Give it to me.
Episode 1: National Treasure Moves to Taiwan Province.
There is only one Forbidden City in China, but there are two in the Palace Museum, one in Beijing and the other in Baodao, Taiwan Province Province. Most of the 650,000 treasures handed down from the National Palace Museum in Taipei come from the Forbidden City in Beijing, behind which is an unprecedented migration of cultural relics in the history of human culture. This episode will reveal that long-forgotten history through eyewitness accounts.
The top cultural relics of the National Palace Museum in Taipei are the so-called "treasures of the town hall", such as Mao, Pan, Ru Kiln, Fuchun Mountain Residence, Sunny Snow, Si Quan Shu and Jigang Cup. Han Yun's Map of Wen Yuan in the Forbidden City in Beijing, Zhang Daqian's Dunhuang frescoes, cultural relics exported to Taiwan by Henan Museum, and cultural relics returned by Japan. Sanxi Hall Post (snowy day is sunny, Mid-Autumn post, Yuan Bo post, followed by Mid-Autumn post), Wen Yuange's Si Ku Quan Shu, Dai Zaotang's Si Ku Quan Shu Yao Hui.
Episode 2: misty rain in Beigou
After the cultural relics came to Taiwan Province Province, they were stored in the mountains of Taichung for fifteen years. This episode tells how experts who came to Taiwan with cultural relics declared the brilliance and broadness of Chinese civilization to the people on the island and the world during the fifteen years, until 1965, when the New North Pavilion of the Forbidden City was built.
There are two volumes of Zuozhuan Zhushu, two volumes of Chunqiu Shuo, five volumes of Chunqiu Zuozhuan Story, and one volume of Luancheng Collection is in Box 856.
Ming Di's Rise for Shu in the Tang Dynasty, A Journey to the Western Hills in the Song Dynasty, Seeing the Mountain on the Riverbank by Yuan Ni Zan, The Peak of Lushan Mountain by Zhou, and Song of Mountain Road.
Tang Huaisu's Autobiographical Notes and Zhao Meng's Two Poems on Red Cliff
Mao, Pan Sanzi, Zhou, Uncle
Ming Hongwu kiln glazed safflower bowl, Jun kiln lotus bowl, Xuande ruby cap pot, Ru kiln lotus bowl, Yongzheng blue and white flower and fruit bottle.
Episode 3: Bronze Memory
Over the years, bronzes have gradually evolved from practical functions to meaningful objects, among which ding is the most important weapon of the country.
However, modern wars displaced the country's heavy weapons, and cultural relics experts such as Li Ji, Zhang Guangzhi and even Xu Zhimo, Hu Shizhi and Herrlee Glessner Creel were more or less involved. This episode will describe in detail the memory of the years engraved by the mottled patterns on bronzes.
Episode 4: Glaze Millennium
The five famous kilns are undoubtedly one of the most proud collections of the National Palace Museum in Taipei. How did the Song people pay attention to real life and eulogize these aesthetic models that later generations respected for thousands of years? Thousands of years have passed, what have they experienced across the strait? In this episode, we will explore one by one.
Episode 5: Porcelain Flowers
Porcelain was once China's most familiar impression on the world. Blue-and-white porcelain is the darling of the maritime Silk Road trade, and enamel porcelain is a rare royal secret instrument for ordinary people. Both of them have the glory in the history of cultural exchanges between China and the West. This episode will focus on the collection of the National Palace Museum in Taipei, and through the exchange of experts from both sides of the strait, gradually unfold the dusty past solidified in glaze.
The sixth episode "Yurun Guanghua"
China people have loved jade since ancient times, and it continues to this day. Among all the collections in the National Palace Museum in Taipei today, the most famous one is jadeite-jadeite cabbage. Over the past five thousand years, jade articles have been filled with the cultural feelings of China people. How much of the jade hidden in the Forbidden City went to Taiwan Province Province? The medal of "gold inlaid with jade" in Beijing Olympic Games will draw people's thoughts in the warm streamer and look back on the hope and meditation of the Millennium.
