How can plum blossom fragrance be without biting cold?
The more I get to the end of a short message, the more I feel scared. As the saying goes, "the hardest thing to do" is actually wrong. In my opinion, "the end is the hardest." It's hard to imagine a good-looking article without a complete ending. Many articles have fascinating beginnings and disappointing endings. This is a mistake that many authors have made. However, after reading Sin Luan Nie, I have great confidence in Yan Li's ability to control the ending, and I am also looking forward to the ending of Heart in Hometown. It is said that the last 200,000 words are left. According to the author's speed today, it is actually only one month. I'm going to say goodbye to my heart at home in a month, which is very sad and emotional. The advantages of Yan Li's prose are obvious, and everyone has mentioned it many times in their comments: such as beautiful written language, profound poetic skills, profound theme implication, meticulous plot design, outstanding personality description, meticulous psychological description, etc ... Everyone has praised it many times, so I won't elaborate here. I mainly want to talk about Yan Li's control over a complete text. If I remember correctly, Yan Li once said in a message that she couldn't write a novel and didn't know how to write it, because all the stories that should be explained were explained in the text. Many writers like to put the stories of supporting roles outside the norm. The first is afraid of affecting the main line, and the second is afraid of weakening the protagonist's scene. Of course, many people don't know how to integrate the story of the supporting role into the main line, so they put it outside the model for another narrative. However, in Yan Li's story, the supporting role and the protagonist are one. In a main line, the ending of the supporting role is also explained one by one, and the rest need not be written. This is actually a descriptive technique in the form of film and television dramas. In film and television dramas, the stories of supporting roles and protagonists go hand in hand, they happen at the same time and blend in the big story background. In fact, this is a skill that not every author can master. Many supporting roles in many online articles I have read have come and gone without a trace. The author grabs whoever he thinks, and there is no ending if he uses it. Or that is to say, the character's personality is off course and can't be linked before and after; Or the plot is contradictory, and the story of the supporting role is also confusing; In other words, the story of the supporting role is gradually separated from the protagonist, and finally it can only be explained by foreign sources. Seeing this passage about Shan Xin and Nie Qi, I can't help clapping my hands and admiring Yan Li's foresight, which is meticulous and long-term. Not long after Dan Xin appeared, I once vaguely felt that she was like Luan rewelding. At that time, I thought that the author preferred this kind of girl, so every article always wrote a glib girl. Finally, in the previous chapters, Nie Qi, who has become a genius emperor, said a word to Dan Xin: "You are like a human being." When I saw this sentence, I was aware of the author's thoughts. The whole 600,000-word foreshadowing gives this article a vivid ending for its first positive female match (note that it is "positive"), at least I think it should be a good ending. Judging from the fact that the author asked Nie Qi to walk on at the same time in "Deep Luan Nie" and "My Heart is Straight", the author should be biased towards Nie Qi, and this bias also gives me enough reason to believe that Dan Xin and Nie Qi will have new stories. This is a meticulous conception, a profound connotation, which can not only fuse the two texts together, but also develop a new intriguing relationship between the stories and characters that have ended. Unexpected, but reasonable, as if you went deep into the jungle and found that something unexpected happened. Anyway, there are many supporting roles in this article besides indifference, good and bad, dead and alive, and their endings have not yet appeared. Light rhyme, cloud imagination, Ming brothers and sisters, and what ... I believe that they all appear when the plot needs them, and I believe that the author will arrange their stories one by one, even if they leave a few strokes less, they will have a complete ending, which will be pleasant and serve the main plot. I once said that Sin Luan Nie is a man's story, and My heart is like a room is a woman's story. I'm not the only one in the comment area who thinks so. A reader in Taiwan Province Province also commented that "my heart is like a house". To some extent, this is a story that women are strong and men are weak. In other words, whether it is status or personality experience, the rise of men is not as fast as that of women. I experienced a lot of ups and downs when I left the cave. I have been abandoned, lost my beloved, kept my promise alone, supported my family and struggled with a group of pure men. And the stories of those supporting roles, while vivid and clear, are also setting off the protagonist and enriching the story of the protagonist. Xia Yanran's infatuation calculation was killed again; Yun Qi and Yan Yan are ambitious, but they think highly of themselves; The nondescript love between Yunxian and Siyi came to fruition. Taifuren from resentment to sincere acceptance; Ming brothers and sisters fell from high above to home; Lian Qi's marriage is just a form ... Some people cry, some people laugh, some people are happy, some people are unfortunate, and together with * * * form my heart at home. Yunci made me deeply sad, and Shen Yu made me deeply moved. I feel helpless for Nie Jiu and deeply sorry for Nie Qi. In this story, the theme of fate is more obvious and the meaning of growth is more profound. No matter the leading role or supporting role, it takes practice and practice to grow into an earth-shattering legend. If you don't freeze, you can't smell plum blossoms. Of course, they are legendary enough in Yan Li's works.