19 14, Li Keran entered a private school. There is no good teacher in the poor lane, and I have no income for two years, but I often write and draw in class. The teacher loves me very much and didn't stop me.
19 16, Li Keran entered Xuzhou "Wu Brothers Primary School". 19 17 Wang, a primary school drawing teacher, saw that he was clever and studious and praised him: "He is willing to teach his children and his quality can be dyed." Then give him a scientific name.
1920 During the summer vacation, Li Keran visited Xuzhou City Wall and overlooked Kuaizi Pavilion. He saw several old painters painting in the interior of Jiyi Painting and Calligraphy Club. After observing outside the window for a few days, I entered the room, worshipped Xuzhou painter Qian as a teacher, officially enlightened painting and calligraphy, and learned the landscape paintings of Wang's ancient painting school. From 65438 to 0923, Li Keran entered the normal department of Shanghai Academy of Fine Arts and studied painting and handcraft for two years. Here, you can see the original Wu Changshuo. After listening to Kang Youwei's speech at a memorial service in the school, he learned that China's painting in the Tang and Song Dynasties was the pinnacle of world art, so he left his job and devoted himself to painting. 1925, Li Keran's graduation creation ranks first in the main hall of meticulous landscape painting of Wang's ancient painting school. President Liu Haisu wrote an inscription for it. I returned to Xuzhou that year and taught in the Primary School Attached to the Seventh Normal School and the private Xuzhou Art College until the winter of 1928.
65438-0929, Li Keran was admitted to the Graduate School of West Lake National Art College. He studied under Professor Lin Fengmian and French oil painter AndreClaouodot, specializing in sketch and oil painting. At the same time, I taught myself Chinese painting and studied art history. In the same year, the 18th Art Club was established, and Li Keran joined the 18th Art Club as the earliest member.
193 1 In May, Hangzhou "18 Art Club" held a workshop exhibition in Shanghai. Lu Xun wrote "Introduction to the Workshop Exhibition of 18th Art Club" for the exhibition, and dyeable works began to attract attention.
During the period from 1930 to 1932, members of "18 Art Club" were forced to leave school one after another. Mr. Lin Fengmian of Li Keran secretly protected them, gave them money, left the West Lake and returned to Xuzhou. From 65438 to 0932, Li Keran held his first solo exhibition (mainly oil painting) in Xuzhou, and founded the Black and White Painting Society. Zhong Kui was selected for the 2nd National Art Exhibition. In the same year, he taught at Xuzhou Academy of Fine Arts. 1In the winter of 933, 26-year-old Li Keran held her first solo exhibition in Xuzhou.
1935, Li Keran visited Mount Tai and went to the Palace Museum in Beiping to enjoy the famous paintings of past dynasties.
From 65438 to 0937, Li Keran entered the third hall of the Political Department presided over by Guo Moruo and painted anti-Japanese posters in Wuhan and other places.
From 65438 to 0938, Li Keran went to Wuhan and, under the leadership of Zhou Enlai and Guo Moruo, carried out patriotic propaganda activities in various ministries.
1939, Li Keran finished the poster "Who ruined your happy home? 》
1940, Li Keran lived in Laijiaqiao at the foot of Jingangpo, sharing a room with theorist Cai Yi, learning from each other's artistic knowledge and exploring new artistic theories. From anti-Japanese war propaganda activities to the creation and research of Chinese paintings.
194 1 year, Mr. Guo Moruo painted two poems for Li Keran, one with five rhythms and the other with seven rhythms. From 65438 to 0942, Li Keran began to sketch in ink and wash, made pictures of cows, and participated in the joint exhibition of contemporary painters in Sichuan and Chongqing. At the same time, classical freehand brushwork figures such as Qu Yuan, Wang Xizhi, Du Fu and the landscape painting "Wind and Rain Returning to Pasture" appeared. It is also the beginning of the classical period of Li Keran's landscape painting (1942- 1953).
