Writing Chinese characters in China is not as difficult as some people say. Wang Xizhi, a book sage, said in On Bi Xing: "A meaningful scholar can see his success in two months, and a man with natural spirit can know his book in a hundred days." Thus, the key to writing Chinese characters in China lies in whether you are "faithful". China people must write China Chinese characters well, which is the minimum requirement of China people. If a person is beautiful, generous in appearance and polite to others, but writing is like a crab crawling, what is his impression in your mind? The trend of the times, the phenomenon that China people can't write China Chinese characters well is not allowed to exist any more. In view of this, in order to help you improve your Chinese writing skills quickly, I would like to communicate with you as follows:
(a) Reflect the needs of the people of China. Chinese characters, Chinese medicine, Beijing opera, Chinese painting and martial arts are the quintessence of China, the essence of China culture, the original creation of the Chinese nation and the great contribution of the Chinese nation to world culture. Chinese characters are the most basic of these national quintessence. It is a great pity that a China person can't read, write or write Chinese characters well, to say the least. Seriously speaking, the national characteristics are not prominent and the nationality is not strong. China began to implement the imperial examination in the Tang Dynasty, and it has been 1000 years since the Qing Dynasty. What is the main test in the imperial examination? Writing is the first step. Take writing as an article. No matter how good the words are, they are useless. /kloc-the imperial examination of more than 0/000 years has formed a profound cultural accumulation of our nation, which is to regard words as a symbol of knowledge and learning. The ancients often judged a person's education level and accomplishment level by the quality of words. From our point of view today, it may not be accurate to look at people like this, but it is undeniable that it is sometimes reasonable to look at people like this. Today, at least Chinese characters can reflect a person's knowledge and education level. Writing can sometimes create opportunities and pave the way for a person's development. To illustrate this point, I will give two examples. First, I will give an example of a foreigner. As we all know, there was a Japanese Prime Minister named tanaka kakuei who used to be an ordinary worker. He was once unemployed and couldn't find a job. One day, he read in the newspaper that a famous big company wanted to recruit an employee. He was glad to come to this company, handed in his application, filled out his resume and went home to listen to the news. At this time, the company is very embarrassed, because there are nearly a thousand applicants, one in a thousand. What criteria are used to select this employee? Japan does not have a complete file system like China. How did you get here? When did you join the league, join the party, or even steal someone else's watch? Not to mention 65,438+0,000 people, even tens of thousands of people can be divided into three or six. However, Japan also has its own cultural traditions, which are directly influenced by China's culture and have many similarities with China. The Japanese also attach great importance to the writing of Chinese characters. We call it calligraphy and they call it calligraphy. At this time, the personnel department of the company put forward an optimal employment standard. Under the same conditions, let's see who writes Chinese characters well. At this time, everyone opened nearly 1000 resumes, compared them, and finally found an excellent person. His handwriting is neat and distinctive, which is quite archaic in China's calligraphy, so he was elected as a company employee. The man was none other than tanaka kakuei. Later, he continued to develop in this position and finally became the head of state. A foreigner can pave the way for his own development through Chinese characters, so it is even more important for China people whose mother tongue is Chinese to write Chinese characters well. I read a story in a calligraphy magazine. A China business operator once talked with a Korean businessman with a high level of Chinese studies. The Korean businessman was full of manners. At first, the two sides talked about business in their own mother tongue through translators. After chatting for a while, the translators went out in a temporary emergency. After a while, the Korean suddenly asked questions in English to show that he was proficient in many languages. Coincidentally, the China native is an English major graduate, and he answers in English more fluently than the Koreans. Koreans are surprised and awed. After chatting in English for a while, Koreans can't take the lead. After a while, the Korean wrote two lines of Chinese characters on the paper and asked a question. China wrote a few lines on the paper and answered his question. When Koreans saw China's vigorous Chinese characters, he was deeply moved. He offered a cigarette and praised his good handwriting. Finally, the business was concluded. It is a joke for foreigners that a China person can't even master his own national culture well. Only by mastering the basic things of China culture can foreigners be respected.
