the cover; Among them, the reason why interception is rich but not timid is real and not empty, not bone potential, and can not be angry. Clear. Package "Art Boat Double Series" ▲ Use a pen to be neat, and use a pen to cadence.
Song. Jiang Kui's "Continued Book Spectrum" ▲ The place where the pen is sent should be raised, so that it will not be suppressed, but it will never pass a message. Ming. Dong Qichang's "Essays on Painting Zen Rooms" ▲ The ancients wrote, divided, true, line and cursive, and the same was true with pens. They must give priority to the front, and occasionally take beauty from the side.
Below the book, front eight, side two, unpredictable. Ming. Feng Fang's "Shu Ji" ▲ The ancients painted bits and pieces, all of which were used to turn the pen from the beginning to the drag; The ancients pulled together, all rotating, holding the paper in their hearts, and there was no place where Xiaomi collapsed.
Clear. Including "Art Boat Double Series" ▲ Calligraphy and painting, the first thing to bear is lightness and agility, and there is no trace of pen and ink, such as antelope hanging horns. A scholar with a keen mind and hands.
But convenience must be proficient, and the turning point must be dark, in order to know the beauty of folding hairpin strands. Stay in the dark, stay in the team, stay in the team. It's really fast.
Clear. Zhu's "New Interpretation of Linchi" ▲ The transfer of several paintings wants to be folded, and the rotation of a painting is expensive; The same turn, misuse is sick, and it is legal to do it separately. Clear. Da Zhongguang's "Book Raft" ▲ The front is covered with paper, that is, it should be changed: draw the walker, on the drum; Draw a walker and turn the pipe down; Draw a left walker and turn the pipe to the right.
Clear. Including "Art Boat Double Series" ▲ Painting and calligraphy brushwork, if it is in the bone, it will stand, although it is different, it will be an adult. Song. Li Yunxi's Collection ▲ The theme of this book can be summarized in one word.
Yue: The pen is round. Square, folding method, stippling the starting and ending points of waves, square pointing out, word bone also; Round, hanging in the air with a pen, pretending to be a gesture, round the arm and wrist, the word tendon is also.
Clear. Zhu Luzhen's "Learning the Book" ▲ Round as the sky, square as the ground. Fiona Fang uses each other, but Yin and Yang hide from each other.
Therefore, the pen is expensive and the shape is expensive. The circle is God's circle and cannot be delayed; Fang Naitong Fang, just can't hold it.
Ming. Xiangmu's "Elegant Words of Calligraphy" ▲ When the ancients wrote books, they put pen to paper and it was round to the end, and it was convenient to put pen to paper, each of which became a kind of composition. "Lanting" uses a circle, "Shengjiao" uses a square, and the second paste is a model of calligraphy in the past century. The so-called rules are the best in Fiona Fang.
▲ In order to turn the beam, it is round inside; In terms of pen quality, the bone is square and round. This is a certain principle.
Clear. Zhou Xinglian's My Opinion on Linchi ▲ Soft is fat and thin, hard is dry. Therefore, the truth lies in temperament, reaching form, being round in form and based on temperament.
Clear. Bao "Art Boat Double System" ▲ The round pen is used to carry it, but it is frustrated. Fang Bi turned the conversation to dinner and mentioned the contract.
The round pen should be sharp, and Fang Bi should turn it over. If the round pen is not sharp, it will be weak, and if Fang Bi does not turn it over, it will be weak. Modern Kang Youwei's "Guangyi Ship Double Edition" ▲ The pen tip is like a falling front, and it is not like a sharp front. The scene is vivid and refreshing, and it is a word, so it must be integrated.
Kim. Wang Xizhi's "On Books" ▲ To write a book, you should write a pen, not a letter. Cover the letter pen, its wave painting is weak.
As soon as I start writing, I am dominated by every turn. The characters "Zhuan" and "Liang" are clever tactics of calligraphers.
Ming. Dong Qichang's "Essays on Painting Zen Rooms" ▲ has the priorities of opening and closing, true and false, anti-parallel strings, and clear distance. Clear. Liu Xizai's "Art Outline" ▲ Use a pen calmly, and calmly, the pen will not float; Also want to be empty, empty spirit is not good.
