What should we pay attention to when teaching primary school students calligraphy?

Learning books is nothing more than two points: brushwork and aesthetics. Children's learning ability, or imitation ability, is a relatively strong stage. Just don't bind them, let them get in touch with all kinds of calligraphy classic tablets and cultivate aesthetics. In writing, you can understand it by copying. But in the process of copying, we should pay attention to writing habits, and don't develop bad habits, such as bad posture, untidiness and so on.

In addition, primary school students have limited discrimination and are easily attracted by vulgar aesthetics. In fact, the same is true for adults. Therefore, modern "calligraphers" should not touch the copied templates or works, because such templates are too vulgar, low in style and narrow in aesthetics, which will not only affect the learning progress, but also hinder the future exploration and development of art. Moreover, even if you learn seven points, there is nothing to appreciate. And the ancient inscriptions, the charm of calligraphy, can learn three points, which is already great. Moreover, through the aesthetic cultivation of these classic excellent inscriptions, the aesthetic appreciation will also promote the improvement of writing skills. In short, on the basis of copying ancient inscriptions, choose some inscriptions that are more suitable for entry, and let students choose one they like to copy. Modern people don't have to learn Chinese characters, or even read them for a long time, but they can learn from their teaching videos or their learning experiences. In the future, they will have an overall understanding of calligraphy and make their own choices.

As for the learning process, some of them started in Tang Kai, but as far as I know, unless there are famous teachers to guide them, it is easy to get narrower and narrower. I suggest writing a seal script first, such as Shi Guwen. You can come to Shi Guwen, Wu Changshuo for a period of time, mainly to experience the pen in the center first.

Then, on this basis, we can realize the change of pen, and we can enter Han Li, such as Zhang Qianbei, Cao Quanbei and Shimensong. Han Li can specialize in it or serve as a transition.

With the foundation of official script, you can enter cursive script or regular script. Focus at this stage, and the style of a book will last. If you enter the grass, you can experience the change of pen heart and front. You can learn from Cao Zhang, Xiaocao, Huai Su, Zhang Xu and Erwang. When you enter the business, you can find one or more articles you like in the "Top Ten Running Books in the World".

Weibei is also a good choice if you enter the model. You can find many famous monuments, such as the epitaph of Zhang Xuan and the stone tablet of Zhang Menglong. If you like Tang Kai, you should recommend Yan Zhenqing, and you will get a good job. If you like it, don't learn. Like it is another matter. And Zhao Mengfu's is also good. If you like lower case letters, you can also read Zhong Shaojing's Ling Fei Classic or Er Wang's Lower Case Letters, or Wen Zhiming's Lower Case Letters.

In addition, a group of videos recorded by famous modern artists are very good. The records of fifty contemporary artists' copying works help to guide students better.