(2) the needs of study and work. It takes about 16 years for a person to go from primary school to university, during which writing is essential. Chinese characters play a very special role in your study. Nowadays, few schools except teachers' colleges want to test writing, and with the popularization of computers, there is even less time to start writing, which makes some students mistakenly think that writing correctly is enough, and writing well is unnecessary. Actually, it's not. As a student, you should write well. Test scores are the most important for students. The teacher judged whether the score was good or not. It can be said that 100% of teachers like students who write well, and they all like to read papers with neat handwriting. A paper, especially a liberal arts paper, such as Chinese, history, politics, geography, etc. The first impression to the teachers is the volume. Good handwriting makes teachers look easy to recognize, which is also good for readers. The handwriting is scrawled, the legibility is poor, the teacher looks difficult, tired and annoyed, and the first impression on the teacher is not good. For example, teachers read Chinese papers and evaluate composition scores. It is difficult to unify the grading standards of composition. It is normal for the same composition to be corrected by different teachers. Teacher China has a special preference for students who write well. Under the same theme, subject matter, language and structure, it is normal for Chinese teachers to give a slightly higher score for neatly written and beautiful compositions. Besides, Chinese is the foundation of all subjects and the basic skill of our survival. The basis of Chinese is reading, speaking and writing, and writing includes writing good words and articles.
Second, the entry method of pen writing
Mr. Xie Juezai, a revolutionary of the older generation, once taught the younger generation: "The words are clearly written and easy to identify; Beautiful writing, people like to watch. " This tells us that Chinese characters in our country are practical and artistic. Generally speaking, in the past, the pen words written by everyone can only be called writing, not calligraphy. In recent decades, some people of insight have combined the essence of China ancient brush calligraphy with practical pen writing, creating a new world of pen calligraphy and becoming a kind of hard pen calligraphy, which has been loved by many young people. Since writing is called art, there should be a way to enter the art gate. Here I will introduce several ways to get started with pen writing.
(a) from a famous book. Some people say that learning to be a beginner is not unreasonable. Choose a good post before posting. What kind of position should I choose? There is a saying in the calligraphy world: "Take the law; If you take the road of law, you will get it. "It means that learning excellent works can reach the intermediate level; If you study in the classroom, you can only reach a lower level. What is the best work? Some students may say that my father's handwriting is very good, and my father's handwriting is first-class in their enterprises and units; Some students may also say that I learned it from my teacher's words. Your father's handwriting, your teacher's handwriting, is probably really good. It can be called a one-sided show, and talents come out of a hundred miles. Can be placed in a larger scope, in the city, the province, the national scope, I'm afraid it won't count, can't reach talents, Wan Li. When we learn to write, we must learn from the celebrities at home and the works of the first-class calligraphers at home. There are many such works in the bookstore at present. You can choose one of them.
(2) Fill in in block letters. Beginners with poor foundation should learn smooth and neat regular script first, and it is best not to learn powerful running script and cursive script first, which requires deep skill and is difficult for beginners to control. Running script and cursive script come from block letters, and block letters are block letters. Generally speaking, if you have a certain foundation of regular script, after a period of running script practice, running script can be written almost. I have never seen a good regular script and a poor running script. Therefore, as far as the interaction between regular script and running script is concerned, the influence of running script is better than running script. Some people compare running script to standing, running script to walking and cursive script to running. It is not difficult to learn to stand before learning to walk and run, but it is easy to wrestle if you learn to walk and run first.
Without the foundation of block letters, it is easy to write running script directly: First, my running script is not well written, but I think it is well written. Second, I feel that my running script is not well written, but I can't find out the reason. This is because I don't have a bottom, and this bottom is regular script, which is also an important reason why most of them can't write running script well so far.
At the same time, we should also objectively admit that there are indeed a few people who have not formally learned regular script, but learned running script at the beginning. Nowadays, their running script is also very good. We have to admit that this is a method of learning running script, but this situation is individual and should not be popularized because its success rate is low, while the practice method from regular script to running script has a high success rate. This is like jumping from grade one to grade three, but it is not suitable for most students and will fail.
Some people hold this view. I think writing in print is too slow. Mainly to further improve the level of running script. I just need to write a running script. Of course, this style of writing may be improved to some extent. We must see that it is limited to improve the level of running script simply by writing running script, which often leads to slow progress. Only by practicing running script properly can we improve running script quickly.