Using a pen to solve this problem has its own gradual effect. Use the pen skillfully, and cleverness is the spirit. If you are clumsy, it will be ancient, and if you are combined, there will be no disease of lightly picking turbidity.
Clear. Qin Tong Yin Hua ▲ There are two ways to write a book: one is illness, and the other is astringency. There are two ways to get sick, and the book is wonderful.
Eastern Han dynasty Cai Yong's "Stone Chamber Magic Pen" ▲ The pen is expensive around the left, and the book is still late, which is also the way of this monarch and minister. Preface to Don Jelly Lin's The Stirrup ▲ When you write a book with a pen, you will not feel frustrated if you write it too fast, and it will have no effect if you write it too late.
Clear. Liang Xian's book on learning ▲ uses the saying that the author is familiar with pens, but he doesn't know how to get it. Only when the pen wants to do it, if there is anything to refuse, try your best to fight it, so that it will not be astringent.
Clear. Liu Xizai's "On the Use of Pen" ▲ When writing, he is firm and not sluggish, and his calligraphy is profound and profound. Don. Zhang Yanyuan's "Fa Shu" ▲ Shan Zhou said: The pen should be soft, and softness is awkward; The style of writing should be long, and the spirit should be long; When the ink is full, it is full; Write quickly, you'll be out soon.
Clear. Liang Shutong's "On Diligent Luo Yan" ▲ The brushwork is too engraved and easy to hurt rhyme. When you start writing, you must go against the trend, and you can't procrastinate, that is, you are not angry and naive.
Clear. Qin's "Homophonic Painting" ▲ People know that pen and ink have charm, but they don't know that the charm is all in my hands. Clear. Da Zhongguang's Painting Sasakawa ▲ People who have brushwork but can't ink are gone, and people who don't have brushwork don't need authors.
History.
4. Famous sentences related to calligraphy and painting: The art of calligraphy and painting must be done with passion, not by cowards. Painting is done by yourself. It can't be wrong. Finally, the law.
Therefore, the day: painting is between law and law. -Pan Tianshou's pen and ink feelings are all based on his humanity.
If you are rational, so is the first thing in a book. -(Qing) Liu Xizai was inferior to his tools and tools were inferior to his success.
-(Tang) Sun Yishu, whose heart also learns; Writer, writing also. -(Qing) Liu Xizai's paintings and calligraphy are lofty, with the highest character and excellent quality. Everyone not only values his pen and ink, but also admires his people.
-(Qing) In the Song Dynasty, learning from the law was natural and won the hearts of the people. -(Tang) learned a lot and made appointments, but accumulated a lot and made little progress.
-Su Shi learns from my life, like my death. The beauty of Qi Baishi's paintings lies in similarity and dissimilarity. If you are too similar, you will be kitsch; if you are not similar, you will deceive the world.
-Qi Baishi's paintings are expensive in writing his life. It is good to have both form and spirit. -Qi Baishi won the battle in ink painting.
-Li Keran What is valuable is courage, and what is needed is desirability. -Li Keran pen and ink should follow the times.
-Shi Tao, an ancient man, said: "If you don't read much, you can't enter elegance; If the concept is not clear, painting cannot be standardized. " Real mountains and rivers, from a distance, take their potential, from a close look, take their quality, take their general trend from a macro perspective and take their essence from a micro perspective.
-(Song) Guo Shitao said that heaven and earth are made of gas, and paintings are made of pen and ink. -(Qing) Shi Yan Yuan's "The shape of the spine, based on meaning, is a pen.
-Zhang Yanyuan yet I feel the harmonious heart-beat of the Sacred Unicorn. He can't do anything, but he can't stop He has no intention of seeking works and meaning, and his works are strange and beyond pen and ink. —— Wang Wen's pen should not be blindly familiar, and contentment is always happy.
-Guan Shanyue people should not be proud, but they should not be arrogant. -Xu Beihong intends to write first, and then write words.
-(China ancient calligrapher) Wang Xizhi's paintings are the most difficult for people, second only to mountains and rivers, second only to dogs and horses; Terraces must be ears. It's easy to be good when it's difficult and wonderful when it's moving. -(China ancient painter) Among Gu Bao's paintings, ink painting is the most important. It promotes nature and makes it work.
