Calligraphy is a unique line art, which requires very high movement and combination of lines. In calligraphy aesthetics, round lines are highly praised by people. "Circle" refers to the three-dimensional sense, and "strength" refers to the sense of force. In the aesthetic feeling of calligraphy lines, roundness and strength are integrated, and the calligrapher also combines them into one furnace when creating this line. Anyone who is "energetic" will show its "round" effect; Anyone who is "round" naturally has the beauty of "strength", and the two are interrelated, infiltrated and inseparable.
center, lateral front and exposed front, hidden front
center and lateral front refer to the position of the tip of the pen in the operation of stroke lines. The center is also called the positive front, that is, the pen is vertical, the pen tip moves in the stroke, and its lines are flush on both sides, round and full, and have a three-dimensional effect. Since ancient times, the center's strokes have been regarded as the "eternal difficult" rule in calligraphy, which learners can't surpass. Jiang Baishi's "Continued Book Promise" said: "If you always want to write in the painting, you will be sick on both sides."
refers to keeping the main front of the brush at the center line of stippling when writing, so as to distinguish it from the eccentric front. The lines written by the center are round and textured. In Shen Kuo's Mengxi Bi Tan in the Northern Song Dynasty, it was recorded that Xu Xuan was good at seal script in Song Dynasty, and he reflected it on the Japanese. There is a wisp of thick ink in the center of the painting, and as for the bend, it is also considered as one of them. It is because the pen tip goes straight down and does not fall down, so the pen tip is often in the painting, so this method of using the pen is also used.
Make it stand upright, with the front in the middle and the left and right unbiased, which is called "center".
The center moves the pen, which is to let the pen tip run in stippling. This method of carrying a pen is the main method of using a pen. In the Qing Dynasty, Shigemitsu said in the "Green Raft": "Being able to transport the center, although it is a failure, is also round; If you can't be a center, you are both good and bad. The root of the pros and cons lies here. " It is true that the center is the main law in calligraphy, so the center is the most important in calligraphy. The centre forward and the centre forward < P > carry the pen, because it is easy to lift the pen upside down and press the pen to use the front, so there will be different stippling, showing the interest of rigid and flexible, vertical and horizontal transport. If the carpal canal, hinder the center of gravity of the milli, make it forward. According to predecessors' experience, when the wrist is vertical, the front is straight, and the front is regular on all sides, so that it can be drawn vertically, closed tightly, extended, pressed and lifted, and the pen gesture is related, and the pen tip can return to each other, so that the front ability can be
In short, the center is a key to using the pen. Only Feng Zheng can be strong and energetic and leap forward. Of course, the calligraphy pen is extremely varied, and it is impossible for the pen to reach the center. However, no matter how it changes, at the end of the pen, it will definitely receive the center.