The five main styles of China's calligraphy are regular script * * * including regular script and regular script * * *, running script * * including r
The five main styles of China's calligraphy are regular script * * * including regular script and regular script * * *, running script * * including running script and running script * * *, cursive script * * including Cao Zhang, grass, grass and standard cursive script * *, official script * * including Guli and official script * *. All kinds of calligraphy show their own China culture and art to the world. The following is a selection of calligraphy works I have compiled for you, I hope it will be useful to you!
Selected pictures of calligraphy works 1
Selected pictures of calligraphy works 2
Selected pictures of calligraphy works 3
Selected pictures of calligraphy works 4
Appraisal method of calligraphy
There are three kinds of inscriptions: author's, contemporary and later generations'. Although the inscription of a painting and calligraphy also denies this work, it is a minority after all. At most, it explains the creation process and collection relationship of this work, or verifies its authenticity. Therefore, many works have increased the trust of future generations with inscriptions. But there are fakes in calligraphy and painting, and there are also many kinds of fakes in the inscription and postscript.
It is very common that genuine ancient paintings are accompanied by other people's fake afterwords or fake ancient paintings are accompanied by other people's original afterwords. Even the painter's own inscription is true, but his works are fake. Take modern people as an example: Wu Changshuo likes to paint in batches, put it on the ground after painting in the morning, and add poems after taking a nap. Other people sometimes take the paintings away and replace them with fakes. After he got up, he wrote the money without thinking. In his later years, some painters mistook others' imitation of his paintings for their own handwriting, and added an inscription.
When you see the inscription of the author on the painting, you should make clear the relationship between him and the author. This situation is not necessarily known from the calligraphy and painting itself, but must be explored from some inscriptions. Zhang Zeduan's "The Riverside Scene at the Qingming Festival in the Forbidden City" is a recognized original, and this volume has no money. In addition to the painting style itself, Zhang Zhu's postscript is also very important. Zhang Zhu was from the Jin Dynasty. In the fifth year of Taihe, *** 1205, * * * granted the imperial court calligraphy and painting, not far from Zhang Zeduan. His words can be trusted.
How important the inscriptions and postscripts of later generations can play in the identification of calligraphy and painting should be analyzed according to the specific situation. Forgery was very popular in the Song Dynasty. Mi Fei's Book History recorded Wang Xianzhi's Goose Stick and Yu Shinan's book, which was antique by Wang Jinqing, and was put together with the postscript moved from other places, inviting officials at that time to ask questions. If these scrolls have been handed down to the present, although the inscriptions of the Song people are true, the posts themselves are not those of the ancients.
Whether calligraphy and painting are credible or not depends on the level of inscription and postscript. Emperor Li Hong's collection of books is extremely rich, with many inscriptions and postscript, but his discriminating ability is very poor, and he often practices fraud. Huang Zijiu's Fuchun Shan Jutu, he got a fake first and lamented chinese odyssey. Every time he reads it, he adds an inscription. Later, the real book also entered the palace, but it was fake. On the contrary, Wen Zhiming's inscription is more credible, because he is good at painting and has high identification ability.
Some paintings should be said to be true, but because of the false questions, they become pseudographs. For example, "A Grand View of Famous Paintings in Tang, Song, Yuan and Ming Dynasties", a grasshopper car was donated to Hengli. There were two painters in the previous generation, one was Yuan and the other was Qing. Judging from the time style of Axis of Cao Chong, it was originally the original work of Hengli in Qing Dynasty, which was written by Qing people. However, the painting has an afterword forged by later generations. Thanks to these two inscriptions, it became a fake painting of Yuan people.