He has made great achievements in calligraphy. Every style of calligraphy was forged by the ancients, forming its own family. The cursive writing is particularly good. His regular script is broad and broad, but it is not sparse. At the same time, he also incorporated the characteristics of the Northern Dynasties' inscriptions, the dense calligraphy of Ou Yangxun and Ouyang Tong, and the styles of Epitaph of a Black Woman and Daoyin Monument, which made his calligraphy unique. He's small letters inherited the tradition of calligraphy in the Jin Dynasty, and his brushwork was meaningful. His cursive script combines seal script and official script in one furnace, which is prosperous and unique. His seal script, centered with a pen, can be mixed with official script, with cursive style and unique. He's calligraphy developed smoothly in his early years, wandering between Yan Zhenqing, Li Yong, Wang Xizhi and the inscriptions in the Northern Dynasties, with a pure flavor. Middle-aged people are getting older, their brushwork is getting more and more calm, their pens are shaking, and their taste is mellow; In his later years, He's calligraphy has reached perfection. Du Fu's famous sentence "There are many celebrities in Jinan, and there are ancient pavilions on the right side of the sea" was written by him. The stone carvings that rebuilt the Lixia Pavilion still exist on the east wall of the Lixia Pavilion.
He is proficient in epigraphy and calligraphy and is famous for his calligraphy. Known as the first in the Qing dynasty. Beginner Yan, middle-aged Southern and Northern Dynasties book, vigorous brushwork. The works of this period are rarely handed down. Later, he devoted himself to Li Fenfeng and Han and Wei Engravings, all of which were deeply researched and sealed, with more than 100 copies of manuscripts. I am Xiao Zhuan, no matter how vulgar the form is, I will make it a setback. It's no coincidence, Ning Zhuo. In the later years of my life, when I was suffering from eye diseases, I wrote a book with this intention. My pen was light and dry. If I were not middle-aged, I would be calm and handsome, and every stroke would be wonderful. Years are respected and valued, and books are sought more, so the works of historical years are handed down from generation to generation. In particular, writing Huilan bamboo stone with seal script method, a few strokes, the stone is full of gas. He is well read and versatile, especially in poetry. There is Dongzhou Caotang Collection. In his later years, he lived in Shanghai, died in Wuxian and was buried in Shirenchong, the southern suburb of Changsha.
He is a very diligent calligrapher. He himself said: "I have been studying books for more than 40 years, and I trace it back to the source." The letter-opening rules are divided into true letter-opening threads in the North Korea. "He started in Yan Zhenqing and Ouyang Tong in his early years, catching up with Qin and Han Dynasties. He is very good at writing Han tablets. Zhang Qianbei, ceremony monument, etc. I have written it for more than a hundred times, and I don't want to be similar. Then, "grass, seal, separation, and line are integrated in one furnace, and Long Bian is unfathomable. "There are many temporary books. Middle-aged people devoted themselves to the North Monument, and wrote characters with strong personality with wrist-returning techniques different from ordinary people.
He is a great calligrapher, but the titles of his poems are hidden. He was a master of Song Studies in the late Qing Dynasty, and he was good at depicting landscapes. For example, there is a link in his seven laws "The Original Image" that "the root of the stone is full of water, and the mountains beyond the sky shake". The former sentence is a metaphor for the complex and sinister turmoil in the world, and the latter sentence shows the infinite progress of mankind and is chewy.
What is an official, because of his words, he dropped his tune, so he stayed away from the officialdom, traveled around, entertained himself with calligraphy works, lived in Changsha in his later years, and sang with Huang Daorang,, and others, which became one of Changsha's elegant chapters.
He Ji Shao once said, "If you use the center of writing, you can brush it off, and you can find it in all directions. Is it unsafe? Does Ann rhyme? Is Ann bold? Ann is not far away? This matter must be able to lift the pen, hold your eyes high, hang your hair, and transport your mind by yourself, so that you can get this anger. Really round, big trouble, big trouble! " This shows that he attaches great importance to and deeply understands the center.