Jiang Xun: There is great beauty in a world without language.

A few days ago, influenced by my friends, I fell in love with Jiang Xun's Dream of Red Mansions and was deeply attracted by his writing style. His words, such as talking about family affairs, can make people calm down at once and listen to him slowly.

Jiang Xun's writing is fresh and free from vulgarity, his reasoning is simple and clear, and he has the beauty of rationality and sensibility, and the lines are full of cool breeze and bright moon.

He is the cultural godfather of the contemporary Chinese world. He turned his life into a beautiful legend: publishing poems, writing novels, holding art exhibitions, being a host, being a professor, traveling around the world and visiting famous artists. ...

Jiang Xun dabbled in a wide range of fields, such as art, aesthetics, literature and painting, and was recognized by the public as a well-deserved "all-rounder".

In his eyes, beauty is the eternal theme of the world, and creation is always associated with beauty-

Jiang Xun often said, "Heaven and earth are beautiful beyond words, and beauty is everywhere."

Starting from the details of life, he saw extraordinary beauty in a flower, a world, a bird, a paradise and an ordinary place. In a cloud, a wisp of wind and a touch of sunset, he understood the beauty of nature, all aspects of the world and the impermanence of the world, and poetically expressed his meditation on beauty with lively and vivid words, pointing directly at people's hearts.

Jiang Xun advocates that life should slow down and experience the details around us. Whether it is the street corner of life, under the light of a cafe or under a tree in front of the window, it has its ordinary beauty.

As he said in "Beauty, Invisible Competitiveness":

The essence of beauty is nothing but

One tree shakes another tree.

One cloud pushes another.

One soul awakens another.

"Beauty" is some memories, some nostalgia and need to be understood. In the field of creation, we need to find beauty, wander, dream and even fantasize with a "beautiful" heart.

Creation, such as writing, needs a spirit of selflessness, selflessness, selflessness, focusing on inner consciousness, so that the mind can be free.

However, in each of us, there are always too many "I" persistence and too many "people" persistence, which fetters the freedom of the soul.

Jiang Xun said:

Great creators seem to have some "aesthetic madness", such as:

Hemingway looked at the sea and found that life is a fish, and it takes a lifetime to get hooked.

Van Gogh looked at the wheat field and found that art was hiding behind the sun to enjoy the cool.

Rodin looked at the human body and found a beautiful coastline that Columbus did not find.

French painter Monet, one of the representatives and founders of Impressionism, once met Budan at a critical moment in his life, which taught him the loneliness and quietness of Budan sitting on the beach for a long time and learned to observe the changes of light on the sea all day. He looked at the change of light, unable to draw it, and felt depressed. However, it is this sense of frustration that makes Monet, who was proud of his sharp eyes, learn tolerance and humility.

Jiang Xun said, selflessly "focus on a small object in front of you", practice normally, and enjoy the discovery in front of you quietly. If you don't know that you are small, you may never see greatness.

Once the creator uses his life to write, his skills, colors and strokes will be pale and powerless.

Chinese characters have a long history and are profound, which are gradually revealed in Jiang Xun's works ... In The Beauty of China's Calligraphy, he said that the beauty of China's calligraphy lies not only in the wrist, but also in the expression of breathing, health preservation, body movements and temperament.

In his view, the most difficult thing in aesthetics is nature without affectation. The difficulty of this kind of calligraphy is not skill, but it is difficult to stop showing off in thought. Just like a person who is not provoked by others and does not provoke others.

Writing is like writing. A good article is not only a literary skill, but also a model of feelings and tolerance.

Through the details of beauty, Jiang Xun showed the inner strength of literature to the world. Classical feelings and modern feelings complement each other. He said nothing, but asked the truth. With a detached and humble attitude, he crossed the Millennium, reflected on his heart and purified the soul of himself and his readers.