Chen Guohua, the word Chinese. Nantong, Jiangsu, member of China Calligraphers Association, director of Beijing Calligraphers Associ
Chen Guohua, the word Chinese. Nantong, Jiangsu, member of China Calligraphers Association, director of Beijing Calligraphers Association, executive director of China Arts and Crafts Association, senior painter, executive director of China Calligraphers Association, and distinguished painter of China Calligraphy Art Research Institute. The following is what I arranged for you, I hope it will be useful to you!
appreciate
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Chen Guohua's personal data
Chen Guohua, the word Chinese. Nantong, Jiangsu, member of China Calligraphers Association, director of Beijing Calligraphers Association, executive director of China Arts and Crafts Association, senior painter, executive director of China Calligraphers Association, and distinguished painter of China Calligraphy Art Research Institute.
The rich traditional cultural atmosphere of China in Jianghai Plain laid his love for China's poetry and calligraphy art when he was a child. When I was a child, I studied calligraphy with Mr. Liu, a famous private school in Jiangnan. When I was young, I copied the famous tablets of ancient masters such as Erwang, Mi Fei and Ou Yangxun. In my youth, I attended the advanced training class of China Calligraphers Association and visited famous calligraphers all over the world. He studied calligraphy and painting under Wu Chuanlin, Liu Yi and Zhang Deyu. Over the years, I have been diligent in writing and studying, and my brushwork has changed with each passing day. Drawing on the tradition of calligraphy, I gradually formed my own unique brushwork style, especially cursive script, which not only reflected the elegant and elegant temperament in Wei and Jin Dynasties, but also flowed with the upright, elegant and sincere charm in Han and Tang Dynasties.
Gu Mo's expertise.
Mo Ding belongs to one of Four Treasures of the Study. In recent years, with the increase of collectibles, Mo Ding, once a must-have for literati, has also attracted the attention of many collectors, especially the rare old ink of Ming and Qing Dynasties, whose collection value is increasing year by year.
The identification of Gu Mo should first look at the ink products, including ink making time, ink name, ink type, ink color, ink shape, size and weight. The purple luster of ink is high quality ink. No matter whether the ink surface is damaged or not, "ice particles" and "ink frost" are the phenomena that the ink has been wet. If the surface is dull and heavy, it proves to be a Gu Mo ingot.
The second is to smell the ink. Because there are many kinds of Chinese herbal medicines in Gu Mo, collectors will smell a faint scent, which is the fragrance produced by the taste of Chinese herbal medicines. Nowadays, ink products often have a strange smell. Most of them are mixed with borneol, which tastes thick and cold, and people have a pungent feeling after smelling it. The smell of Gu Mo, simple and elegant, is very comfortable, and people can never get tired of hearing it.
Then Bimopin. Gu Mo is old and thick, with clear and regular patterns and simple fragrance. However, imitation ink is far from Gu Mo because of its poor quality and less workmanship.
Due to the long-term existence of ink, Gu Mo's collection should first pay attention to temperature and humidity, and should not be placed in a dry or too humid place. Secondly, Gu Mo is fragile, so you can't touch it. Generally, brocade boxes should be made, packed with rice paper and stored in boxes. In addition, Gu Mo should be placed in a dark and cool place to avoid ventilation, and it should not be placed in a high place to prevent falling damage.