However, his calligraphy thought about parallel prose is revealed in regular script. Those broken big letters occasionally show their front, still showing the simplicity of Gu Zhuo and the majestic style of the North Monument. Pan Boying once said in a poem: "My great-grandfather studied the Longzang Temple because he knew the characters written in Henan" ("To Shen Ji"). It is precisely because he has been immersed in Wei Sui's tablet for a long time, and his life has been associated with the characteristics that Chu characters in the book amplify Li Wei's taste, so that he has lived in Chu for a long time and suffered from Chu Suiliang's early "A Que Buddhist Temple Tablet" and "Meng Shi Tablet". Of course, for Chu Suiliang's calligraphy, only by studying it, we can understand his internal strength from the words, not just imitating his superficial calligraphy and posture, so he can go in and out more, as Xie commented: "Learn from Henan, take its charm and give up its charm." In fact, Pan Boying, as a generalist in the literary world, has always stressed that learning books should be diligent rather than diligent, and calligraphy should be "full of spirit". These statements are mostly found in his two books, China Calligraphy and China Calligraphy, which have long been regarded as the standard by good books and readers. However, his old-style poems are more successful, which were loved by people and appreciated by famous artists in the Tang and Song Dynasties. The most remarkable thing about Pan's poems is that he can reflect the richness of his own experience in his poems, and his compassion is particularly deep. He can observe people, things and the world in detail, thus achieving his style. Dr. Xu Jinru of Sun Yat-sen University sighed and commented after reading "Poems of Hidden Houses": "Fu Gong's talents and feelings are all close to Dongpo, and he entered Meishan Collection at the age of seven, and he can't distinguish leaves. In addition, the calmness of the situation goes far beyond the public, and his actions can especially shake his temperament ... Middle-aged people are quite devoted to Shi Zhuang's interpretation, and his mind has gradually calmed down, but the world is getting more and more urgent, and he needs to send quiet and sad poems ... The poetry is late. " You can call it a man who knows the wall.