The key to learning lowercase letters is to solve technical problems first. The key to solve this problem is to find a good learning method, that is, to find out the basic essentials and laws of lowercase techniques first.
This paper mainly introduces and analyzes the basic brushwork, main characteristics and basic laws of lower case letters. It should be noted that these characteristics and laws are not absolute, let alone immutable. In practice, we should learn to draw inferences from others and use them flexibly.
1. Square, flat and wide, with changeable posture.
Since the Wei and Jin Dynasties, the small letters are basically exquisite strokes and square shapes, showing a mature regular script symbol. The knot characters in the small print are mainly square, and the posture is mostly horizontal and flat, showing generosity, atmosphere and elegance.
At the same time, it is more varied with different glyphs such as size, width, diagonal and rectangle. Such as "god", "phase", "distance" and "view".
2. Stretch generously and put it away properly
The wide and flat font of fine print is the last rhyme of official script. Small letters, some strokes are naturally folded. In order to avoid being stiff, the ancients often made reasonable stretching or convergence actions on the long horizontal, long left hand, long press or side parts, which made the structure wide and stretched, giving people a sense of beauty. The relationship between receipt and release of lower case letters is very particular. Every word is not collected at will, but collected and released, which is naturally unified.
Such as "I", "Man", "Fu" and "Crimson".