-(China ancient poet) Wang Wei's paintings are close at hand, and he writes a scene in a hundred miles. East, west, north and south, Waner is currently; Spring, summer, autumn and winter, born in pen.
-(an ancient poet in China) Wang Wei has a long mind and a short pen. Although he lacks stippling, it often makes him more energetic. -(China Ancient Calligrapher) Yan Zhenqing was a brilliant painter. He didn't copy a landscape on purpose, so he left us not only a superficial image, but the essence.
-(French writer) Balzac will never be a master if he is only satisfied with the similarity to the facts without paying attention to the details. -(French sculpture artist) The white in Rodin's paintings is both a painting in the painting and a painting outside the painting.
-(China ancient painter) Karin's Impossible of Man is not a meta-law, but a military law. -(China ancient painter) Shi Tao studied painting, so he is lazy, which can wash away his boredom, break his loneliness, release his impatience and welcome his calmness.
-(China ancient painter) Wang Dou's natural philosophy is also a teacher outside painting. -(China painter) Pan's single-handedly artist certainly needs the skill of technicians, but he also needs progressive ideas and noble personality.
-(China writer) Lu Xun The artist we want is the foresight to lead the way. -(China writer) Lu Xun's art is the product of feelings and the comfort of life.
It can subtly influence our feelings in a comforting way. -(China painter) Feng Ni's competition and transcendence with nature.
(Italian painter) A painter's heart should be like a mirror. -(Italian painter) painter Leonardo da Vinci is the intermediary between nature and human beings, and he is the reappearer of natural creation. His spirit must include nature and everything.
Only by learning from nature can we do this. -(Italian painter) leonardo da vinci is a painter because he can see what others can only vaguely feel or glance at but can't see.
-(Italian historian) Croce's originality lies in his statutes, and his subtlety lies in his boldness. -(China ancient poet) Su Shi's desire is better than pen, and he should be better than heart.
-(China ancient poet) Huang Tingjian's paintings and calligraphy should be regarded as rhyme. —— (China ancient poet) Huang Tingjian studied books in law, and beauty lies in people.
Buddhism can be handed down from person to person, but the outstanding work must be unique in the chest. -(China Ancient Calligrapher) Yuan cloth painters took the ancients as their teachers at first, and then took creation as their teachers.
-(China painter) Dong Qichang searched all the drafts of Qifeng. (China ancient painter) The genius of Shi Tao's painting method is to create his own environment according to his own will, so there is no fixed method.
-(China ancient painter) Fang Xun's paintings, if at first glance dull, long-term look at God, are superior; Some people have a good eye and turn to unintentional people for help. -(China ancient painter) Fang Xun Some people think that sketch itself is beautiful, but they don't know that sketch is so beautiful because of the truth and feelings it expresses.
-(French female plastic artist) Rodin would rather be a Chu Zu painter who lived to 100 than a Raphael painter who lived to 37, which is more in line with God's will. -(Japanese novelist) Saneatsu Mushakoji's spirit likeness, its charm, its color, its brushwork, not to mention painting! -(China ancient painter) Zhang Yanyuan's paintings have six essentials: one newspaper for one day, one rhyme for two days, one thought for three days, one scene for four days, one writing for five days and one ink for six days.
-(China ancient painter) Jing Haofan painted landscapes, meaning to write first. -(China ancient poet) Perhaps one of Wang Wei's 10,000 paintings should live in people's praise and be handed down from generation to generation until it fades beyond recognition or the canvas is completely decayed.
(American writer) Hawthorne's art is emotion. Without the study of volume, proportion and color, without sensitive hands, the strongest emotions will be paralyzed. -(French sculpture artist) The elements of Rodin's literati painting, first, personality; Second, study; Third, talents; Fourth, thinking.
With these four things, it can be perfected. -(China painter) Chen Hengge is no more difficult for art than drawing a rose.
Because he must forget all the roses he painted before he can create them. -(French painter) Matisse can express the main essence of nature after thoroughly understanding it, but he should not be too biased towards nature when expressing it.
(Japanese painter) Nishikawa Shinji If a painter wants to paint a bleeding wound well, the appearance of the wound will make me eat.
