Calligraphy is a long and excellent traditional culture in China. To learn calligraphy well, we can first look at some calligraphy formulas that have been passed down to this day. Only by knowing them well can we improve our understanding of the art of calligraphy. The following are the jingles of writing with a brush.
The brush method is jingle 1 horizontal formula: the angle from the left oblique angle should be hidden in front, the right line of the pen should be in the middle, it should be slightly round after being collected, and the two ends should be thick and thin. Vertical (hanging needle) method formula: vertical painting is like a needle, hanging straight in the middle, about five-fifths of the pen is gradually closed, and the upper part is thick and full of points.
The formula of vertical (dew) method: vertical painting is like a water column, which flows tightly to the bottom, just like dripping water, and must be returned when writing. The formula of the pen skimming method: the hand is short, sharp and fast, and it falls slowly at the beginning, and the pen is right and left, and the front speed should be accelerated.
The formula of squeezing method: Swallowtail silkworm head is squeezed, with round head, thin neck and big tail. Remember the writing method and ship it home with twists and turns. Pointing formula: permanent word eight points to the first, length, square and circle. No matter how the posture changes, reverse the pen and return to the middle of the abdomen. Formula Formula: The formula is written on the left and then slightly tilted to the right. Thin and strong, not fat, writing fast and steady, very refreshing.
When carrying a brush, you should also pay attention to controlling the pressing degree of the brush. Generally, it should be within half of the pen tip. There has always been a saying that it is divided into pens, pens and pens. The original intention is to use the pen tip near the front end, which is small in deformation and easy to recover. When choosing a brush, the same is true for choosing "big and small characters".
Attention should also be paid to the operation process, and scattered and powerless pens will be issued from time to time. When the pen is transported forward, it will inevitably fall off and its elasticity will be weakened. It is necessary to make a "back to the top" action to stand up the pen, such as the falling front at the corner and the crouching front at the hook, which will restore the broken pen to a certain extent and even make the pen in a particularly strong state, greatly enhancing the "writing power".
Brush calligraphy formula
The formula to remember in practicing calligraphy is: learning books is expensive, and practicing books must be done with heart. The heart is right and the pen is right. Don't digress when writing, turn your eyes to the dew. If you want to receive something, you must avoid mediocrity. It is advisable to expose the needle vertically on the left and hang the needle vertically on the right. It is like a golden knife and a rhinoceros horn. Unswervingly and cleverly laid out.
In addition to methods, we should also understand that calligraphy practice includes many calligraphy fonts, and different fonts have different writing methods. The most common ones are running script, cursive script, regular script, official script, thin gold calligraphy and qigong calligraphy popular in recent years.
The most common formula for running scripts is:
Writing smoothly and calmly is the key.
The simplification of sketch is that Lian Bi is light and thin, not thick.
A variety of telescopic multi-purpose pens are best with long sides.
Wet the ink with a pen such as cursive script.
It is standard to bend your elbow when writing.
Flexibility is the only way to freedom, and it must be done in one go.
There are official scripts and formulas.
Jin Fang Gu Zhuo is like a turtle.
The pens with silkworm heads and goose tails must be 30% off.
Wild geese don't fly in pairs, and silkworms don't have two colors.
Point, throw, pick left and right.
Heavy turbidity, light clarity, firm determination
Writing with a brush is a jingle 2. First, calligraphy is full of breath.
Breathing is learning, and the whole body is full of blood.
The ancients seldom handed in books ten minutes ago.
After all, the gas strength is naturally big.
Listen to me slowly. Strength is strength.
Say it's difficult, and then write.
Simple operation. Make a book of shoulders and arms.
The foot naturally extends from the arm to the wrist.
From wrist to finger, it is naturally shoulder-level.
Keep your body straight from your fingers to the tip of your pen.
Hands, up and down, all over the body.
Use it slowly and repeatedly on the nib.
Take a deep breath through your nostrils and reach for the paper.
Breathe smoothly, and the force permeates the back of the paper.
Second, the pen and ink temperament
Calligraphy teaching skills
Are based on their human feelings
The joys and sorrows are profound.
Cheerful and cheerful, but comfortable in speech.
Anger is rude and dangerous.
The mourner is depressed and his words shrink.
Musicians are calm and beautiful.
Love is heavy and dangerous.
The depth varies with the pen.
Running a pen makes ink look at the shape.
Grasp the pen and ink well
Personality art comes naturally.
Third, how to read the post
Reading posts is very important. Is it hidden or folded?
The way to know whether it is square or round.
Look at whether the post is long or short before writing.
Try to find out whether the word structure is high or low.
Analyze it carefully to see if it is a horizontal trend.
I don't know whether to put it with a pen or vertically.
Recalling the previous pen, I read the post at the back and passed the test.
Think before you start writing.