Episode 7: Wonderful workmanship
Among the numerous collections in the National Palace Museum in Taipei, the collection of "antiques" attracts visitors' attention with amazing exquisiteness, revealing the details of ancient court life and the inner preferences of emperors everywhere. This episode will restore the true details of grand history through these exquisite and small "treasures".
Carve an olive nuclear ship
Qing Jasper Carved Square Box Duobaoge
Fan Lian Duobaoge Round Box Bound with Bamboo Silk
Wen Tianxiang jade belt raw inkstone
General display of "rare" cultural relics
Ming CuO Temple Enamel Dragon and Phoenix
Jin Hulu (a pair), descendant of Wan Dai Qing Dynasty
Dry Qinglong, filigree enamel, lady holding a pot.
Qing Jin Po Zhu Chao
Jade is the best in the world.
Sunflower tray with black lacquer.
Qingganlong glass tire enamel lotus snuff bottle
Qing Jiaqing porcelain tire pastel wrapped gourd snuff bottle
Fengchi inkstone in Xichun period of Song Dynasty
Taohe Shilan Pavilion inkstone
Jiangkui Duanshi Qixing inkstone
Jin Yan Yuan
Cheng Ni Jiaoye inkstone
In the sixth year of Yuanfeng, the inkstone was muddy.
Episode 8: Momo Feng Yashang
Calligraphy, a Chinese art, is the spiritual imprint of our ancestors. Wang Xizhi, Yan Zhenqing, Huai Su ... These treasures in the Palace Museum once belonged to Emperor Qianlong. Sixty years ago, these babies came to Taiwan Province Province and slept in the warehouse. One of them was awakened occasionally in autumn and displayed in the dimly lit exhibition hall of the National Palace Museum in Taipei, evoking people's memories of time and ancient skills. ...
Preface to Lanting Collection-Preface to Dingwu Lanting Collection-Preface to Lanting Collection is the best running script in the world, which is legendary.
"Sunny Post in Fast Snow"-Wang Xizhi's work, the first of three wishes, and Qianlong's favorite.
One of Wang Xizhi's representative works-Yuan Guantie
Peace as an Orange —— One of Wang Xizhi's representative works
Yan Zhenqing, the second running script in the world, is extremely painful.
Sun is a masterpiece combining theory with calligraphy.
Autobiographical Notes —— Huai Su, a madman, and Zhang are called epilepsy. Autobiographical posts are Huai Su's representative works.
Episode 9: China's calligraphy is elegant.
Life is a pity, a bowl of burden. Su Dongpo's cold food post sings more than one person's sadness. Su Dongpo, Cold Food Sticker, Huang Tingjian, Flower Fragrance Sticker, Song Huizong and Peony Poem Sticker, calligraphers interweave a destiny song of people and things, ancient and modern, possession and loss in the National Palace Museum in Taipei.
Calligraphy in Song Dynasty was mostly letters.
Su Shi's Authentic after Cold Food is the third running book in the world. Qin Xiaoyi, president of the National Palace Museum, recommended these must-see exhibits. (Su Shi's fate, the fate of cold food stickers, the fate of the National Palace Museum in Taipei and Qin Xiaoyi's own fate-exactly the same. Cold food stickers are also the clue of the film After, which was produced in 2005.
Huang Tingjian's Flower Fragrance Sticker —— A must-see exhibit recommended by Qin Xiaoyi, president of the Palace Museum. Huang Tingjian, one of Song Sijia's representative works, shot the advertisement "oldisnew" through the interpretation of "Flower Sticker".
Mi Fei's Shu Su Tie, one of Song Sijia's representative works, was written on a kind of silk. Special texture and writing strength. Calm and happy.
Cai Xiang's Heart of a Pure Son is one of Song Sijia's representative works, and Cai Jing, the inscription of Cai Xiang and Cai Jing on the Map of Wen Hui, is a controversial calligrapher.
Song Huizong's Peony Poems and Poems, the representative works of Song Huizong, the emperor of calligraphy and painting, are thin and golden.