5. Famous sayings. A gentleman strives for self-improvement.
As a gentleman, we should have a strong will and never-ending spirit of struggle, strive to strengthen our self-cultivation and complete and develop our studies or careers. Only in this way can we reflect God's will and live up to the responsibility and talent entrusted to a gentleman by the universe. ) 2. Don't do it with little evil, and don't do it with little good.
-"Three Kingdoms" (Translation: Don't do something just because it is a trivial matter; On the contrary, for some tiny. Don't stop doing a good thing that benefits others just because it doesn't mean much. )
It's better to see the bad than the good, just like exploring the soup. When you meet a good man, you are afraid that it is too late to learn from him. Seeing a good thing, I'm afraid I can't do it in the future.
Seeing evil people doing bad things is like touching hot water. You should leave at once and stay away. 4. Bowing to others and complaining is far from complaining.
The Analects of Confucius) Those who work hard and take the initiative to take the main responsibility for their mistakes are "doing their best", and forgiving others more is "blaming others less". In this case, they won't resent each other. ) 5. A gentleman's adult beauty is not an adult's evil.
The villain is the opposite. -"The Analects of Confucius" (Translation: A gentleman always starts from a good wish or a wish that is beneficial to others, wholeheartedly urges others to realize their good wishes and just demands, and does not look at the world coldly.
Or fear that the world will not be chaotic and will not add fuel to the fire when others fail, make mistakes or suffer. The villain is always "the evil of adults, not the beauty of adults." )
6. See Si Qi Yan, see Si Qi introspection. -"The Analects of Confucius" (Translation: When you see someone who has an advantage over yourself in a certain respect, you should consult with an open mind, study hard, try to catch up with him and reach the same level as him; When you see that a person has some shortcomings or deficiencies, you should reflect calmly and see if you also have his shortcomings or deficiencies. )
7. Don't do to others what you don't want them to do to you. -The Analects of Confucius (translation: what you don't want (pain, disaster, disaster ...), don't impose it on others. )
8. Do your duty and don't give in to your teacher. -The Analects of Confucius (Translation: Do not hesitate to do good things, even if the teacher is on the side, you should rush to do it.
Later, it developed into the idiom "due diligence". 9. A gentleman talks but doesn't do it.
-"The Analects of Confucius" (Translation: A gentleman can't talk big, but he is agile and dexterous. ) 10. if two people are United, their profits will be cut off; The difference between one thought and another.
-"Zhouyi" (translation: people who work together are strong enough to break hard metals; People with one heart and one mind express their unanimous opinion, which is convincing and easy to accept. ) 1 1. The gentleman hides his weapon in his body and waits for the opportunity.
(Translation: Even if a gentleman is outstanding in talent and superb in skills, he will not show off everywhere. But to show your talents or skills when necessary. )
12. The loss is full and the income is not big. -"Shangshu" (translation: smug about what has been achieved will bring losses and disasters; Only by being modest and always aware of your own shortcomings can you benefit from it. )
13. People don't know or care, aren't they gentlemen? The Analects of Confucius) If I have achieved achievements that others don't understand, I will never feel angry or wronged. Isn't this also a gentleman's demeanor? ) 14. Keep your word and do what you want.
-"The Analects of Confucius" (translation: words must be done; Once you have determined what you want to do, you should do it resolutely and boldly. ) 15. Nothing, nothing, nothing.
-"The Analects of Confucius" (translation: tell the truth, don't guess out of thin air; Don't be arbitrary, willful and feasible; Flexible action, not rigid; Everything is not centered on "I", not self-righteous, and cooperate with people around me to complete the task. ) 16. in a threesome, there must be a teacher, choose the good one and follow it, and change the bad one.
The Analects of Confucius (translation: three people together, one of whom must be worth learning in some way, then he can be my teacher. I choose his advantages to study, and I will take warning from his shortcomings and deficiencies. If there are, I will correct them. )
17. A gentleman seeks for himself, while a villain seeks for others. A gentleman always blames himself and finds faults and problems from himself.
Villains often look at others to find their own shortcomings and deficiencies. 18. an upright man is open and poised while a petty man is anxious and worried.
