Calligraphy exploration

Gu Kaizhi was born in Wuxi, Jiangsu Province in the Eastern Jin Dynasty. He is knowledgeable, good at literature, brilliant, and infatuated with painting. He is not only good at painting, but also contributes to painting theory. Lu Tanwei was born in Lu Tanwei, Song and Wu (now Wuxian, Jiangsu). He is a Buddhist painter and an outstanding portrait painter, and Sheikh highly praised him, thinking that the "six methods" of painting are "only prepared by Lu Tanwei and the Health Association". His brushwork has the characteristics of "Lian", which is called "Yi". He was born in Zhang Sengyou, Zhang Sengyou and Liang Wuzhong (now Suzhou, Jiangsu) in the Southern Dynasties, and was called Wu Xingren. He is not only good at figure painting, but also can draw landscapes, animals and statues. He is a versatile artist. He has a unique creation in painting, painting landscapes without pen and ink, which is called "boneless landscapes" in history and is his own. These three men have their own characteristics and specialties, so they are called "three outstanding men in the Six Dynasties". These three people have their own characteristics and specialties, and they are called the three outstanding men in the Six Dynasties. Wu Jinzi, a Canadian painter written by Yang Ming, is called "the fourth ancestor of painters". Three outstanding figures in the Six Dynasties: Gu Kaizhi, Lu Tanwei and Zhang Sengyou. Characters Gu Kaizhi, Long Kang, Xiaohutou, from Wuxi, Jiangsu, Eastern Jin Dynasty. He is knowledgeable, good at literature, brilliant, and infatuated with painting. He is not only good at painting, but also contributes to painting theory. Lu Tanwei was born in the Southern Song Dynasty and Wu (now Wuxian County, Jiangsu Province). He is a Buddhist painter and an outstanding portrait painter, and Sheikh highly praised him, thinking that the "six methods" of painting are "only prepared by Lu Tanwei and the Health Association". His pen has the characteristics of "Lian", which is called "Yi" Zhang Sengyou, and Wu Xingren, a native of Liang Wuzhong (now Suzhou, Jiangsu) in the Southern Dynasties. He is not only good at figure painting, but also can draw landscapes, animals and statues. He is a versatile artist. He has a unique creation in painting, painting landscapes without pen and ink, which is called "boneless landscapes" in history and is his own. These three men have their own characteristics and specialties, so they are called "three outstanding men in the Six Dynasties". These three people have their own characteristics and specialties, and they are called the three outstanding men in the Six Dynasties. Wu Jinzi, a Canadian painter written by Yang Ming, is called "the fourth ancestor of painters". Gu Kaizhi's Sketch of Women's History: Zhang Sengyou (yáo), a famous painter in Liang Wudi (Xiao Yan) period, was born in Wuzhong (now Suzhou, Jiangsu) in the Southern Dynasties, and his date of birth and death is unknown. Liang Wudi Tian Jian (502-5 19), assistant minister of Wuling State, painter of Zhimi Pavilion. He served as the general of the right-wing army and the satrap of Xing Wu. He is good at drawing portraits and figures, as well as dragons, eagles, flowers and landscapes. He was good at making character story paintings and religious paintings, and was called a painter who surpassed his predecessors at that time. Liang Wudi is a good Buddha. Anyone who decorates a Buddhist temple is required to draw a wall. Painted Buddha statues, with their own style, are called "Zhang's style" and are a model of sculptors. He is also good at portrait painting and genre painting. He is also a dragon painter, and there is a legend that makes the finishing point break through the wall and fly away. The dragon he painted is very wonderful. According to legend, he painted four dragons in anrakuji, Jinling, and put eyes on two of them, and two dragons flew into the sky, while the ones without eyes were still on the wall. Zhang Sengyou studied hard all his life. "I can't put pen to paper, so I can work at night, and I'm not tired. Within a few years, I have no leisure. " Zhang Sengyou's works include Twenty-eight Nights, Badi Statue, Shooting the Focus of Hanwu, Warrior of Wu, King of Tao, Strange Picture of Qingxi Palace, Picture of Mona Immortal, etc. They are recorded in Xuanhe Painting Spectrum and Mona Fairy Map respectively. The works handed down from ancient times include "Five Stars and Twenty-eight Dwellings", which is now in Osaka City Art Museum, Japan. People in the Southern Dynasties (now Suzhou, Jiangsu) are said to be a famous painter in the