65438-0943, Li Keran was invited by Chen Zhifo, president of Chongqing Institute of National Arts, to be a lecturer of Chinese painting until September 1946. During this period, I devoted myself to the teaching and research of Chinese painting, mainly studying landscapes, classical figures and herding cattle. He painted ICBC Waterfall, a lady with a fan, a man of eight mountains, imitating Shi Tao. 1944, Li Keran ink painting exhibition was held in Chongqing, Xu Beihong prefaced it, and Lao She wrote "Looking at Painting", which was full of praise for Li Keran's landscape paintings and buffalo pictures.
1945, Li Keran, Lin Fengmian, Ding,,, Ni Yide, et al. Hold a "modern painting joint exhibition", focusing on landscapes and freehand brushwork figures. In the same year, he held an exhibition of Li Keran's freehand brushwork paintings in Kunming, and created He Fangting, The Old Man under the Brown and other works.
1946, Li Keran went to Beiping Art Institute to teach. In the spring of the following year, he started with Qi Baishi and accompanied him 10 year. In the same year, he got a wonderful experience of yellow ink accumulation.
From 65438 to 0948, Li Keran held his second solo exhibition in Beiping. Xu Beihong Memorial Hall has nearly 10 freehand figure paintings, such as Painting Ruan and Huai Su Book Exchange.
After 1949, Li Keran was elected as the director of China Artists Association. From 65438 to 0950, Li Keran was an associate professor of Chinese painting at the Central Academy of Fine Arts. In the same year, he wrote an article about the transformation of Chinese painting for the first issue of People's Fine Arts, pointing out the prospect of developing Chinese painting. In the fifth issue of People's Fine Arts, the article Impression of Yungang Stone Carvings written by him after inspecting Yungang Grottoes in Datong was published.
195 1 year, Li Keran participated in the land reform with all the teachers and students of the Central Academy of Fine Arts, and created the New Year's picture "Workers and Peasants' North Sea Garden Tour" and other works.
1952, Li Keran visited Yungang Grottoes again. He also participated in the Bingling Temple Grottoes Investigation Group organized by the Central Ministry of Culture to visit Bingling Temple, and visited Longmen Grottoes, Xi 'an Stele Forest and other large stone carvings along the way, which was shocked by the art of Han Dynasty.
1953, Li Keran held a joint exhibition of sketches by Li Keran, Zhang Ding and Luo Ming.
1954, Li Keran carved the seal of "precious courage" and "eager soul" for the reform of Chinese painting. The first long-distance sketch in the first half of the year lasted more than three months. Zhang Ding and Luo Ming, both painters. On September 19, a joint exhibition of three painters' ink and wash sketches was held in Beihai Xinyue Hall. This year is also the beginning of the transformation of landscape painting in Li Keran (1954- 1965). 1956, Li Keran sketched again for a long time, which lasted for eight months and traveled tens of thousands of miles, drawing nearly 200 paintings. From "sketch to creation". His representative works include Shaoxing City, Lu Xun's Hometown, Wanxian County, Morning Fog in Jiangcheng, Jiading Giant Buddha, Autumn in Emei Mountain, Hundred Steps of Martial Arts and so on. After coming back, the exhibition of Li Keran's ink and landscape paintings was held in the auditorium of the Central Academy of Fine Arts for three days.
From 65438 to 0957, Li Keran and the painter Guan Liang visited the German Democratic Republic for four months. Berlin Art Institute held a joint exhibition for two painters.
1958, Li Keran observed the exhibition of Qi Baishi's posthumous works and published the article "Talking about Teacher Qi Baishi and His Paintings".
From 65438 to 0959, Li Keran went to Guilin to sketch. The exhibition "There are so many beauties in mountains and rivers" was held in Beijing and has been exhibited in eight major cities in China. In the same year, Li Keran Art Exhibition was held in Prague Museum, Czech Republic, and The Collection of Sketches of Li Keran's Ink Landscape was published.
1960, Li Keran put forward the idea of "taking one but refining ten". In other words, mining is hard, smelting requires hundreds of times of labor, and real artistic creation must have both the hardships and diligence of miners and smelters.
196 1 year, Li Keran landscape painting studio was established, and the landscape painting teaching system was gradually formed. In the next three years, I went to Conghua, Guangdong in winter and worked in Beidaihe in summer. During this period, I completed Shaoxing City, Lu Xun's Hometown, Yellow Sea Haze, Dinghu Waterfall, Twilight Map and Zhong Kui's Married Sister Map.
