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The calligraphy of Su Sanpan's inscriptions is simple and vigorous, with bold and simple fonts, rich and round, strange and pure words, and magnificent and colorful. It is different from the bronze inscriptions in the Western Zhou Dynasty, such as the inscriptions of Dahe Mao, whose characters are vertically combined and long, but horizontally and square. It not only has the majesty of inscriptions, but also has the fluency of cursive script, which opens the end of "cursive seal" and occupies an important position in the system of stele study.
One of the aesthetic features of Sanskrit inscriptions is the word "clumsy". Simple, simple, thick, clumsy and short lines present a multi-tone natural beauty.
However, the glyph frame of the inscription on the Sanskrit disk is not fixed. Its vitality is vivid on the paper, but it is naturally confused. Especially after casting and forging, many long and short lines no longer show symmetry, uniformity and parallelism, but show various irregular interests.
Round pen and blunt pen are used alternately, round but not light, dull but not stagnant, which is the technical focus of Sanskrit inscription. Physically, the glyph structure avoids interest without losing levity, changes without being coy, is brilliant and elegant, and exquisite workmanship can also be seen in extremely rough textures, which is the charm of the inscription on the Sanskrit disk.