Picture of Yan Zhenqing's Seven-character quatrains in regular script 1
Yan Zhenqing's seven-character quatrains in regular script Figure 2
Yan Zhenqing's seven-character quatrains in regular script Figure 3
Yan Zhenqing's seven-character quatrains in regular script Figure 4
Yan Zhenqing's seven-character quatrains in regular script Figure 5
Characteristics of Yan Style Yan Zhenqing has opened up a brand-new realm of calligraphy: in terms of characteristics, Yan's image is brand-new, his statutes are strict and his momentum is vigorous. From the aesthetic point of view, beauty of face and beauty of body are dignified, masculine and artificial, and beauty of number is simultaneous, which sets a rule for later generations. From the perspective of the times, the early Tang dynasty inherited the rest of the Jin and Song dynasties, but failed to stand on its own feet. As soon as Yan style appeared, the new style of Tang Doutan casting became one of the distinctive features of the prosperous Tang Dynasty.
His regular script is contrary to the calligraphy style of the early Tang Dynasty, featuring brushwork. It is a typical example of perfect combination of calligraphy beauty and personality beauty. His writing style is called. Face? , and Liu Gongquan said? Yan Liu? , is it? Yan gu? Fame.