"Thinking about mechanics for forty years, relying on nature. Riding freely and lightly, the king is elegant. " Strolling in Xiaofeng Hall and observing many of Mr. Zhang Jianmin's masterpieces are not only masterpieces, but also vividly on paper, giving people an immersive feeling: his works roar in the sky or leap in the mountains; Or playing in the mountains and rivers, or standing on the top of Wan Ren; Or live under the pine forest, with different expressions, showing the wind of the king. It's really "a long whistle, you have to hear it all over the mountains, and there are echoes everywhere." Mr. Zhang Jianmin naturally integrated vigorous pen and ink, warm colors and profound knowledge of calligraphy and poetry. In particular, the Baihutu is magnificent, magnificent and full of pride. As the title in his picture says: "The world's heroism lies in this mountain. The cycle is unpredictable, the Woods are black, and the wind hits the grass. " It is worthy of the reputation of "the first tiger in the world" in painting.
Mr Zhang Jianmin not only learned from Hu Shuangan, Zhang Shanzi and others, but also observed and sketched in his life for nearly 20 years. He also observed and copied a large number of famous paintings of past dynasties. He knew the aesthetic charm of traditional ancient methods well, so his pen was calligraphy and painting, but it was elegant. His greatness stems from his constant understanding of the essence of tradition. At the age of ten, Mr. Wang also studied calligraphy under the famous scholar Mr. Liu. Starting with the calligraphy styles of Europe and Liu, we should practice our internal skills hard and lay a solid structural foundation. Later, I gradually learned about Zheng Wengong's inscriptions and other inscriptions. After the age of 30, I deeply appreciated the Huangshan Canyon and Zhao Ziang, and gradually formed my own strong and warm realm. His calligraphy has smooth lines and stable structure.