What's the difference between the new Wei Feng and the new Wei Feng?

At the end of 1940s, Chen Luyuan, a native of Yixing, based on the rigorous skeleton of Zhang Menglong's stele and the brushwork of Zhang Yuzhao, a calligrapher in Hubei Province in the late Qing Dynasty, formed a round rotation of the inner corner of the stroke junction, and was inspired by the cadence of Peking Opera, forming a strong and tense sense of rhythm and arranging it into a unified and standardized "new Wei style". In 1950s, the freshness of new China needed vigorous and powerful fonts. In the 1960s and 1970s, the tense atmosphere around the Cultural Revolution called for equally tense fonts. Therefore, although the founder of the font is unknown, this font has become a kind of "artistic character" and squeezed into the ranks of printed signatures, and now it has entered the computer Chinese font. In the mid-1980s, the new Wei style was quite common in newspapers and periodicals. Today, it has been replaced by a large number of more mellow and gentle, more lovely and playful fonts, and the new Wei style is not common. This is a signal of collective unconscious transformation. With the decline of the new Wei style, the key words of our society have changed from "revolution" to "success" and enjoyment.