Appreciation of humble calligraphy
Loushi Yanmingti Calligraphy 1
Loushi Yanmingti Calligraphy II
Lou's strict calligraphy 3
Loushi Yanmingti Calligraphy 4
Loushi Yanmingti Calligraphy 5
Characteristics of Yan-style calligraphy
Yan Ti was created by Yan Zhenqing, a calligrapher in the Tang Dynasty, and is also known as Liu Gongquan. Yan Liu? , is it? Yan gu? Statement. ? Face? For Yan Zhenqing's regular script, its regular script structure is dense, the strokes are light and heavy, the brushwork is vigorous and round, and the momentum is solemn and vigorous.
Yan Zhenqing (709 ~ 785) was a calligrapher in the Tang Dynasty. Chen Qing, a native of Jingzhao Wannian (now Xi, Shaanxi), was originally from Linyi (now Linyi, Shandong). The History of Books is also called Yan. Be upright, be upright. The innovator of calligraphy in the Tang Dynasty set up a banner for calligraphy in the prosperous Tang Dynasty. Yan Zhenqing studied books since childhood and was taught by Zhang Xu. He also studied and developed Cai Yong, Wang Xizhi, Wang Xianzhi and Chu Suiliang, and formed his own unique style. His cursive script is concise and powerful, with ups and downs.
Yan Zhenqing has opened up a brand-new realm of calligraphy: in terms of characteristics, Yan has a brand-new figure, strict statutes and great momentum. From the aesthetic point of view, beauty of face and beauty of body are dignified, masculine and artificial, and beauty of number is simultaneous, which sets a rule for later generations. From the perspective of the times, the early Tang dynasty inherited the rest of the Jin and Song dynasties, but failed to stand on its own feet. As soon as Yan style appeared, the new style of Tang Doutan casting became one of the distinctive features of the prosperous Tang Dynasty.
His regular script is contrary to the calligraphy style of the early Tang Dynasty, and it is thin and hard with the pen of seal script, with a broad structure.
Magnificent momentum, vigorous strength and awe-inspiring spirit, this style also embodies the prosperous style of the Tang Dynasty empire, which is in line with his noble personality and is a typical example of the perfect combination of calligraphy beauty and personality beauty. His writing style is called. Face? , and Liu Gongquan said? Yan Liu? , is it? Yan gu? Fame.
Among them, Guo Bei and Duo Baota Bei are his representative works, but his personal style has not yet formed. He is refined, beautiful and handsome. Yan Bei is the first masterpiece of the old man. At this time, his vigorous and powerful personal style has been formed, and his works in his later years are represented by the more attractive Magu Mountain Xiantan.
Yan Zhenqing in the history of calligraphy? Face? Created a unique realm of calligraphy. Yan calligraphy is characterized by excellent spirituality and natural magnificent realm; It is cast by its powerful soul, and its realm is naturally vigorous; It enriches the people, and the realm is naturally broad. Yan Zhenqing in his youth asked Zhang Xu for advice? How to be equal with the ancients? problem This is the aspiration of Yan's calligraphy, and it is also Yan's flying mandarin fish. This strict Miao descendant who used a loess broom to sweep walls and learn calligraphy since childhood stood at a towering starting point of calligraphy almost from the beginning. In calligraphy, Kun Peng spread his wings, and it took almost thirty or forty years of experience to become his own face and climate. Then after decades of hard work, temper and enrich it, make it? Face? Both form and spirit. In his later years, he still pursued perfection and perfection. ? Face? Finally standing in the book world.
Yan Zhenqing has opened up a brand-new and magnificent realm of calligraphy: Yan's physique is brand-new, her statutes are severe and her momentum is magnificent. From the aesthetic point of view, the beauty of modesty, masculinity and affectation are integrated into one, which sets an example for future generations. From the perspective of the times, the early Tang dynasty inherited the rest of the Jin and Song dynasties, but failed to stand on its own feet. As soon as Yan Ti came out, a new style was cast in the altar of the Tang Dynasty, which became one of Yang Zhi with distinctive weather in the prosperous Tang Dynasty.
Times have created the realm of Yan Shu, just as times have created the realm of Wang Xizhi's calligraphy. During the long-term social turmoil in Wei, Jin, Southern and Northern Dynasties,
Yan Zhenqing's calligraphy works-the tablet generation of Yan's family temple, but the cultural history has become a radiant era. The art of calligraphy in this era has become an art and skill that literati consciously entrust with lofty spirit. They deeply discovered the external beauty of nature and the internal beauty of spirit. Wang Xizhi was born in this era? Book saint? . However, the Tang Dynasty entered the most glorious era in the ancient history of China. The politics, economy and military affairs of the Tang Empire surpassed the past and reached its peak, and culture and art blossomed. People face the great progress of society with new eyes and values. Emperor Taizong was good at Wang Youjun's calligraphy, personally praised the Biography of the Book of Jin, bought it at a large price, and decided to copy it, and extended the Preface to Lanting to the nobles, so the literati lived in the right army. Yu Shinan, Ou Yangxun, Chu Suiliang and Xue Qi all had their own achievements in the early Tang Dynasty, but they failed to really create a new style of calligraphy for the Tang Dynasty.
Yan Zhenqing is a pioneer in creating a new style. He was a minister in the Tang Dynasty and a descendant of the calligrapher's family. He is very concerned about the evolution of calligraphy. Han Yu once ridiculed? Is Xi's vulgar book attractive? The author's one-sided view is that he failed to correctly evaluate Wang Shu, but his original intention is to set out from his own times and establish a new value concept and aesthetics. Therefore, Du Fu's poems, Korean's poems and Yan Shu's poems all stand on their own feet in the new era. ? Drive out the face, accept the ancient law in the new idea, and give birth to the new law outside the ancient meaning. Vientiane, Tao Zhu, has its own strengths. The poems of Shaoling and the articles of Changli can rise and fall for eight generations, so they became the books of the Tang Dynasty? (Book Forest and Algae). Yan Shu's admiration for bone, fat and law, dignity, broadness and boldness, and attention to momentum, courage and heroism can be found in the society of the Tang Dynasty. Yan Zhenqing created the sound of the prosperous Tang Dynasty in calligraphy, which is the magnificent realm of Yan Shu.