I left quietly, just as I came gently;
I waved my hand gently and bid farewell to the clouds in the western sky.
The golden willow by the river is the bride in the sunset;
Beautiful shadows in the waves ripple in my heart.
Green grass on the soft mud, oily, swaying at the bottom of the water;
In the gentle waves of He Kanghe, I would like to be an aquatic plant!
The pool under the shade of the elm tree is not a clear spring.
It is the rainbow in the sky that is crushed in floating seaweed, precipitating a rainbow-like dream.
Looking for dreams? Support a long pole and swim back to a greener place on the grass.
Full of starlight, singing in the splendor of starlight.
But I can't play the piano, just a farewell flute;
Summer insects are also silent for me. Silence is Cambridge tonight.
Farewell to Cambridge is a beautiful lyric poem, just like an elegant and beautiful light music. 1In the autumn of 928, the author visited England again, revisiting his old place, which was full of poetry, and turned his life experience into a series of emotions, blending into the beautiful scenery of Cambridge and galloping in the poet's imagination.
The whole poem begins with "tenderness", "walking", "waving" and "parting from the clouds", and then uses the alternating method of reality and reality to describe a series of flowing pictures, which constitutes a wonderful artistic conception and shows in detail the poet's love for Cambridge, longing for his past life and helpless sadness at present.
This poem shows the poet's superb artistic skills. The poet combines specific scenery with imagination to form a vivid artistic image of poetry, and skillfully blends atmosphere, feelings and scenes into the artistic conception to achieve the feelings and scenes in the scene. The structure of the poem is rigorous and neat. The whole poem consists of 7 sections, each with 4 lines, forming two parallel steps; 1 and 3 lines are slightly shorter, and 2 and 4 lines are slightly longer, ranging from 6 to 8 words per line. It seems that the poet intends to combine the forms of metrical poetry and free verse, making it a new form of poetry, full of nationalization and modern architectural beauty. The language of the poem is fresh and beautiful, the rhythm is gentle and euphemistic, harmonious and natural. With the ups and downs of emotions, it is like a melodious board, light and tactfully, touching the readers' heartstrings.
In the 1920s, the poet Wen Yiduo advocated the beauty of music, painting and architecture in modern poetry. Farewell to Cambridge can be said to have three beauties, and it is the swan song in Xu Zhimo's poems.
2. After reading the composition "Modern Poetry", Xu Zhimo felt that I left lightly after reading "Farewell to Cambridge", just as I came gently; I waved my hand gently and bid farewell to the clouds in the western sky.
The golden willow by the river is the bride in the sunset; Beautiful shadows in the waves ripple in my heart. Green grass on the soft mud, oily, swaying at the bottom of the water; In the gentle waves of He Kanghe, I would like to be an aquatic plant! That pool under the shade of elm is not a clear spring, but a rainbow in the sky, broken in floating algae and precipitated a rainbow-like dream.
Looking for dreams? Support a long pole, wander to a greener place on the grass, load a boat with splendor, and sing in splendor. But I can't play the piano, just a farewell flute; Summer insects are also silent for me. Silence is Cambridge tonight. Farewell to Cambridge is a beautiful lyric poem, just like an elegant and beautiful light music.
1In the autumn of 928, the author visited England again, revisiting his old place, which was full of poetry, and turned his life experience into a series of emotions, blending into the beautiful scenery of Cambridge and galloping in the poet's imagination. The whole poem begins with "tenderness", "walking", "waving" and "parting from the clouds", and then uses the alternating method of reality and reality to describe a series of flowing pictures, which constitutes a wonderful artistic conception and shows in detail the poet's love for Cambridge, longing for his past life and helpless sadness at present.
This poem shows the poet's superb artistic skills. The poet combines specific scenery with imagination to form a vivid artistic image of poetry, and skillfully blends atmosphere, feelings and scenes into the artistic conception to achieve the feelings and scenes in the scene.
The structure of the poem is rigorous and neat. The whole poem consists of 7 sections, each with 4 lines, forming two parallel steps; 1 and 3 lines are slightly shorter, and 2 and 4 lines are slightly longer, ranging from 6 to 8 words per line. It seems that the poet intends to combine the forms of metrical poetry and free verse, making it a new form of poetry, full of nationalization and modern architectural beauty.
The language of the poem is fresh and beautiful, the rhythm is gentle and euphemistic, harmonious and natural. With the ups and downs of emotions, it is like a melodious board, light and tactfully, touching the readers' heartstrings. In the 1920s, the poet Wen Yiduo advocated the beauty of music, painting and architecture in modern poetry. Farewell to Cambridge can be said to have three beauties, and it is the swan song in Xu Zhimo's poems.
