Looking at his works, the structure of each word complements each other and the density is just right. The whole work is muddleheaded, bold, vigorous and handsome. The ink pen is full of ink, with flying white occasionally, showing a hearty charm. Some people praise his works with various reputations-simple, thick and meticulous, putting aside the moral and vivid artistic conception just right; Bold and chic: bold and magnificent; Free movement, exquisite fashion * * * reward ...
He is the famous calligrapher Zhang Jianzhong. He is currently a professor and doctoral supervisor in the Greater China School District of Neishen University, director of China Painting and Calligraphy Research Association, deputy secretary-general of China Famous Painting and Calligraphy Research Association, deputy editor-in-chief of China Painting and Calligraphy Art Newspaper, member of China Bangzi Calligraphy Association, director of Beijing Foreign Cultural Exchange Promotion Association and secretary-general of the Art Committee of Qin Literature Research Association.
Look at a thousand swords and recognize them.
The edge of the sword comes from sharpening, and the fragrance of plum blossoms comes from bitter cold. Zhang Jianzhong's outstanding achievements were not achieved by accident, let alone in a day. In order to improve the artistic level of calligraphy, Zhang Jianzhong visited all kinds of famous posts and studied calligraphy. Even if he grows up in the future, no matter where he is, his original intention will not change, and he will spend a lot of money every day. Time is long and hard, and the iron pestle is ground into a needle. After 40 years' hard study of calligraphy skills, Zhang Jianzhong has finally formed his own unique calligraphy style, and has become recognized as a creative, bold and ingenious Zhang calligraphy. It is unique in the book world and enjoys a good reputation in the north and south of the country.
Beginners learn calligraphy, copying Liu Gongquan's Mysterious Tower and Shence Army Monument, and later learning Zhao Mengfu's Sanmenji, Shouchuntang and Luoshen Fu. It was in the process of learning from Zhao Mengfu that he found that Zhao Shu's tenderness was full of strength and fortitude, and he got the true meaning of "two kings", so he entered Wei and Jin Dynasties, from "two kings" to Wei Bei and then to Han Li. From Yi Ying, Cao Quan, Zhang Qian and Shi Mensong, he realized the law of Fiona Fang's combination. In order to enrich the connotation of official script, Zhang Jian carefully studied the inscriptions of Da Yuding, Pan and Pan, and integrated the casting effect of bronze inscriptions into the strokes of official script, and also integrated cursive script, thread tying and flying white techniques into official script, gradually forming his own style: simple but luxurious, fast.
Zhang Jianzhong's cursive script first came from the "two kings", then from Zhang Xu, Huai Su, Huang Tingjian, Mi Fei and Wang Duo, and finally fell on Yan Zhenqing. He spent nearly three years studying Contention for Seats, Ambassador Liu Zhong, Huzhou Post and Sacrificing a Nephew, and summed up his experience in the research, which was published in the magazine of Youth Calligraphy in the form of seven-character poems for the reference of calligraphy lovers. The reason why he likes Yan Zhenqing's calligraphy is probably that his aesthetic consciousness has something in common. He once said that "The Twin Towers", "The Fairy Altar of Magu" and "Li Yanqin Monument" came from different periods, but their calligraphy spirit embodies a realm of continuous innovation and development. It is precisely because of the understanding of these internal relations that Zhang Jianzhong's words, after careful consideration and experience, have a simple beauty and masculinity, which is highly valued by the book circle and appreciated by fans.
Because of attaching importance to the combination of calligraphy theory's study and practice, Zhang Jianzhong paid special attention to the beauty of dance modeling, music rhythm, composition of traditional Chinese painting and the second creation of opera actors in the combination of content and form. This is the understanding of the theory, but also the true knowledge after hard training.
Magnificent and uninhibited.
On one occasion, Tang Muzong asked Liu Gongquan, an academician and calligrapher at that time, how to write well. He said, if you have a pen in your heart, your mind is regular, your pen is correct, and your pen is correct. This language is incisive and accurate. People often say that "books draw for the heart" and "words are like people". Liu Gongquan's "heart is right" tells the truth. If you want to write correctly, you must first have a correct attitude. However, a simple "positive" word is full of many values such as benevolence, fairness, justice, integrity and even truth, which is a deep-seated personal cultivation factor. If a person wants to reach a higher level of calligraphy, he must not stay or be satisfied with the practice of techniques, but rise to the height of spiritual artistic conception. If a person's intentions are wrong and his tolerance is not great, not only will his handwriting be exposed or even exposed, but his calligraphy works can only be mediocre, mediocre or even poor. Because books can often reflect a person's personality, mind and aesthetic orientation. This has always been the case.
The list book was called a book in ancient times, but now it is called a broken book. Kang Youwei once said: "There are five difficulties in writing a list: first, the writing method is different; second, the luck management is different; third, the mutation; fourth, the imitation of the week; and fifth, the brushwork management is difficult. With these five things, it is difficult to have a person who can write. I suddenly made a list of books, and my steps were gone. " This statement clearly illustrates the difficulty of writing a checklist. In fact, the difficulty is a "big". Because the big knot is difficult to master, it is difficult to achieve accurate pen and ink. Therefore, from ancient times to the present, there are few single authors, and left single works are rare except stone carvings.
Bangshu is a giant of calligraphy, and it is difficult to use a big word. Without a deep and solid foundation, abundant superhuman strength and majestic bearing, it can't be done. Everyone in the calligraphy circle is afraid of this, but as soon as he catches the pen, he has a well-thought-out plan and is full of charm. He won the rich list in one breath, rigorous and simple, winning with gas, vast and simple, magnificent and natural, giving people a hearty pleasure. There is also a compliment to his list: "dignified, graceful and beautiful, but not exposed; Peace, stability, bones hidden in the middle but not fully presented.
Appreciate Zhang Jianzhong's works on the list, both heavy strokes and light strokes. Shade collocation, virtual reality, vivid charm, compact structure, smooth rotation and vigorous folding. Where the gas flows in white, the spirit is dew; Black ink splashed on the room, qigong bones coagulated. The pen and ink are graceful, quiet and simple, and the form and content complement each other.
As a master of list art, his works are highly respected because of his unique style and outstanding achievements, but when someone asks, he always comes to the door and takes nothing. Over the years, he has been committed to public welfare undertakings, concerned about people's livelihood, participated in many charity sales for disaster relief, devoted his sincere love to the society, and won more extensive praise and respect.