period. According to Tongzhi's Huzhou Fuzhi, he was confirmed to be a native of Wuxing, Zhejiang Province. He painted "convex and concave flowers" with cinnabar and turquoise on the gate of Yicheng Temple in Jiankang with Tianzhu (ancient India) painting method, which had a three-dimensional effect. Yao Zui's Catalogue of Continued Paintings said: "Good painting of pagodas is beyond the reach of group workers." Zhang Yanyuan's family once kept Zhang Sengyou's Tathagata and saw his Vimalakīrti, Bodhisattva and other works with their own eyes. Zhang Sengyou worked hard all his life, and continued to draw a catalogue, saying that he "worked day and night, was lazy and tireless, but was clear about public and private, and never put down his pen, but he could not be idle for several years." It shows his valuable diligence. In terms of color, it absorbed foreign influences. According to "Jiankang", "When entering the temple, it was made by Wang Lun, the king of Liang Shaoling, and the door of the temple was painted with convex and concave flowers, named as the handwriting of Zhang Monk Friends. Its flowers are made of the legacy of Tianzhu, Zhu and turquoise. From a distance, eyes are dizzy and myopia is flat. The world is salty and different, so it is called the convex and concave temple cloud. " It is said that he created a "boneless" method with no outline, all painted in colors, which changed the emaciated image since Lu Gu, created a fuller model and painted a "short and colorful face". Zhang Huaiguan commented: "The beauty of people, Zhang (monk) gets his flesh, Lu (exploration) gets his bones, and Gu (opening) gets his spirit." Zhang Sengyou's "thin style" painting flourished in Sui and Tang Dynasties. Later generations say that his paintings are mostly based on calligraphy, with strokes like a hook and halberd sword. There are gaps and images in painting, which changed the "dense body" painting method of Gu Zhi in the Eastern Jin Dynasty and Lu Tanwei in the Southern Song Dynasty. Later generations and Wu Daozi in Tang Dynasty called it "sparse body". Both Confucius and Confucian children are good at drawing religious paintings. Born in Hewu (present-day Suzhou). He is a constant servant since Emperor Song and Ming Dynasties, good at calligraphy and painting, good at character, simple in nature, engaged in landscape and vegetation, participated in supernatural activities and walked with God. He painted buddhas and statues of ancient sages, sharp as a taper knife, with brush characters in his paintings, naturally showing off his bones. As well-known as Kai, the ancients called him a towering figure in the wind, and his brushwork was frustrated and his brushwork was a little slow, which made him feel novel but not empty. X: There are six painting methods. Since ancient times, authors have rarely prepared them. Only Lu Tanwei and the Health Association prepared them. Another cloud: Exhaustion, things beyond words, including pre-pregnancy and post-pregnancy, independence from ancient times to the present, can not be praised by revival. Sui and Su Hong are both good at painting. Qi's evaluation: comprehensive and eloquent. Before and after pregnancy, ancient and modern independence. Repeated encouragement can't be praised, but the price is extremely heavy, and there is no other news, so it is the first. (Record of Ancient Paintings) Tang Lizhen: "Leave a message when you die, and your former residence comes first." This statement is too much. However, the trace of Gu Changkang can make Liu Jun lose his step and Xun Xu collapsed. However, it is said that ten thousand generations of turtles are heavy mirrors, and Lu Gu's cohabitation is top grade. Zhang Tang Huai Guan: Lu Gu and Zhang Sengyou, both of whom are paid attention to by critics. Lu's spirit is with God. The handwriting is vigorous and sharp, like a sharp knife, showing bones and clear images, which is lifelike and makes people look superb. Much as I like it, I don't think about it. A husband is as strong as a man, and Zhang is no worse. ("Broken Painting") Tang Zhujing declared: The houses and trees in Lu Tanwei ranked first in the past dynasties, all of which were animals, vivid and abnormal, and absorbed in their photos. Therefore, the characters painted by Lu Tanwei are extremely wonderful, but the scenery and vegetation are only rough. In addition, Shaw History, puppet shows, local customs, Luoshen and other pictures can be seen in the world. Modern painters have good names, so they are lucky. Wu Daozi, which can be unique, can be both vertical and vertical in Lugu and secondary in Zhou Fang. (A Record