The handwriting that can be seen in the Forbidden City and the Summer Palace is mostly in the form of pavilions, but it has been destroyed beyond recognition. As for the lower case letters written in Qing dynasty, they basically belong to the category of cabinet style, but not necessarily. For example, Liu Chunlin, the top scholar in the late Qing Dynasty, paid more attention to the style of lower case letters in the Tang Dynasty, but due to the limitations of the times, he still had the style of pavilions. In Tian's view, it is extreme to criticize or praise the style of the exhibition hall blindly. As an official style, the pavilion emphasizes * * * and standardization, which is understandable. Taking the opportunity to criticize the lack of individuality in the library to sell the ugly book style of modern people clearly exposed unhealthy psychology; From an aesthetic point of view, what lacks individuality is also imperfect. Judging from the major premise of calligraphy, she must have the double beauty of * * * and personality. Therefore, from the aesthetic point of view alone, the pavilion style has certain limitations. The disadvantage is that a thousand people have one side and a thousand parts have one cavity, so it often becomes vulgar. The style of pavilions evolved with the styles of Europe and Zhao. Because Europe and Zhao were powerful, rulers of all dynasties regarded them as authentic and became the only way to learn books. It is also for the sake of standardization, which reduces the personality of Ou and Zhao. Today's regular script characters in newspapers and periodicals also belong to official script, which is very similar to the cabinet style.
(Atlas)