The Forbidden City 100 was written by Yan, Walking Map.
There is an article "Yi Zhuan" in Qian Yong's "Treading the Garden" in the Qing Dynasty, which lists many renovation projects: "Mr. Bi Qiufan rebuilt the Mayi Post for the governor of Shaanxi, Mo Qingfu rebuilt the Chaoyun Tomb in Huizhou, and Bo Daling rebuilt the Hedong Jun Tomb in Changshu. All these are civil affairs that are not urgent and easy to pass. Why should they be happy? For example, Ruan Yuntai took classes to rebuild Zhengkangcheng Temple in Shandong, Luji Pavilion in Zhejiang and Yumingtang in Jiangxi. Fang Bo of Tang Taoshan ordered Wu Shi to rebuild; Lin Shaomu became Hangjiahu Road to rebuild the crane pavilion; Tao made the government and Fang Bo rebuild the Canglang Pavilion in Suzhou, and built 500 halls of sages and Liang Boluan. Sun Yuanru watched Mingzi's tomb rebuilt in Shandong, visited Zuohe Tomb in Yicheng, Fan County, and then went to Bi Qiufan. "
Governor Bi Yuan (word Qiu Fan) rebuilt Ma Yi Yi, and the prefect Yi Bing Shou (No.. Mo Qing) rebuilt Wang Chaoyun's tomb, and Da Ling Bo (then Changshu Mausoleum) rebuilt Hedong Jun's tomb in Changshu. Although they are all "people who are not in a hurry about civil affairs", they are all keen on these projects because they are "easy to spread and everyone enjoys the Tao". The horse is the place where Yang Guifei died and the confidante of Su Dongpo's concubines. Hedong Jun is called "real name geisha" Liu. They think that they are not only restoring historic sites, but also doing cultural undertakings. Grasping these gimmicks can easily improve your popularity. This is much more urgent than "civilian".
For example, Ruan Yuan rebuilt Shandong Zhengxuan Temple, Zhu Yizun rebuilt Zhejiang Luting, Tang Xianzu rebuilt Yuming Hall when he was governor of Jiangxi, Tang rebuilt in Suzhou, Lin Zexu rebuilt Hangzhou Gushan Pavilion, Tao Shu and Suzhou Canglang Pavilion, and built 500 immortal temples ... Obviously, these projects have far-reaching cultural influence and are easier to enhance their popularity. Qian Yong believes that this is better than Bi Yuan and others.
The paradox of history is that these "literate" image projects have gone through a long time, and most of them are still playing their respective roles. Perhaps this is also the reason why children have always enjoyed it and carried it forward.
For example, Canglang Pavilion, a famous classical garden in Suzhou, was listed on the World Heritage List by UNESCO in 2000 and listed as the sixth batch of national key cultural relics protection units in 2006. People who visit here, who will carefully consider its past?
In the fifth year of the Northern Song Dynasty (1045), the poet Su Shunqin (Zi Mei) exchanged waste paper for money to entertain his colleagues, which was criticized by officials and even dismissed from public office. When Su Shunqin lived in Wuzhong, he bought the former South Garden site of the former wuyue royal family for 40,000 yuan, and named the pavilion "Canglang" waterfront, taking "Canglang's water is crystal clear, you can stand on my tassel; The turbid water in the rough waves can satisfy my feet, and it is called "Canglang Pavilion". He invited Ouyang Xiu, who was also demoted, to write Canglang Pavilion, which comforted two great poets in the same situation. Ouyang said that "the breeze and bright moon are priceless, but it only sells for 40 thousand", which made Canglang Pavilion famous.
Whether Su Shunqin's self-proclaimed "Canglang Weng" is worthy of the name is rarely studied by later generations. As a cultural existence, Canglang Pavilion has long been widely accepted.
So is the Beijing-Hangzhou Grand Canal, which was listed as a cultural heritage in 2022. At that time, Yang Guang, the emperor of Yang Di, had an impetuous and turbulent hegemonic heart, and he built the East Capital, dug canals, built the Great Wall, paved the way, and spared no expense. Today, boating on the canal, who will say that he can't handle the relationship between personal hero and happiness?
Fame and public service are actually a topic of great practical significance. Bai Juyi once said: "As the ancients said, a famous person is a public instrument, so you can't take more. Servants and thieves have many names. If they want to steal money, they steal it. Is the creator willing to let it go? " If you want to steal both fame and profit, will the creator give it all to you? In the past, Chen Tuan also warned that we must cherish the reputation of "genius prodigy": "Celebrities, ancient and modern beauty, are all cherished by creation. Fame must be achieved, and things must be defeated. " After planting and releasing, I met a wise Lord, who was famous all over the world. But in the end, he got carried away and "lost the news." Therefore, fame is a terrible sword. If you are famous, you should be prepared. If you don't deserve it, you will be deeply blamed. It is likely to make people premature aging without illness and be slandered as innocent. From this perspective, it is better to escape fame than to escape it.
The above theory regards reputation as the root of premature aging and the cause of slander, and advocates that reputation is not as good as escaping reputation, and it is not as good as anonymity, which is biased. However, it emphasizes that "celebrities are public instruments and cannot be taken more", reminding people that reputation is a public instrument, and no one can take it easily. If you are single-minded and selfish, you are likely to get tired of fame and fortune.
There is a story about Yan, a court painter in Sui and Tang Dynasties. At Yan's request, he went to Youchun Garden to paint for Emperor Taizong who liked birds. After returning home, he immediately warned his son: "I don't study hard." It is a great shame to learn from Dan Qing and bow down to serve. You should take a warning. " He said, I am a scholar, but I am a famous painter, which is a great shame to exercise the service of a servant. In addition to Yan, there is also Cai Yungong who is good at poetry and songs. Every time the Emperor Yang Di gave something, he always asked him to send people away sarcastically. But Cai Yungong is not proud of it, but ashamed of it. Calligrapher Shan Wei wrote an inscription for Ling Yuntai at the order of Wei Mingdi. He was put in a cover and led the pulley up to 25 feet above the ground. After writing the plaque, his face and beard turned white. After that, he warned his descendants not to make the same mistake again.
They don't want to show their fame through painting, calligraphy and poetry. First, they are afraid of being known about their skills. The second is to be afraid of the jealousy and suspicion of peers. Third, they are afraid that many officials and powerful people will get too close to themselves. "What's more, people are slaves, slaves, and they are secretly entrusted to fall. This is a lifelong defect." Many people are stupid and willing to be clumsy, which is undoubtedly the exhaustion of not being willing to fame and fortune.
Tens of millions of taels of silver seem to have cultural considerations, but it is also to show the popularity of local people, but the phenomenon of abusing power for personal gain and private use of public devices is not uncommon; There are not a few projects that ended in discord because of the beginning of political achievements. There is a reason why the ancients said that "a famous person should not take more public tools". . (Rola Chen)
: daily newspaper
The above is about what words can't appear in the name of snake, and it is about the sharing of culture. After reading the complete works of girls' snake names, I hope this will help everyone!