Liu Yuxi's poems
Autumn ci in humble room, autumn wind draws dike, autumn ci takes second place, and Wang Dongting in Chang 'an is empty.
Throwing ball, throwing ball, stepping on words, stepping on words, stepping on words, stepping on words, stepping on words, remembering Jiangnan, stepping on function words.
The Xiaoxiang God, the assistant minister of Yuezhou in eastern Zhejiang Province, paid a long sentence in the Spring Festival Evening, thinking about the old things of Yangzhou Lotte in the Temple of Shu Xianwang in Xibaoshan.
Langtaosha's Nine Poems by Zhi Zhu and Nine Poems by Yang Liuzhi.
The more prosperous the place, the west of Yu Cave in front of Qin Wangfeng. The grass grows in the lake, the geese walk, and the flowers in the mountains are half grateful to the cuckoo. ("Appreciating Assistant Minister Li Yuezhou's Spring Festival Evening Sentence in East Zhejiang")
Jin Rong returned from his pilgrimage that day, and there was no brother in the entrance examination record. Cold ling went to Yin Shan, and her clothes were embroidered with her husband's snow. (To the Ancestors of Teng Shuzi)
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Three works
There are three kinds of existing ancient books in Liu Yuxi's collection: ① Dong's engraving (1 138) in the eighth year of Song Shaoxing, a small seal script, which Xu Hongbao has photocopied. In the 13th year of Xichun (1 186), Luyou was re-engraved according to the Eastern edition, which was called "the reduced edition". Block printing, which has been popular since Ming and Qing Dynasties, basically belongs to this system. (2) The Collected Works of Liu Mengde, an engraving of the Song Dynasty in Chonglan Museum, Fukui, Ping 'an, Japan, is a large-character version of Shu, which is now a photocopy of Dong Kang and a condensed version of the Commercial Press. ③ Collected Works of Liu Mengde (Volume 1-4), and Jian 'anfang Block Edition in Beijing Library. Jin Mao, Hui Dong, He Chao, Feng Hao, Huang Pilie and others in the Ming and Qing Dynasties preliminarily sorted out Liu Yuxi's books, but most of them were manuscripts, which were not widely circulated. The existing editions of Liu Yuxi's collected works are: Four Editions, Liu Mengde's Collected Works, Four Notes, Liu Binke's Collected Works, Collection Integration and Liu Binke's Collected Works. There is also the proofreading of Liu Yuxi's collected works. Liu Yuxi's life story can be found in the old and new biographies of Tang Dynasty, and Jia (called Jia) compiled by Tang Dynasty records Liu Yuxi's conversation about creation and learning in his later years, which is quite informative. The Chronicle of Liu Yuxi written by Bian, a modern man, has done a lot of textual research on Liu Yuxi's life and various historical materials. "Humble Room Ming" was selected as the first volume of the eighth grade of People's Education Press, and the 26 th lesson of "Humble Room Ming" was the next semester of the seventh grade of the nine-year compulsory education textbook in Shanghai 12.
After being demoted, Liu Yuxi did not indulge in self-indulgence, but wrote in a positive and optimistic spirit and actively learned from folk songs.
Liu Yuxi's calligraphy has created imitation folk songs such as Autumn Poetry and Spring in Hanshou City. Many famous sentences are widely read.
In the summer of 824, he wrote the famous "Missing in Old Times" in Xipaotai Mountain. This poem was greatly appreciated by later literary critics and regarded as a masterpiece of Tang poetry with endless meanings. Tang Wenzong also praised his achievements and gave him a purple and gold fish bag.
Liu Yuxi returned to Luoyang in his later years, making a guest appearance as a prince, adding school history, making friends and writing poems, and living a leisurely life. After his death, he was posthumously awarded the title of Shangshu, and was buried in Xingyang, Henan (now Xingyang, Zhengzhou).
In addition, Liu Yuxi also wrote a medical book called Messenger.
Four landscape poems
Liu Yuxi's landscape poems have also changed the narrow-minded and bleak style of Dali and Zhenyuan poets, but they often write a kind of half-empty and half-solid open scene of beyond space's real distance, such as "The water goes down the mountain like snow, and the grass on the bridge is like smoke" ("The fable and play of drinking with the cow in Nanzhuang is cheerful"), "The weeds are lush, the gossamer is dazzling, and Luotian is dazzling. Another example is "Wang Dongting"; In this quiet and ethereal landscape, the poet's subjective feelings are integrated, which constitutes a quiet and peaceful atmosphere. However, although Liu Yuxi said that "if he can leave his desire, his heart will be empty", he actively participated in Yongzhen's innovation, in fact, he still had to realize his life ideal in society; His personality is also stubborn, so despite the influence of Buddhism, he is not as satisfied and decadent as Bai Juyi in the later period, but often shows a high-spirited spirit in his poems. For example, one of the two poems "Autumn Poetry" and "Climbing the Tower with Lotte" has a high-spirited power. Liu Yuxi's poetry is clear because of its implicit and deep connotation, open and generous realm and lofty and upward emotion. Liu Yuxi was demoted to the south many times, where folk songs prevailed. Therefore, Liu Yuxi often collects folk songs and learns their styles to create poems. For example, the poem "Egret Son" describes his lonely feelings figuratively, but uses a faint folk song style. There are also some works that are completely modeled after folk songs, such as ci, ci, line, Thai local words, etc., which are simple and natural, fresh and lovely, and exude the rich life breath like folk songs. The following two songs are particularly vivid: the second of the three songs is popular, and the words in the second song are vivid.