of Famous Paintings in the Tang Dynasty) Zhang Yanyuan in the Tang Dynasty: In the past, Zhang Zhi learned the method of Cui Du's cursive script, so he changed it and became a modern grass, which was connected in one stroke and interlaced like a mountain. But the prince understood his profound meaning, so the first line of words often followed him and was called a book by the world. Later, Lu Tanwei also drew a stroke, which was continuous, so he knew that calligraphy and painting used the same method. Lu Tanwei's lean is fascinating, new and wonderful, which was famous in the Song Dynasty and unparalleled. Dong: It's as famous as Kai, but I've only seen the primitive Manjusri Bodhisattva, with eighty people flying four immortals, each with its own beauty. There are monks in the room, holding a skull jar and covering the western regions. This volume is tight and precise, with no regrets, and it is really a treasure on earth. Zhang Yanyuan said that the wind was surging and the brushwork was frustrated, which made him feel novel. Not empty talk. Xun (Pictorial): The folds of clothes should be taken into account when drawing stone hooks. More strokes will not be complicated, and fewer strokes will not be simple. Jieshi is as expensive as chaos, and the clothes are also wonderful. I have seen the heavenly king of Haichang Chen fold like a seal, and his sleeves are sixty or seventy percent folded, but it is a stroke with the same momentum, which has never been written by later generations. ("Quiet Residence in the Mountains") [Edit this paragraph] Comments Qi: Fatigue is the only thing to say. Before and after pregnancy, ancient and modern independence. Repeated encouragement can't be praised, but the price is extremely heavy, and there is no other news, so it is the first. (Record of Ancient Paintings) Tang Lizhen: "Leave a message when you die, and your former residence comes first." This statement is too much. However, the trace of Gu Changkang can make Liu Jun lose his step and Xun Xu collapsed. However, it is said that ten thousand generations of turtles are heavy mirrors, and Lu Gu's cohabitation is top grade. Zhang Tang Huai Guan: Lu Gu and Zhang Sengyou, both of whom are paid attention to by critics. Lu's spirit is with God. The handwriting is vigorous and sharp, like a sharp knife, showing bones and clear images, which is lifelike and makes people look superb. Much as I like it, I don't think about it. A husband is as strong as a man, and Zhang is no worse. ("Broken Painting") Tang Zhujing declared: The houses and trees in Lu Tanwei ranked first in the past dynasties, all of which were animals, vivid and abnormal, and absorbed in their photos. Therefore, the characters painted by Lu Tanwei are extremely wonderful, but the scenery and vegetation are only rough. In addition, Shaw History, puppet shows, local customs, Luoshen and other pictures can be seen in the world. Modern painters have good names, so they are lucky. Wu Daozi, which can be unique, can be both vertical and vertical in Lugu and secondary in Zhou Fang. (A Record of Famous Paintings in the Tang Dynasty) Zhang Yanyuan in the Tang Dynasty: In the past, Zhang Zhi learned the method of Cui Du's cursive script, so he changed it and became a modern grass, which was connected in one stroke and interlaced like a mountain. But the prince understood his profound meaning, so the first line of words often followed him and was called a book by the world. Later, Lu Tanwei also drew a stroke, which was continuous, so he knew that calligraphy and painting used the same method. Lu Tanwei's lean is fascinating, new and wonderful, which was famous in the Song Dynasty and unparalleled. Dong: It's as famous as Kai, but I've only seen the primitive Manjusri Bodhisattva, with eighty people flying four immortals, each with its own beauty. There are monks in the room, holding a skull jar and covering the western regions. This volume is tight and precise, with no regrets, and it is really a treasure on earth. Zhang Yanyuan said that the wind was surging and the brushwork was frustrated, which made him feel novel. Not empty talk. Xun (Pictorial): The pleats of clothes should be balanced by the brushwork of stone hooks. More strokes will not be complicated, and fewer strokes will not be simple. Jieshi is as expensive as chaos, and the clothes are also wonderful. I have seen the heavenly king of Haichang Chen fold like a seal, and his sleeves are sixty or seventy percent folded, but it is a stroke with the same momentum, which has never been written by later generations. ("Mountain Residence Map") comes from the network.