-"The Analects of Confucius" (Translation: A gentleman is open-minded, frank and clean, and looks very comfortable and stable. The villain has too many inner desires and a heavy psychological burden, so he is often anxious, and his appearance and movements are also uneasy. He is often restless and emotionally unstable. )
19. Don't complain, don't be kind to others. The Analects of Confucius (Translation: When encountering setbacks and failures, never make excuses objectively, and never shift the responsibility to others. Later, it developed into the idiom "complaining about others". )
20. Don't get angry. ) If you make a mistake, don't take it out on others and don't make it again. )
2 1. If you can't bear it, make a great plan. The Analects of Confucius (translation: things that should not be done, even if you really want to do it, but insist on not doing it, this is called "forbearance."
Small things can't be tolerated, and if you don't have patience, it will affect the overall situation and ruin major events. ) 22. The villain's mistakes must be written.
-"The Analects of Confucius" (translation: the villain will cover it. ) 23. There are too many lives that don't change.
The Analects of Confucius) If you make a mistake and don't correct it, that's the real mistake. A gentleman's business is based on truth.
-"The Analects of Confucius" (Translation: A gentleman is committed to roots and roots, and "Tao" naturally arises. ) 25. A gentleman is ashamed of words but not of deeds.
-"The Analects of Confucius" (Translation: A gentleman thinks that it is shameful to talk more and act less. ) 26. Look before you leap.
-"The Analects of Confucius" (Translation: Do everything after repeated consideration. ) 27. many lines of injustice will be hanged.
-"Zuo Zhuan" (translation: if you do too many bad things, you will eventually bring your own destruction. ) 28. No one has made mistakes, but if they do, they can be corrected.
-"Zuo Zhuan" (Translation: Everyone may make mistakes and make hunting mistakes. As long as it is corrected, it is still the best person. ) 29. Don't hide your virtue with a brush.
-Zuo Zhuan (Translation: When evaluating a person, you can't deny his credit just because of a little mistake. If a person can do it, he will do it. People can do it in ten ways and thousands of ways.
-The Doctrine of the Mean.
6. Famous sayings about calligraphers There is a pen in the calligrapher's words, just like there is an eye in the Zen master's sentence-Huang Tingjian.
Make more copies.
● Books originate from nature (Han Cai Yong)
● Silent voice, invisible phase (Tang Zhang)
● Learning books leads to knowledge (Tang Yanyuan)
● Xuanyi, out of the table; The deep reason lies in the shadows; What is nature?
What can be said and what can be measured by the wisdom of the world (Don)
● Send it with ambition or entrust it with ease. Although expensive, it cannot be suppressed.
Although clever calculation can't do it (Don Zhang Huai Jin)
Therefore, the book is also, and the heart is also; Writer, writing also. -Liu Xizai's "Art Outline" ● One word is divided into one word, and one word is fixed (Don Sun Guo Ting)
Calligraphy is right, so it is right, so it is idle. -Xiangmu's elegant handwriting
Look at the heart of heaven and earth, push the feelings of saints, discount the theory of doubt, and rule the Confucianism of vulgarity. -Zhao Yi's "Non-cursive"
Scholars have two views: viewing things and viewing me. Look at things in the same way, look at me in the same way. -Liu Xizai's Art Outline
Academic Confucian classics all start from the heart, and if the heart is not right, you will know evil when you move. Liu Gongquan said: the heart is right and the pen is right. -Xiang Mu's elegant handwriting
Ordinary people have different qi and blood and different bones and muscles. The heart is dense, the hand is skillful, and the book is ugly in the heart. -Zhang Yanyuan's Hokkekyo
When you want a book, when you close your eyes and listen to it, you will never worry about it, and your heart will be healthy and harmonious. The heart is not right, the book is oblique; Ambition is not harmonious, and words will be reversed. -Yu Shinan's "On the Essence of Pen"
People are ugly, but the attitude of gentlemen and villains can't be concealed, and there are arguments, and the spirit of gentlemen and villains can't be bullied. Books are clumsy, but the hearts of gentlemen and villains should not be confused. -Su Shi's Book Theory
Happiness is harmonious, anger is rough and dangerous, sadness is gloomy and concise, and happiness is fair and beautiful. Love is heavy and light, beautiful words, comfortable and varied. -Chen Yizeng's "Essence of Hanlin"