Ding Yongkang Zi Jiangdong, a famous calligrapher, joined the China Calligraphers Association in 1986. He is now the vice chairman of the China Financial Calligraphers Association and the secretary general of the China Insurance Calligraphy and Painting Art Research Association. What I bring to you below is the appreciation of Ding Yongkang's hard-pen calligraphy works. I hope you like it. Appreciation of Ding Yongkang's Hard Pen Calligraphy Works
Appreciation of Ding Yongkang's Hard Pen Calligraphy Works 1
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Introduction of Ding Yongkang
Ding Yongkang Jiangdong was born in Huaiyin, Jiangsu Province in August 1956. He graduated from Capital Normal University majoring in calligraphy, joined China Calligraphers Association in 1986, and is now the vice chairman of China Financial Calligraphers Association and the secretary general of China Insurance Calligraphy and Painting Art Research Association. He is good at writing in a variety of styles, such as Kai, Xing, Cao and Li. Its regular script is good at European style, its running script is based on Wang Xizhi and Zhao Mengfu's, and its cursive script starts with Seventeen Sticks and Book Score. After years of copying, it has reached a certain level and height, elegant and light, elegant and natural, full of scroll flavor, and gives people a pleasing feeling when it is rolled freely. Since 1981, his works have won many awards in major domestic calligraphy competitions, and many of them have been collected by museums at home and abroad. His hard-pen calligraphy has made great achievements, winning prizes in seven national major competitions. Dozens of publishing houses, such as People's Education Publishing House, Golden Shield Publishing House, Shanghai Jiaotong University Publishing House, Tianjin People's Publishing House, Cultural Relics Publishing House, Taiwan Province Commercial Press, China Bookstore and so on, have published more than 1 kinds of copybooks for him, and two VCDs of Calligraphy Lectures have been issued, with more than 1 million copies, and two teaching achievements in writing have won national patents. Using his teaching method to practice calligraphy is intuitive, accurate and easy to grasp. In the past 2 years, thousands of calligraphy learners have benefited. At present, he has compiled New Techniques of Pen Writing, 3 Tang Poems in Hard Pen Regular Script, Famous sayings of ancient sages in Hard Pen Regular Script and The Analects of Confucius. More than 2 copybooks, such as handwritten interpretation (thread-bound edition) and easy calligraphy (grade 1-9 of People's Education Edition), are on sale in bookstores. Mr. Shen Peng, the former chairman of China Book Association, Mr. Li Duo, the consultant, and Mr. Zhang Hai, the chairman of China Book Association, respectively wrote the titles of the copybooks published in Ding Yongkang.
Calligraphy-Eternal Melody
China's calligraphy is a unique art, she is not a poem but has a poetic charm; Not painting, but the agility of painting; Not dancing, but dancing; Not a song, but a melodious song. China's calligraphy can most vividly embody the essence of China culture.
Chinese characters were originally a writing tool, but once Chinese characters became calligraphy, they turned into butterflies and butterflies became immortals, which made them magnificent and brilliant all their lives. I don't know who compared the brush to a candle and gently recited: I give you a wolf's hair, and the unlit candle will never go out. Yes! Brush, unlit candle, makes calligraphy and the history of China culture shine brilliantly.
Gently open the works of those admirable calligraphers, and a feeling wakes up. Calligraphers of past dynasties, such as pearls scattered in the long history of the Chinese nation, exude dazzling light.
Wang Xizhi's works are superb and wonderful, and it is difficult to describe their profundity and beauty after searching for all the words of praise. Liang Wudi Xiao Yan once commented on Wang Xizhi's calligraphy: Hongqun plays in the sea and dances cranes to swim in the sky. ? How many people have worked hard and followed it all their lives, and finally they are far behind.
Yan Zhenqing's works are heavy, simple and vigorous, like a thousand-year-old clock. Every texture is a story, and every stroke and painting is a song. Looking at each individual, it will produce a vigorous * * * sound.
Zhao Mengfu's calligraphy is charming, gentle and charming, and contains thousands of charming and amorous feelings.
Calligraphy lies not only in the external beauty, but also in the feelings born from the wonderful pen. ? Use a pen in your heart, and your heart is regular. This not only reflects a calligraphy realm, but also the author's understanding of life and his noble moral integrity. This idea has been passed down from generation to generation, becoming a compulsory course for beginners of calligraphy and a model of their behavior.
There are endless mountains and beautiful waters, spring flowers and autumn moon, endless homesickness, feelings of leaving home and country, and endless books. Mountains are enhanced by calligraphy, stones are endowed with emotion by calligraphy, and water is endowed with rhyme by calligraphy. Between heaven and earth, only black and white are the most distinct. Black and white are light and elegant, simple and honest, and worthy of scrutiny. After thousands of years of concise and precipitation, the longer Mika.
Calligraphy is an eternal melody, and its beauty can only be understood by those who understand it.