1962, Li Keran finished his paintings such as Yellow Mountain Haze, Lijiang River, Red Mountain (I) and Black Cattle Map.
1964, Li Keran completed the paintings such as "A Beautiful Scene on Earth", "All Mountains are Red (II)", Lijiang River, a giant in Zhang Er, "Cloud Map of Wushan Mountain" and "Paddy Field under the Mountain". 1966, Li Keran was forced to stop writing when the Cultural Revolution began. Hone basic skills through calligraphy. During this period, I accumulated strong and diligent creativity for the immortal period of Li Keran's landscape painting (1979- 1989).
From 65438 to 0969, Li Keran decentralized Hubei Danjiangkou Cadre School for two years.
From 65438 to 0972, Li Keran returned to Beijing at the behest of Zhou Enlai, devoted himself to the creation of Chinese paintings and made a large-scale "Lijiang River" for the State Guesthouse.
1973, Li Keran made a map of the Lijiang River, which took three months to complete. He also wrote A Hundred Springs at the Top of a Tree as a national gift to friendly heads of state.
1974- 1975, the gang of four launched the movement of "criticizing black painting and countering the resurgence of bourgeois black lines". Li Keran's masterpiece Scenery of Yangshuo has been criticized as a black painting. Li Keran's masterpieces originally displayed in public places will be banned from sale. Li Keran was persecuted, but he still insisted on learning Chinese characters, creating his own "sauce as the body", and his brushwork pattern was as heavy as a monument.
1976, Li Keran made large-scale pictures of Lijiang River and Jinggangshan for the Japanese Overseas Chinese Association.
From 65438 to 0977, Li Keran wrote Jinggangshan, Jinjiang Pavilion and Scenery Map of Li Qing. From 65438 to 0978, Li Keran was elected as a member of the Fifth Chinese People's Political Consultative Conference. Since then, he has been elected as a member of the Sixth and Seventh China People's Political Consultative Conference.
From 65438 to 0979, Li Keran was elected as the vice chairman of China Artists Association and a member of the All-China Federation of Literary and Art Circles, and was appointed as the president of the Chinese Painting Research Institute. 198 1 year, when I was the president of the Chinese painting research institute, I wrote a couplet by Lu Xun entitled "Mr. Lu Xun said' bow your head and be willing to be a willing ox'" to commemorate the 0/00th anniversary of Lu Xun's birthday, which inspired me, so I started to draw cows and named the studio' Shiniutang'. Today is the centenary of Lu Xun's birth. 198 1 year, dyeable and recordable. "
From 65438 to 0983, Li Keran went to Tokyo and Osaka to hold "Li Keran China Art Exhibition". The art teaching film "There is no royal road to the peak-the landscape art of Li Keran" and the appreciation films "Biography for the motherland" and "Painting cows in Li Keran" were completed.
1984 Endless Map of Jiangshan won the honorary award of the 6th National Art Exhibition.
1985 10, Xuzhou City, Jiangsu Province restored Li Keran's former residence, and Li Keran donated 40 Mo Bao paintings and calligraphy over the years. Together with Li Keran students and painters, in the same year, he produced "Buffalo Zantu".
In May, 1986, "Li Keran China Art Exhibition" was held in Beijing China Art Museum. This is the last exhibition of Li Keran's pen farming career in recent 70 years, with 202 works on display.
From 65438 to 0987, Li Keran wrote "Introduction to Painful School" for the Japanese joint exhibition of Huang Runhua, Zhang Ping and Li Xingjian, and put forward the formation and development of Painful School. In July, Li Keran was awarded the honorary title of exchange academician by German Democratic College of Arts and Sciences.
1988, Li Keran donated the work Rain Over Waterfalls, and donated 40,000 dollars from the charity sale to the International Committee for Repairing the Great Wall and Saving Venice.
1989 On May 2nd, the Ministry of Culture held a donation ceremony for Mr. Li Keran, a famous Chinese painter, to the China Arts Festival Foundation in recognition of his donation of $654.38 million to promote the artistic development in China. 65438+February 5 10: 50, suffered a heart attack at the age of 82.