3. How to write after reading modern poetry? For the first time, I like to recite this poem with music in a rainy lane.
In the low and slow music, the poet painted a picture of the alleys in the south of the Yangtze River during the rainy season. A protagonist wandering in the rain lane, he is lonely "walking alone in a long, long and lonely rain lane with an oil-paper umbrella".
In such a gloomy and lonely environment, he had a vague and painful hope in his heart: "I hope to meet a girl as sad as lilac." And this girl, although she has "the color and fragrance like cloves", is also "the sadness like cloves".
Her heart, like a poet, is "sad and hesitant" in the lonely rain lane. At the end of the poem, she drifted silently across the poet like a dream and disappeared in this lonely rain lane.
"She lost her color, dispersed her fragrance, dissipated, and even her sighing eyes were like lilac accounts." I think that long and lonely "rain lane" was like the dark and dreary social reality at that time.
The poet lingers in this reality, and he longs for hope. And the "lilac-like" girl is a symbol of this good hope.
But that girl is fleeting, just like a dream from the past. This should be the projection of the darkness of reality and the disillusionment of ideals in the poet's mind.
This poem is often read and updated because you can regard it as a love poem, and "Lilac Girl" can be a symbol of "love". It is also a realistic struggle poem, and Lilac Girl is a symbol of "revolution".
Or is this poem just a symbol of "beauty" and "ideal" like Lilac Girl? When I was in high school, I intuitively thought it was an implicit love poem. Now that the relevant background has been added, I think it is a poem against reality.
In the gloomy society of Rainy Lane, the poet did not despair completely, but still longed for the emergence of new hope.
4. How to write a composition after reading ancient poems? I have been attracted by the charm of ancient poetry since I was a child, because it can bring me happiness and joy, and also let me feel the feelings expressed by poets when they write poems.
Wang Xu wrote the poem "Looking at the Snow Plum Blossoms" in Yuan Dynasty, which was the first poem I read when I was a child. The poem "Walking on the Shahe River", also known as "Liu Changchun" and "Happiness in the Sky", belongs to rhyme. What impressed me in the sentence is that "snowflakes are all like plum calyx." Snowflakes are not as thin as plum blossoms. By means of comparison and contrast, the author praised and criticized Mei and Xue, and expressed his love and appreciation for Mei through the scenery.
My favorite poet is Du Fu, a great realistic poet in China, who left us over 1400 poems. In art, he advocates "learning from many teachers", pays attention to absorbing and synthesizing the strengths of various schools, and adheres to the critical spirit of "never giving up". He has made great achievements, is good at rhythmic poetry and ancient style, and has a unique artistic style of "depression and frustration". My favorite is his poem Jianghan-Jianghan is homesick and Gan Kun is a pedant. "It's a long day, and it's a lonely night. The heart of the setting sun is still strong, and the autumn wind is sick. In ancient times, it didn't take a long way to save an old horse. "This poem creates a magnificent and open artistic conception through the description of the sunset and autumn wind. The' strong heart' and' longing for the Soviet Union' in the poem let me understand the optimistic, broad-minded and self-reliant spirit of the poet's' martyr's twilight years'.
Secondly, Su Shi is also one of my favorite poets. Among the poems I have read, Su Shi's poems are the ones I have read the most. Named "Dongpo Jushi", the world calls it "Su Dongpo". He is a famous writer, painter and poet in the Northern Song Dynasty, and a representative of the bold and unconstrained poets. He, his father, Su Xun, and his younger brother, Su Zhe, are famous for their literature, and are called "Su San". As an outstanding poet, he created a bold style of ci, and was called "Su Xin" with the outstanding poet Xin Qiji. In poetry, he and Huang Tingjian are both called "Su Huang". One of the four great calligraphers in Song Dynasty. Therefore, I admire Su Shi very much.
Su Shi's Niannujiao Chibi Nostalgia is one of my favorite works. This poem is magnificent, vigorous in style, singing high into the clouds, and its grand realm is unprecedented. Poetry also creates heroes with unprecedented boldness of vision and artistic strength, revealing Su Shi's feelings of serving the country with great ambition and working hard. (Suzhou Investment Management-Tang)
I don't know how many poems I have read, nor how many famous articles I have read. However, every poet makes me feel different feelings and different life experiences. There is a strong concern for the country and the people, serving the country, homesickness, lack of talent, and mountains and rivers. There are also feelings of borrowing scenery to express feelings, borrowing things to express feelings, nostalgic for the past and hurting the present ... In these fresh and natural, unpretentious and clear language styles, I grew up in the ocean of ancient poetry.
I love ancient poetry, because it brings me endless happiness and joy, the most precious wealth in my life-life inspiration, and inspires me to be a great man with ambitions like these poets forever.
5. How to write poems after reading? Let's talk about the characteristics of poetry first. His poems are gloomy and reflect history.