(3) from a certain position. The ancients said that "the Analects of Confucius knows half the world", which shows the importance of intensive reading. Calligraphy is unique, different from literature and painting. Introduction to literature, you can't just learn one article, but at least learn dozens and hundreds of model articles; Beginners should copy a painting, not just a painting. The introduction of calligraphy can only be accompanied by a copybook, a copybook with only a few hundred words or even dozens of crosses. This is because the words in this copybook almost sum up the structural rules and writing methods of the words in all copybooks. Remember, novices should be single-minded and guard the door, and they can't chop and change. Some people practice this post today, and then practice another post tomorrow. Often, the words written are neither fish nor fowl, and the style is not uniform and not good-looking.
(4) from the figures. Talking about entering from the copybook doesn't mean that it is better to open the copybook and write from the first word to the last word than to attack in an all-round way. Some key and representative words should be selected for temporary research. A block letter copybook usually has thousands of words or more. We can choose one or two hundred representative words. For example, choose a few words for "walking", a few words for "holding hands", and a few words for the upper and lower structure and the left and right structure. After learning these words well, you can draw inferences from others, even if you don't practice.
(5) enter from big characters. When you are a beginner, you should write bigger words. Everything is the same. When you zoom in, you can see clearly, and it is easier to see the fault. It's best to use a grid instead of a small grid when practicing calligraphy. The same is true of calligraphy. First, write big characters in capital letters. This will not only help you find the shortcomings of temporary writing, but also facilitate the teacher to check.
(6) from shape to. Novices should be loyal to the original post, follow its shape, follow the trend, and follow the trend. The more you like it, the better. Don't arbitrarily revise according to subjective will, and pursue spiritual similarity. In fact, "shape does not exist, and God will not attach it." Ask God as soon as you get started, and you will never get God. Therefore, some people concluded that it is a shortcut to practice calligraphy by combining it with copybooks and practicing it to a certain extent before separating it from copybooks.
(7) From the cultivation of two abilities. Attention should be paid to cultivating two basic abilities when practicing calligraphy. One is eyesight, and the other is pen power. The so-called eyesight is the ability to observe people. Only by accurately and quickly observing the inclination, length and loneliness of strokes can we have an eye. The so-called pen power is the ability to control the pen with fingers and wrists. If you can do what you think, what you see in your eyes, how the pen behaves, and achieve the unity of heart, eyes and pen, that is, you have vision and pen power, which are gradually cultivated in the process of learning books. For example, to write the word "good", we must observe the "three degrees" before writing.
(eight) from the gas and concept. Some people say that practicing calligraphy is practicing qigong. It sounds sensational at first, but it makes sense to look closely. Practicing qigong emphasizes that qi is in the abdomen and then spreads around. With the help of certain movements, it must be driven by thoughts. In qigong, qi can be said to exert force, and once exerted, it can often produce a force beyond human physiological limits, such as invulnerability and breaking boulders. You should also use gas when practicing calligraphy, and you should have the idea of gas to the end of your pen. After such intentional long-term training, we can associate Qi with the pen and feel that the pen is very powerful and penetrates the back of the paper. When writing, you should use gas evenly in each stroke, so that the pen will die. You should have the idea of writing every word. Without this idea, you will never write well. The stronger this idea is, the faster your progress will be. Some beginners don't believe in the role of ideas in life and study. For example, it is reported that a British death row prisoner was blindfolded and tied to a chair, and the executioner cut a layer of skin on his hand, claiming to cut a blood vessel. A dripper was put aside to make the prisoner think that the dripping sound is the dripping sound, and the prisoner was killed by the idea of "dying of blood".
Third, fuzzy understanding to solve doubts.
(1) One-sided understanding of "words are ineffective for a hundred days". The phrase "a word can't last for a hundred days" has really played a lot of roles in encouraging beginners and enhancing their confidence in practicing calligraphy. When you practice writing for a few days, you are a little discouraged when you see no progress. At this time, someone patted you on the shoulder and said, man, words can't work in a hundred days. Keep practicing and you will see the effect. If you really listen and practice, you really make progress, which is the positive influence of words without a hundred days' work.
At the same time, the negative impact of writing without a hundred days' work can not be ignored. This sentence is vague and easy to be misunderstood. I mistakenly thought that anyone who wrote 100 days could write a good hand. No matter how much time you write every day, no matter whether you write 8 hours or 8 minutes every day; Whether the writing is serious; With or without guidance. According to my experience in calligraphy teaching, 100 days is not good for most beginners. Because we are not a calligraphy college, we can spend a lot of time practicing calligraphy every day. We still have a lot of work to do and knowledge to learn, and we don't have much time to practice calligraphy every day. Generally speaking, it takes about 350 to 700 days to write a good word, so words without a hundred days' work should be changed to words without two years' work. Practice/kloc-0.5 to 20 minutes every day for a year or two, and with serious attitude and guidance, you can generally write well. Therefore, practicing calligraphy depends on persistence. Don't think that after practicing for 100 days, if you don't write well, you will be mistaken for not writing materials.