Fourth, how to recite and paste.
If you want to copy knee quilts and sand
Memorizing posts is very important. Practice calligraphy.
The ancients used it more.
Keeping every word in mind is also advocated today.
The finger can be used as a pen, and the back can pass the test.
Blank is a magic weapon, and writing is very convenient.
The writing method of the brush is jingle 3. The writing method and essentials of the brush.
First, sitting posture
Seats:
If the seat is suitable, the posture is naturally easy to correct, which is generally based on the comfort of placing all parts of the body and the ease of writing. The main points are as follows:
The seat should face the desktop and should not be tilted.
The height of the seat is about the same as that of the knee. When working, your feet can step on the ground steadily, so as not to hang your feet and be vain. The height of the desktop varies from person to person. Too high or too low is not good.
The distance between tables and chairs is the degree to which you can stand upright. The so-called zero distance between tables and chairs means that the distance between tables and chairs is zero, which is the most ideal.
Posture essentials:
Feet shoulder-width apart, step firmly on the ground and lean forward slightly.
Keep your back straight, lean forward slightly and don't bend. Chest erect, about five centimeters from the edge of the table. The abdomen is small. Press the paper with your left hand to stabilize your body.
Hold the pen in your right hand, or pillow your wrist, lift your wrist and hang your wrist, and write according to the main points.
Head straight and slightly forward, eyes straight, not suitable for deflection.
In addition, you need to relax, be natural, concentrate, and then give full play to the maximum function of writing.
Second, the writing method of brush
When writing, you should pay attention to:
One should be steady, the other should be loose, and if it is tight, it will be loose. As long as the fingers are not close together and the palms are not buckled, it is necessary to use them flexibly and naturally.
Third, the method of writing brush
The brush is the foundation of calligraphy, and it is useless to write without getting the gist. That's why calligraphy is important. There are three ways to carry a pen:
First, the fingering method: the fingering method is one of the methods of holding the pen, that is, the left hand is placed under the right hand. Commonly known as pillow-wrist posture. You can also put a heavy object under the right wrist instead, so that the wrist is fixed and only the fingers of the palm can move, so you can only write short strokes, which is suitable for fine print. However, it is not appropriate to use the pillow wrist body when writing small characters in cursive script. Because this method is not flexible, there will be a lack of flowing spirit when writing, and its spirit cannot be expressed.
The second is the wrist movement method: the wrist movement method is to fix the elbow and lift the wrist, which is generally called lifting the wrist. In this way, the wrist is raised, the range of motion is larger than that of the pillow wrist, and larger Chinese characters can be written. But it is also not suitable for writing big characters, because the elbow is still on the ground and the range of activities is still limited.
The third method is elbow transport: the elbow transport method is to hang the pen with the elbow, which is generally called wrist-hanging style. However, this method is the most flexible, with the largest range of activities and easy to express brushwork, with the shoulder as the center and the wrist and elbow not on the case. Suitable for block letters, cursive scripts, etc. In a word, hanging wrist posture is the ultimate usage of calligraphy. To be perfect, this method must be skillful, otherwise Chinese characters can't show their dominance and cursive script can't escape.
The main points of writing:
How to make all kinds of strokes when writing, showing different writing styles, varied, as well as writing methods and starting pens, the order of writing, the connection and disconnection between strokes or words, the way of turning, the use of pen tips and so on. , all need to pay attention. But although there are many, there are still some statutes to be found, which can be roughly divided into several points and described simply:
Pen and pen:
When you are writing, the process of completing a word is formed by the interaction of starting and stopping. "Pause" means putting pressure on the pen and bending the pen to apply force to the paper. "Lift" means to lift or half lift the pen to continue writing. Generally speaking, you need to pick up a pen to write, and then you need to pick up a pen to shape a stroke or connect the next stroke. Finally shape the word. This is why calligraphy writing is an alternating process of raising and raising.
Center and winger:
Centering means that the main front (the most pointed part of the pen) is always on the center line of the stroke, and it is not biased to either side.
Lateral front means that the main front of the pen is biased to one side of the stroke and cannot be kept on the center line of the stroke.
Round pen and Fang Bi;
When writing a round pen, start, close, lift, stop, turn and fold slowly to make the pen more stable. The beginning, the end, the corners, the strokes are medium, and the whole looks round.
Fang Bi, on the other hand, highlighted the backbone of strokes in the above points, making the overall structure clear, straight, light, concise and powerful.
Reverse Front End and Forward Front End:
There are two ways to start a pen: to face the front and to follow the front. When writing, stippling from air movement to contact with paper is called pen entry.
The row direction is the same as the row head running direction, which is called forward row.
The row direction is opposite to the row head running direction, which is called reverse row.
What is written along the wind is also called landwind, and what is written against the wind is also called Tibetan wind.