Qinglian lay refers to Li Bai, a poet in the Tang Dynasty. Li Bai, whose word is Taibai, also known as Ju Lian of Qing Dynasty and Ren Xian, was a great romantic poet in the Tang Dynasty, and was praised as "Poet Fairy" by later generations, and also called "Du Li" with Du Fu. There were biographies of Li Bai's Ci and Fu in the Song Dynasty (such as Wen Ying's Xiang Ji). As far as its pioneering significance and artistic achievements are concerned, Li Bai's Ci Fu enjoys a high status. His representative works include Looking at Lushan Waterfall, it is hard to go, Difficult Road to Shu, etc. Li Bai's poems are magnificent and elegant, and his artistic achievements are extremely high. He eulogized the mountains, rivers and beautiful natural scenery of the motherland, with bold and unrestrained style, elegant and fresh, full of romantic spirit, and achieved the unity of content and art, so he was called the "fallen fairy". His poems mainly described the mountains and rivers and expressed his inner feelings. Li Bai's poems have the artistic charm of "the pen is shaken by the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature in his poems. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming.
In Li Bai's poems, imagination, exaggeration, metaphor and personification are often used comprehensively to produce magical brilliance and magnificent artistic conception, which is the reason why Li Bai's romantic poems give people heroic, unrestrained, elegant and immortal. Li Bai's poems and songs had a far-reaching influence on later generations. Han Yu, Meng Jiao and Li He in the middle Tang Dynasty, Su Shi, Lu You and Xin Qiji in the Song Dynasty, Gao Qi, Yang Shen and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poems.
Major achievements
Representative works of poetry
Ginger, difficulty in getting through the Shu Road, dream of climbing Mount Tianmu, chivalrous man, spring thinking,
Literary forms like Fu.
There is no unanimous conclusion as to whether Li Bai created ci, but there are about 20 works that have been handed down as Li Bai's ci, such as autumn wind ci, knot socks, Bodhisattva Man and Qin Yi E, and their authenticity and whether they can be classified as ci.
calligraphy
Shangjietie is a cursive script with four words and four lines written by Li Bai, and it is also the only authentic calligraphy handed down from generation to generation. Paper, 28.5 cm long and 38. 1 cm wide. The cursive script has 5 lines and 25 words. It is "Taibai" and Li Bai's "post on stage". Quoting the title of "Qinglian Han Yi" in the regular script of Emperor Li Hong, Emperor Gaozong of Qing Dynasty, the title of "Tang Li Taibai Shangjie" is engraved on the upper right of the text, and the title is Song Huizong Evonne Bojinshu. , Yan,, Du Ben, Ouyang Xuan,,, Qi Lu, Qing Ganlong and others wrote and watched. Before and after the volume are Zi Gu and Zhai of Zhao in Song Dynasty, Chou He's book of Jia Sidao, Zhang Qian's private seal and Ouyang Xuan's seal in Yuan Dynasty, as well as Xiang, Qing Biao, An Qi, Qing Neifu and modern book collection seal in Ming Dynasty.
swordsmanship
Li Bai is not only brilliant in literary talent, but also brilliant in fencing. He is "fifteen good swordsmanship" and "swordsmanship self-study". Li Bai's sword dancing skill is extraordinary. Li Bai's poems, Pei's swordsmanship and Zhang Xu's cursive script are collectively called the "three wonders" in the Tang Dynasty. Although there is no fencing skill of Li Bai in the "Three Masterpieces", his fencing skill is only below Pei _, ranking second in the Tang Dynasty.
Taoist classics
Since childhood, Li Bai often went to Daitian to talk to Taoist priests about Taoism. Later, he lived in seclusion with a hermit named Dong Yanzi in Minshan and studied hard. They keep many exotic birds and work as animal keepers in the mountains where they live. These beautiful and docile birds are used to breeding and fly to feed regularly, as if they can understand human language. As soon as they heard the cry, they flew down the steps from all directions and even pecked at the grain in people's hands without fear.
This incident was passed down as an anecdote, and finally Mianzhou secretariat personally went up the mountain to watch birds eat. Seeing that they could direct the movement of birds, the secretariat decided that they had Taoism, so he wanted to recommend them to take the Taoist exam. However, both of them politely refused. Zhao Kun, a famous strategist at that time, was also Li Bai's teacher. He wrote ten volumes of long and short classics in the fourth year of Kaiyuan (7 16). Li Bai was only fifteen years old. Zhao Kun's strategic works, which studied the similarities and differences of the Six Classics, analyzed the situation in the world, emphasized the way of rise and fall, and managed chaos, aroused Li Bai's great interest. He is bent on making contributions in the future and likes to talk about the way of Wang Ba, which is also influenced by this book.
The influence of later generations
Li Bai has the highest achievements in Yuefu, Gexing and Jueju. His songs completely broke all the inherent forms of poetry creation, with no one to rely on and many strokes, reaching the magical realm of vagaries and swaying. Li Bai's quatrains are natural and lively, elegant and chic, and can express endless feelings in concise and lively language. Among the poets in the prosperous Tang Dynasty, Wang Wei and Meng Haoran were good at the Five Wonders, while Wang Changling and others wrote the Seven Wonders well. Li Bai is the only one who is good at both the Five Odds and the Seven Odds.