(2) mistakenly think that writing is good or bad. I don't deny the innate differences between people in intelligence, but this difference can't be overemphasized. Marx said that the original difference between porters and philosophers is not less than that between domestic dogs and hounds. The reason why porters become porters and philosophers become philosophers is the acquired social conditions and education. According to the research of psychologists, at most three children in 1000 are extraordinary. So for most people, there is no question of being born or not. Some beginners may ask, my friend Xinhe Wang, like me, has never practiced calligraphy at all, but his calligraphy is better than mine. What is the explanation? This can be explained clearly. Of course, it can't be explained from the perspective of origin. Is there any natural ingredients here? It is also possible, but it can only be one tenth. More importantly, the educational conditions are different. First of all, it is very likely that your first teacher is different. The first teacher your friend met is likely to be a teacher with profound calligraphy attainments. Chances are that your first teacher is not particular about writing. It is very likely that your classmates' parents, brothers and sisters write well, while your relatives don't. It is very likely that your friend has been interested in writing since he was a child, and you have always thought that writing is good or bad.
In a word, personality is cultivated, and the role of congenital factors is very small, which is mainly determined by the acquired educational conditions and efforts.
(3) I mistakenly think that I can write well as long as I write often. If we don't engage in scientific farming, only rely on ancient experience, only rely on hard work and repeat the farming methods of our ancestors, there will be no high-yield fields. The same is true of writing. You can't practice Chinese characters by hard practice and mechanical repetition. There are skills and methods in writing. The eight methods of getting started with pen characters mentioned above are skills and methods. Besides these eight points, it is also important to have a good teacher to check and guide you from time to time. On the one hand, copybook itself is a good teacher. You should compare the shortcomings of the words you are learning with the copybook. On the other hand, please ask a teacher who knows calligraphy. He can often, objectively, accurately and timely check out the mistakes in your writing, and can put forward the ways to correct them. This can get twice the result with half the effort, make progress faster and prevent unnecessary duplication of work.
In short, learning pen calligraphy is the same as learning other knowledge and skills. First of all, there must be a spirit, that is, confidence, perseverance and perseverance. Only through hard work, a certain period of time and repeated hard practice can we master it skillfully. Secondly, learning calligraphy is a comprehensive ability training. Generally speaking, it includes improving calligraphy theory's knowledge, mastering writing skills and skills, and cultivating aesthetic ability and sense of beauty. There is an inseparable internal relationship between them: calligraphy theory's knowledge is the basis of improving writing skills and aesthetic ability, and the improvement of writing skills helps to understand calligraphy theory's knowledge and cultivate aesthetic ability, while the improvement of aesthetic ability and aesthetic feeling helps to understand calligraphy theory's knowledge and improve writing skills. So simply practicing writing skills is blind and superficial, and the improvement of writing skills is bound to be slow and very limited. It is necessary for calligraphy lovers to learn some calligraphy theory and cultivate their aesthetic ability while improving their writing level. According to the law of human cognition and practice, learning calligraphy must follow the process of observation (cognition)-writing (practice)-comparison (re-cognition)-writing (re-practice), which goes on and on, even endlessly. Observation: It is the beginning for human beings to know and practice things, and it is also the guide for human beings to study and explore anything. The same is true of learning calligraphy. You must first learn to observe and analyze the strokes, structure, strokes and unique styles of Chinese characters, and then copy them purposefully, so as to get better results. Otherwise, if you don't understand the characteristics of the model characters, you will often spend a long time writing blindly and passively, but you will not achieve the ideal effect. In addition, through observation, such as reading more model copybooks, visiting high-level calligraphy exhibitions, browsing celebrity ink, etc., through regular observation and understanding, I can gradually improve my aesthetic ability and appreciation of calligraphy art, and at the same time, I can gradually discover the stroke characteristics, structural combination rules and physical characteristics of characters, laying a preliminary foundation for learning calligraphy. Writing by hand: it is a practical process and a decisive link in learning calligraphy. Learning calligraphy must start from copying and practice more. There is no shortcut. Even if some people like to visit all kinds of calligraphy and painting art exhibitions, they usually like to observe, analyze and comment on other people's calligraphy, and they have strong appreciation ability, but they will not write beautiful words unless they practice. This is what people often say, "the eye is superior but the eye is inferior." After a long period of careful observation and practice, people with high attainments have a very harmonious hand-eye coordination. Beginners often know how to write well and imagine their own words after seeing them with their eyes, but writing by hand is self-evident, which is very different from the original demonstration words, even far from their own imagination. This is "the eye is superior but the eye is inferior", that is, the hand-eye coordination is inconsistent. From inconsistent hand-eye coordination to tacit hand-eye coordination, it is convenient to use and needs to practice writing repeatedly for a long time Therefore, calligraphy learning is not only the teaching and understanding of calligraphy knowledge, but also the repeated and serious practice of writing. Its purpose is to exercise hand skills and cultivate the coordination ability of hand-eye coordination.
