European style: The font is based on "Two Kings", which combines the charm of Han Li's calligraphy in Wei and Jin Dynasties, absorbs the strengths of various schools, and creates a new style. Basically, Fang Bi is the main pen and stippling, between the pen and the round pen. Use the pen easily and naturally, cleanly, slowly and implicitly, without squatting, and carefully. Stippling pays attention to the spirit of echoing coherence, strokes pursue change and stippling is like a triangle. Fang Bi's pen and round pen strokes are often used, which are flexible and vivid. The hook painting is taken from Li, full of grace and momentum, and the turning point is mostly square and round, which is both square and vigorous. The structure is slender, the direction is unified, the two sides are tight, the peaks and ridges are prominent, the left is tight and the right is stretched, the vertical is the main trunk, the pattern is horizontal, the statutes are strict, and the danger is strong in the face. The middle is evenly arranged (the middle palace is tight), and most of them spread to the right, while the center of the word is generally slightly left, which is more dangerous, rigorous and impeccable.
2. Yan Zhenqing (709-785), whose real name is Chen Qing, was born in Linyi, Langya, Tang Dynasty. He is the most accomplished and influential calligrapher after the two kings. Changing the ancient calligraphy style in the early Tang Dynasty, it became thin and hard to be full and vigorous, with a broad and vigorous structure, which conformed to his noble personality and was a typical example of the perfect combination of calligraphy beauty and personality beauty. Masterpieces: Duobaota Monument, Yan Monument, etc.
Yan Ti: Widely absorbs the techniques of calligraphers in the Six Dynasties, Sui Dynasty and Tang Dynasty, and integrates everything in one furnace. It is ignorant and innovative, creating a new style. The brush strokes are quite thick, the layers are flat and dense, magnificent and changeable, and the top is dense and the bottom is sparse, just like the towering Taiyue. The pen is vigorous, the pen is rounded, the pen is centered, the ink is light and heavy, and the pen has the state of "swallow tail of silkworm head". Use a formula to describe how long the pen turns and the circle turns straight down, instead of holding the pen. At the turning point, there are mostly inner and outer circles. Hook brushwork is mostly bird's beak-shaped, with a wide, square and full-glyph structure, which is basically symmetrical, dignified and steady, showing elegance. In particular, Yan Kai strengthened the role of the wrist in his writing, and made more use of the Tibetan front, forming a strong, rich and vigorous feature. Generally speaking, facial strokes are symmetrical, but vertical paintings tend to be environmentally friendly inward and slightly arc-shaped. The modeling official script is full of brushwork, which is a round and profound appearance of the whole word, with strong connotation and profound artistic effect.
3. Liu Gongquan (778-865), whose real name was Tang Jingzhao, was named Liu, the prince's surname. Calligraphy is vigorous and powerful, and every word is rigorous and meticulous. Regular script is attractive, vigorous and powerful, and running script and regular script are the most exquisite. Masterpieces: Mysterious Pagoda Monument and Shence Army Monument.
Liu Ti: a famous calligrapher in the late Tang Dynasty. I began to learn the "two kings", and then learned the brushwork of various schools in Sui and Tang Dynasties, and then further changed the painting style and created a new school. The book is rigorous in structure, spacious and open, square in pattern, vigorous and upright, broad in strength and handsome in spirit, which has become a model for later generations. His stippling is vigorous and elastic, and his strokes are all extended in all directions, which makes the overall situation open. "Vertical hook" and "oblique ge" are often written just right, which makes the characters stand tall and magnificent. The horizontal painting mostly adopts the method of starting from the garden, the vertical painting mostly adopts the method of starting from the peak and leading the peak downward after finishing the pen, and the pen collection mostly adopts hanging needles or calligraphy. Benevolence has a certain radian, although the front is tall and straight, but there is bone strength inside. Stand with a pen, hold it up and press it, lost in thought. Based on the face style, the words are compact and bold, the middle palace is tightened and the four sides are open. It is tight but informal, sparse but not scattered, full of regular changes, even in the middle, it is even more dangerous.
4. Zhao Mengfu (1254— 1322), born in Wuxing, Zhejiang. He is good at seal script, official script, original script, calligraphy and cursive script, with charming and elegant style, rigorous composition and skillful brushwork. Regular script is round and delicate, correct and rigorous, and elegant and beautiful. Known as "Zhao Ti" by the world, his masterpiece "The Remodeling of the Three Doors of the Xuandian".
Zhao Ti: Regular script is the highest achievement. Do regular script, use a pen in the center, smooth and smooth. The structure is symmetrical, so that it is full of charm, elegant and beautiful, which is obviously different from the styles of Europe, Yan and Liu Zi. His masterpiece Dan Babe. The characters in Zhao's works are diverse, round and vivid, looking in all directions and echoing from afar. In fact, they are all coherent, drawing horizontally and writing vertically, walking a little in the middle, and returning to the front with the pen. The whole stroke is calm and decisive, generally bringing the momentum to the right. Vertical paintings are mostly vertical, often with a left arc according to structural needs, and the arc surrounds the center of the word. The folding method is at the junction of the horizontal and vertical directions. After a short pause, it will be straightforward, not sharp and not slippery, and there is no drawback of throwing ribs and revealing. This is not the same as Yan Liu's writing method from scratch and ready to go. Ben's strokes are quick and sharp, and most of them show no trace. The knot is symmetrical and comfortable, with dense strokes and harmonious sides. However, it should be noted that Zhao Ti's handwriting is smooth and round, but his strokes are quick. When writing, don't write with a weak pen and a sharp knife. You can't just look at the sweetness, and you can't ignore the connotation of bone strength.