Du Fu is good at using many systems of classical poetry and creatively developing them. He is the pioneer of the new Yuefu poetry style.
His Yuefu poems contributed to the development of the new Yuefu movement in the middle Tang Dynasty. His "May 7th" ancient novel, which is also a history of poetry, began to narrate and focus on the whole story, marking the high achievement of China's poetic art. ..
Du Fu also showed extraordinary creativity in the Five-Seven Laws, and accumulated complete artistic experience in melody, antithesis, and refining words and sentences, which made this genre reach a fully mature stage. Du Gongbu has been handed down from generation to generation.
Du Fu is as famous as Li Bai and is known as the "Great Du Li" in the world. The core of his thought is the Confucian thought of benevolent government.
He has a great ambition of "making the monarch Yao and Shun superior first, and then making the customs pure". He loves life, people and the great rivers and mountains of the motherland.
He hated evil, criticized and exposed the corruption of the imperial court and the dark phenomenon in social life. He sympathized with the people and even fantasized that he was willing to make self-sacrifice to save their suffering.
Therefore, his poetry creation always runs through the main line of worrying about the country and the people, which shows Du Fu's greatness. His poems are rich in social content, rich in the color of the times and distinctive in political inclination, which truly and profoundly reflect the political current affairs and broad social life prospect of a historical era before and after the An Shi Rebellion, and are called the "history of poetry" of a generation.
The style of Du Fu's poems is basically "gloomy and frustrated", and the language and text structure are full of changes, emphasizing the refinement of words and sentences. At the same time, his poems have many styles. Besides the five ancient poems, the seven ancient poems, the five laws and the seven laws, he also wrote many lines.
There are also various artistic techniques, which are the epitome of the ideological art of Tang poetry. Du Fu also inherited the spirit of Yuefu in Han and Wei Dynasties, got rid of the shackles of the ancient Yuefu themes and created many new Yuefu themes, such as the famous Three Officials and Three Farewells.
After his death, he was highly praised by Huang Fan, Han Yu, Yuan Zhen and Bai Juyi. Du Fu's poems had a far-reaching influence on Bai Yuan's literary thought of "New Yuefu Movement" and Li Shangyin's near-body allegorical current affairs poems.
However, Du Fu's poems were widely valued after the Song Dynasty. Yu Wang, Wang Anshi, Su Shi, Huang Tingjian, Lu You and others highly praised Du Fu, while Wen Tianxiang regarded Du Fu's poems as a spiritual force to adhere to national integrity.
The influence of Du Fu's poems, from ancient times to the present, has long gone beyond the scope of literature and art. For details of his life, see Old Tang Book 190.
This is Du Gongbu. Du Fu's experience and poetry creation can be divided into four periods: one is the roaming period of reading (before the age of 35), and the so-called "dissolute Zhao Qi, autumn horses are wild".
In Kaiyuan 19 (at the age of 20), he began to roam wuyue and returned to Luoyang five years later. Roaming Zhao Qi again.
After meeting Li Bai in Luoyang, they formed a profound friendship, then met Gao Shi and traveled with Liang and Song (now Kaifeng and Shangqiu). Later, Du Li went to Jizhou again, met at the east foot after breaking up, and separated again, so there was no chance to meet again.
Second, during the period of being trapped in Chang 'an (35 to 44 years old), Du Fu won the first and last place in Chang 'an. Later, he presented gifts to the emperor and presented them to the nobles. He lived a life of "grabbing the rich door in the morning, catching the fat horse dust in the evening, throwing a cup and baking it cold, hiding sadness everywhere". Finally, I got a small official who led Cao Youwei to join the army (mainly guarding the soldiers' weapons and the keys to the treasury).
During this period, he wrote poems such as "Car Shop" and "Two Ways", criticizing current politics and satirizing dignitaries. The book "Singing 500 Words from Beijing to Fengxian" is particularly famous, which indicates that his understanding of the political and social reality of the imperial court has reached a new height after ten years of hard life in Chang 'an.
Third, the Anshi Rebellion broke out and Tongguan fell. Du Fu settled in Zhangzhou with his family and went to Suzong alone. Halfway through, he was captured by Anshi Rebellion and taken to Chang 'an. In the face of chaos in Chang 'an, he heard the news that the loyalist troops were repeatedly defeated, and wrote poems such as Moonlit Night, Spring Hope, Ai Jiangtou and Sad Chen Tao.
Later, he fled to Fengxiang to cheat and made a collection. Because of his advice, Shangshu was demoted to prime minister of joining the army. (Fang Shu is a typical intellectual, but unrealistic. He fought against the rebels and adopted the Spring and Autumn Array, which resulted in a crushing defeat.