IV. Frequently Asked Questions
(1) The written font has been formed. Can it be changed? How?
A: It can be changed, and it won't take long. Many comrades think that the style of writing has taken shape and is getting older and older, and it cannot be changed ... This view is wrong. You know, it is not difficult to write a good hand, nor is it unattainable, but you are extremely diligent and eager to learn, as long as you use the right method and correct your old writing habits. Specifically, when you practice writing, you must correct your writing posture and writing method, which is the first condition.
Here are two examples of ancestors practicing calligraphy. Now I will talk about this problem with my own experience.
As we all know, Wang Xizhi, a book sage in China, first studied books in Wei Shuo, and later saw the famous works of Zhong You, a famous scholar of the previous generation, so he changed to a beginner. It is he who, as a link between the past and the future, turned the simple calligraphy style into a beautiful and fluent modern style, and made creative contributions to the opening of letters, lines and cursive scripts. This is Wang Xizhi's historic contribution in the history of calligraphy in China.
Besides, Yan Zhenqing, a beginner of Chu Suiliang, learned the law from Zhang Xu. He used the brushwork of seal script to write dignified and dignified regular script. It was he who created a new style other than the two kings.
I will learn Zhong Shaojing's regular script first, then Ou Yangxun's and Huang Ziyuan's regular script, and Huang Ruozhou's running script. I feel that I still have a long way to go, but I still have to work hard. But no matter how many years it has been written, it can be changed.
Some comrades suggested: is it ok to write a pen to imitate a brush copybook? Practice has proved that the same effect can be achieved.
No matter how old you are, no matter whether your writing is shaped or not, you can write well as long as you are diligent and firm and realize that this is crucial to your work and future. After some hard work, you can write well.
Although it started too late, many famous teachers didn't start learning until after thirty. Liang Hao of Song Dynasty was admitted to Jinshi at the age of 82. He chanted, "I also know that young people are eager to get into the business and strive to be the boss is mature." In the Ming Dynasty, when Li Zhi abandoned his official position and decided to write a book, he was 54 years old. His masterpieces "Burning Books" and "Collection of Books" were completed at the age of sixty-four and seventy-three.
Achievement lies not in age, but in ambition and perseverance.
(2) Where to start writing?
Answer: First of all, you should choose your ideal copybook and consider whether it is similar to your own font. After selecting the font, read it several times and analyze the main points and structural rules of the font. This is called "expressing meaning in words first", then describing it with transparent white paper first, then copying it and memorizing the key parts of each word. Now the specific steps of writing posture and writing are as follows:
1, sit up straight, shoulders should be flat, back should be straight, body and head should not be crooked, let alone low; The eyes are about one foot away from the desktop, and the chest is about three inches away from the edge of the table.
2, the pen should be straight, the nib should be straight, and it is forbidden to tilt inward (as long as the palm is flat, the nib naturally moves forward); The tip of the index finger is about an inch from the nib. If the pen is not straight or the nib is tilted inward, it is difficult to write well and it is difficult to write well. Even if you write with a pen, you should move your right hand. At the same time, the lines written have no backbone and rhythm, and the font is not generous.
3, the inclination of the pen, write big words with the pen up, the inclination of the pen is slightly larger, write small words down, and the inclination of the pen is slightly smaller. Generally, the slope should be inclined at the index finger joint, and the strokes written here are either rigid and flexible. The inclination of the pen is not suitable, and the speed of using the pen is limited, so you can't write floating and verve glyphs, so you shouldn't tilt at the "tiger's mouth".
