Famous calligrapher Bai Qing

Bai Qing, the pioneer of conceptual art? Bai Qing style? The founder of; He is a famous calligrapher, because he lives in fahai temple, Cuiwei Mountain. His name is ascetic and he needs the owner of Baicaotang. I will bring you the works of the famous calligrapher Bai Qing. I hope you like them.

Appreciating the works of the famous calligrapher Bai Qing Pictures of the famous calligrapher Bai Qing 1

Pictures of Bai Qing's works by famous calligrapher 2

Picture 3 of the famous calligrapher Bai Qing's works

The famous calligrapher Bai Qing works Figure 4.

Picture 5 of the famous calligrapher Bai Qing's works

The Beauty of Bai Qing's Calligraphy

Calligraphy is one of the traditional arts in China. To appreciate a calligraphy work, we must first look at whether the work has statutes when writing.

Statutes are rules, that is, rules. Calligraphers of past dynasties left us many models and accumulated a lot of experience, which created good conditions for us to learn calligraphy. Anyone who has mastered certain calligraphy skills has learned from others and has certain rules in brush strokes, structure and layout. Although everyone's efforts are different in depth, in a word, the strokes will definitely be horizontal and vertical; Judging from one sentence, it can also be orderly. It looks pleasing to the eye anyway. Only by breaking through the barriers of predecessors can people's calligraphy skills form their own style. This unique style is also formed by strictly observing the statutes of predecessors and participating in their own new ideas. Therefore, the new style he created is also influenced by one or more inscriptions, and the characters more or less retain the brushwork of one or more previous calligraphers, so people in this road will know at a glance.

And labor is the basis of writing. Labor comes from basic skills. To acquire basic skills, you must study hard and practice hard. There is no shortcut. The basic skills of any calligrapher are excellent. To distinguish whether a word is proficient or not, we must first look at the pen control time. Those who have time to command the pen are satisfied, whether it is horizontal or a little, they should be happy. Seemingly effortless, it does make people command the pen, not the pen.

All good calligraphy, no matter what style or style, requires beautiful shape and makes people feel beautiful at first sight. The shape of Chinese characters, just like building a house, must have beams and columns, and the layout structure is appropriate, so that it will not collapse after completion; Only when the doors and windows are installed and painted can the project be completed. If it is not carefully designed in advance, it will not achieve good results afterwards. This principle also applies to calligraphy. In all good calligraphy, the shapes of characters are well-proportioned, dense and well-proportioned, with no imbalance from top to bottom and no deviation from left to right; Instead of wobbling, or top-heavy, top-heavy, or even chaotic and disgusting. And a good calligraphy, but also in one go, with the beauty of lines.

Charm is charm. It is more difficult to appreciate the charm of calligraphy than its statutes, skills and shapes. Because the first three are tangible, they can actually be referred to; And verve is intangible, so it is impossible to point it out specifically. Generally engaged in calligraphy, you can do it with powerful words and appropriate shapes, but it lacks charm when you write it. This kind of work can only be called brushwork rather than art, and the top grade in calligraphy wins with charm. A work with verve is always unique, elegant, simple and natural, without any trace of carving.

Look at Mr. Bai Qing's calligraphy. There are wonderful words in the paintings and pictures in the words. A work, with words in the painting and pictures in the words, seems to follow the shadow, form and meaning follow each other, form and meaning are constantly broken, and there is a Zen realm of flowing clouds and mountains and valleys. Fiona Fang's writing is both rigid and flexible, thick and thin, true and false in black and white, with distinct rhythm and unique style. Topic and content, connotation and form complement each other, which is refreshing. Large characters give people hints by displaying titles, and small characters are interspersed among them, giving poetry a complete connotation. This innovation of combining Tao and meaning is highly valued and collected by people of insight.