Du Fu began to tidy up Zuo's remains. He said Fang was innocent. He was angry and wanted to find fault. Later, he recorded his experiences in the form of poems and became his immortal works, namely "Three Officials" and "Three Farewells".
Three officials: Shi Haoguan, Xin 'an official and Tongguan official; "Three Farewells" means "Wedding Farewells", "Homelessness" and "Farewell the Old and Welcome the New". 4. During his wandering in the southwest (48-58 years old), with the rout of Xiangzhou government forces and the famine in Guanfu, Du Fu abandoned his official position and fled, and his family went to Chengdu via Qin Zhou and Tonggu, leading a relatively stable life.
When he entered the DPRK, the warlord in the middle of Shu rebelled and he went to Zizhou and Langzhou. After Yanwu filmed "Our Times" as a blog in Chengdu, Du Fu voted and Yanwu died. He drifted again, lived in Kuizhou for two years, drifted to Hubei and Hunan, and died on the Xiangjiang River.
The works of this period include Heart on the Water Threshold, Delighting in Rain on a Spring Night, Autumn Wind Breaking the Cottage, Sick Orange, Climbing the Building, Book Reading, The Yellow River was recaptured by the imperial army, Showing Wu Lang again, Ascending the Mountain, Qiu Xing, Three Jueju and Sui Yanxing. Du Fu's poems fully expressed his deep sympathy for the people and exposed the sharp opposition between the exploiters and the exploited in feudal society: "The drunken road in Zhumen froze to death!" This immortal poem has been remembered by the people of China for generations.
"Dare to love death when saving, and be afraid when you are lonely!" This is the full expression of Du Fu's incomparable love for the motherland, and it is also the reason why his poems are so popular. Du Fu's patriotic hot pillow is also very rich in his masterpieces such as Spring Hope and Imperial Army Recovering the Banks of the Yellow River.
In "Three Officials" and "Three Farewells", he praised the patriotic spirit of the broad masses of people who endured all kinds of pains, and even showed readers his childlike innocence of patriotism and love for the people. Out of love for the motherland and the people, it is bound to have a strong hatred for the extravagant and dissolute face of the ruling class and the crimes that bring disaster to the country and the people.
This point has been vividly demonstrated in the immortal masterpieces "Car Shop" and "Two Ways". A great patriot cares about his country and people.
6. Feeling after reading the poem This poem has a good artistic conception and is divided into two parts: the upper part is an inscription and the lower part is a postscript.
Xu zhimo
Hurry! Come on, come on!
When is a cigarette, a mountain and a cloud?
A water, a bridge, a car accident,
A forest pine tree, a bunch of bamboo, red leaves are:
Colorful fields, colorful autumn scenery,
As clear as a dream, vague, hidden,-
Come on, come on! Is it a wheel or time?
Urging old Qiu, urging old age!
If it is segmented, it can be written in four seasons.
Spring (modern poetry)
When the green of life
Climb up my door.
Tell me the news of the wanderer's return.
Butterflies are dancing in the garden
Pebbles awakened from hibernation
It turns out that I have been dreaming for a long time.
The sweetness of the beginning of the year
Ode to Spring (Modern Poetry)
Equatorial warm wind
Can't stand the temptation of the ancient Great Wall.
Pick up the green carpet
face north
Spread out quietly
It embraces spring.
Like a newborn baby
Suck the milk of time
Egged on by sunny mother-in-law
Seize naughtily
Siberian cold beard
Swing and play.
It jumps and jumps.
With a fiery chest
Melting ice and snow
blush
Give generously to Taolin.
And tied smoke gauze around his neck.
I accidentally threw it away.
Wrapped in countless rivers
Winding under a thousand peaks
Yaner chased him up.
Stumbling steps
sweep past
Moisten things with silent sweat drops.
Tear off a piece of white clouds
Help it write down natural replacement.
seasonal variation
Charming fairy tales
Qiu Meng Dai Wangshu
The shepherd's bell in the distance,
Shake off the light leaves.
Qiu Meng is light,
This is the gentle and elegant love of a shepherdess.
So my dream came quietly,
But it carries a heavy past.
Oh, now, I'm a little cold,
Some are cold, and some are melancholy.
7. How to write a modern poem and appreciate a modern poem? The poem version has three elements: language, artistic conception and rhythm. Language and artistic conception play a key role in modern poetry. If we want to appreciate the quality of a modern poem, these two factors are the first, essential and can't be ignored.
We all know that language comes from life, but the language used in any genre of articles is not the real language in life. "Art originates from life and is higher than life", as a poetic literary genre, plays a more important role and charm in language. A modern poem, if its language is elegant and unique, is bound to be chewed and watched; And if the language is not used properly, it will destroy the atmosphere and style of the whole work.