Episode 10: Deep in Yunshan Mountain
Song and Yuan landscape paintings are treasures of the National Palace Museum in Taipei. From the commemorative style of the Northern Song Dynasty to the poetic landscape of the Southern Song Dynasty, and then to the spiritual landscape of the Yuan Dynasty, ancient painters used the same pen and ink lines to outline and render thousands of world faces and feelings. Nowadays, in the exhibition hall of the National Palace Museum in Taipei, a series of masterpieces are still continuing the Zen meaning of "I am afraid of falling asleep at night, so I will light a candle and put on red makeup".
The Three Treasures of the Forbidden City-Three Scenes of the Northern Song Dynasty: Fan Kuan's Journey to the Western Hills, Guo's Picture of Early Spring and Wanhe.
Fan Kuan Xishan Tourism Map-Original. There is a signature as evidence, which influenced the landscape of the Northern Song Dynasty by Xu Beihong, Wen Fong and others. The treasure of the National Palace Museum in Taipei.
Guo's "Early Spring Map"-a masterpiece in the landscape of the Northern Song Dynasty, a landscape painter of the period.
Li Tang's Wan He Song Feng, a member of Hui Zong Painting Academy, later joined the Southern Song Painting Academy as a master of landscape painting, which influenced the painting style of the Southern Song Dynasty and invented the axe chop.
Other works in the Hui Zong era:
Part of Li's "Mountain Villa Atlas"
Bird Axis in Mount Mera, Song Huizong
Song Huizong Wen Hui map axis
Autumn night map of Song Huizong pond
Xia Gui's Xishan Qingyuan —— Xia Gui and Ma Yuan are the representatives of painting in the Southern Song Dynasty. It is called "Ma Xia". This long scroll is a masterpiece.
Ma Yuan's "Deng Hua Yan Shitu"
Marin's Listening to the Pine Wind and Candle Shadows at Night
Ye Song Xiaoyan's Ten Scenes of West Lake
Li Di's Wind and Rain Grazing to the Axis
Kai Liang's "Splash Ink Fairy Book"
Yuan dynasty (1206- 1368)
Huang's Fuchun-First. A work that has the greatest influence on later generations. It embodies the style and interest of literati in Yuan Dynasty.
Ni Zan's Over-the-Knee Lent —— Ni Zan, one of Yuan Sijia. Gao Shi is considered as the representative of literati landscape painting. His painting theory of "escape from the chest" has become a manifesto of literati painting freehand brushwork style.
Zhao Mengfu's Autumn Color Map of Quehua —— A masterpiece of ancient landscape painting by Zhao Mengfu. A beautiful illusion of scenery.
bright
Wen Zhiming's ancient cold spring map and Tang Yin's Xishan fishing hidden map.
clean
Biographical sketches of Badashanren, a small map of digging soil written by Shi Tao, and eight horses of Lang Shining.
Li Lincan has made research achievements in three works: Huang Ming's Running Script, Lin Qiu's Deer and Feng Dan's Deer.
Episode 11: handed down treasures
1772, Emperor Qianlong ordered the compilation of Sikuquanshu. Over a period of 15 years, more than 3,000 people compiled and copied 7 copies of Sikuquanshu, one of which was kept in the Wen Yuan Pavilion of the Forbidden City.
From 65438 to 0949, Liang Tingwei, a book expert in the Palace Museum, escorted Wen's Sikuquanshu to Taiwan Province Province, while Liang Tingwei's son Liang stayed in the Forbidden City. Although two generations separated the two sides of the strait, the * * * of Sikuquanshu continued the inheritance and hope of Chinese civilization.
Sikuquanshu: compiled during the reign of Qing Qianlong. It started at 1772 and was compiled after ten years. The largest official book in ancient China is also the largest series in ancient China, which is divided into four parts: classics, history, books and collections, hence the name Siku. According to Wen Jin Ge Ji, this book contains 3,503 kinds of ancient books, 79,337 volumes (79,337 volumes), and more than 36,000 volumes are bound. Saved a lot of documents and materials.
Episode 12: Connecting the Past with the Future
The contradiction between the display and protection of cultural relics is a difficult problem faced by every museum. Therefore, the National Palace Museum in Taipei is committed to using high-tech means to let people appreciate the charm of cultural relics through more channels. While introducing the modernization of the National Palace Museum in Taipei, this episode will also explain the regret that the treasure of one palace is divided into two houses, and people's warm imagination of tomorrow.