4. It is easy to hold the pen, and the pen is free; Hold the pen too tightly, and the written words can't be open and generous. According to the middle school lecture, in a class of 50 students, 45 students hold the pen incorrectly or the tip of the pen tilts inward, and so does the university. It is precisely for this reason that these students' handwriting is not like a hook, and the strokes are piled horizontally.
As I said before, writing is good or bad, and posture is absolutely related to writing. Just like a carpenter sawing wood, if the posture and grip of the saw are incorrect, even if the "line" is drawn straight, it will be sawed askew. This is the same as writing good words.
(3) How should the steps of learning calligraphy be arranged?
Answer: Let's talk about the basic strokes of regular script, that is, point, horizontal, vertical, left-off, grip, lift, hook and fold.
A word is like a machine. When the basic strokes are practiced, it is equivalent to processing the "parts"; Practicing radicals well is like starting to "assemble"; Practicing the whole shape is equivalent to entering the "final assembly". In other words, learn "decomposition" first, and then learn "coherence". Therefore, regular script is the foundation, and basic strokes are the foundation of foundation.
When practicing writing basic strokes, you should practice them in different categories. For example, when practicing writing "three", first practice three, three, three, three, and so on, then write "coherence" and combine them.
General rules: practice basic strokes first when practicing regular script; Practice the stroke order again; Third, practice radicals; Four-practice glyph structure; Practice branch layout.
The "dot" drawing of Chinese characters should be aggravated, such as falling to the ground. For example, according to the writing methods of Zhong Shaojing and Ou Yangxun, writing in a short vertical position will be more powerful.
(4) Why do you say that you must practice regular script before learning Chinese characters?
A: As we all know, when children start to walk, they must first learn to stand and stand firm before they can learn to walk. When they are familiar with their own steps, they can walk quickly and then run.
This is the same as practicing the trilogy, first practicing the template; Practice again; Third, practice grass. Calligraphers of all ages have consistently advocated that it is easy to write cursive script only after practicing regular script well and having a solid foundation. Only by practicing regular script and writing words can the pen not slip and the body not be fragmented.
(5) How long does it take to learn regular script first?
A: As long as you choose your copybook and write two pages a day, it will be effective in two months. As for the method of practicing calligraphy, it is still to describe first, then copy, and then find the gap through comparison. For more difficult words, write them down separately, which is a special breakthrough.
When you practice effectively, you will naturally become interested: the more you write, the more you love to write, and the happier you look! This is the beginning of your success.
(6) I am used to writing running script. Can I practice regular script again?
No problem, and soon. Because you have a certain impression of the structure of glyphs, a certain writing foundation, and a certain literacy in your fingers and wrists. As long as you change your methods, correct your original posture of holding and holding a pen, and keep practicing according to the basic system of regular script, you will get results in half a year.
(7) If you want to write every word well, what should you master?
A: First of all, we must master the brushwork, that is, the strokes that should be forced should be forced; If force should not be used, there should be a slight transition. For example, write words such as country, red, truth and steel. , light and heavy, will give people a sense of beauty.
Generally speaking, "three, one, three, three (four)" and other strokes are hard with a pen, while others are slightly lighter. But every stroke of a word can't be forced. For example, the words "people, big, and heaven" should be sketched lightly and painted heavily. On the contrary, it is enough to write a heavy sketch and a light sketch. In short, you can't exert yourself evenly.
(8) Some people say that the basic strokes are easy to practice, but the shelf structure is difficult to write. Is that so?
A: It seems hard to say. In fact, it is easy to find the right method and path.
For example, after you practice the basic strokes, you will have the basic skills. When we say that the method is accurate and the way is right, we mean to distinguish whether it is a single word or a combined word in structure.
If it is a single character, it is necessary to master the center and center of gravity of the character. For example, the words "up, down, thousand and ten" are all single words, so we should grasp its center of gravity: horizontal painting is slightly longer, vertical painting is slightly shorter, and vertical painting must be centered downwards (regular script).
If it is a combination word, it is necessary to distinguish the left and right structures; Or upper and lower structures; Whether it is left-middle-right structure, upper-middle-lower structure, semi-inclusive structure or fully inclusive structure. Understand these six differences, and then master them according to the definition and organization rules of words. In this way, you can write a perfect and beautiful font.