What does the overall beauty of Chinese character composition mean?

Excellent calligraphy works must be a pluralistic and unified whole. Composition is an important factor in the overall beauty of calligraphy art. Composition, also known as "white cloth", is essentially an artistic treatment of space reality. Speaking of "emptiness" and "reality", calligraphy and painting are interlinked. Where there is no pen and ink, there must be artistic conception of spiritual existence. Empty is not empty, that is, the so-called "empty is true"; And ink should also have the meaning of virtual painting, "real but not interesting, but empty", that is, the so-called "seeking empty with real", which is often said in calligraphy. The so-called "white" refers to the place where there is no ink, that is, the place where there is nothing; The so-called "black" means that there is ink, which is both "real". Knowing white and keeping black is an important part of a work. To make the whole work have a special aesthetic feeling and strong artistic appeal, it is necessary to see God in ink and see interest in places without ink. In other words, it is important to have pen and ink, and it is also important to have no pen and ink. There is pen and ink between the lines, which is interesting. The space of characters is symmetrical, and white cloth and font stippling have the same aesthetic value. Since all space is an integral part of the work, the composition of lines and the feeling of space should be included. This truth is of great significance and importance to both writers and appreciators.