Pyrography is mainly based on Chinese painting techniques. Take landscape painting as an example, first outline the shapes of rocks and trees with a soldering iron. When using color, the brush should be flexible and smooth, and the stroke, thickness and speed of the brush will directly affect the depth and truth of the lines.
After checking the lines, according to the texture of rocks, light and shade, and the texture of branches of trees, a small part of the picture is decorated with large and medium-sized pens, and three types of pens are used flexibly to draw a variety of effects, which makes the picture richer.
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Pyrolysis material
Previously, painting was limited to wood, bark, gourd and other materials, and uneven texture changes naturally appeared on the screen, which had a certain relief effect, and the color was dark, light brown or even black.
Now we boldly use materials such as rice paper and silk, thus enriching the artistic form of pyrography. Early gourds and bamboo materials were hard and thick, so branding was easier to control. Xuan paper and silk are thinner, but they do not lose the change of depth, shade and realism caused by the different carbonization degree of pyrography itself.
If the temperature is too high and the technique is too heavy, paper and silk will zoom; The temperature is too low to be branded, so it is necessary to re-create the art according to the content of the picture, so that silk pyrography and rice paper pyrography can become the best in Nanyang pyrography.