Jing Shunyi, a native of Renqiu, Hebei Province, was born in Baotou, Inner Mongolia from 65438 to 0959 and grew up in Beijing. I love painting and calligraphy since I was a child. I studied at Beijing Normal University and the Party School of Beijing Municipal Committee. He studied calligraphy under the famous painter Na Qixian, and then studied calligraphy with Professor Qi Gong for many years. He dabbled in seal script, official script, calligraphy and cursive script, especially in Shi Guwen, Zhong Dingwen and Oracle Bone Inscriptions. He is currently the vice president of China-Japan-Korea Economic Development Association, director of China Popular Culture Society, director of China Calligraphy and Painting Federation, member of China Calligraphers Association, member of China Historical Literature Research Association, executive vice president of China-Japan-Korea International Calligraphy and Etiquette Research Institute, and visiting professor of Beijing Foreign Studies University.
Chinese name: Jing Shunyi.
Nationality: China.
Ethnic group: Han nationality
Place of birth: Inner Mongolia
Date of birth: 1959
Occupation: calligrapher and educator
Graduate school: Beijing Normal University
Faith: Buddhism
Main achievements: Beijing Taoranting Park inscription "Pool Shadow Flows Gold"
Writing Chinese characters at the annual meeting of China, Japan and Korea's economic development
China Cultural Research Institute Foshan Cultural Research Institute inscribed the house number.
Masterpieces: Shi Guwen Studies, Calligraphy and Etiquette, Calligraphy and Philosophy, Calligraphy and Chinese Characters.
The life of the character
Calligraphy Etiquette, edited by Jing Shunyi, a contemporary calligrapher, has been published by Beijing Education Press for five years. The book organically combines calligraphy with literature, etiquette, military and other disciplines, broadens the new field of calligraphy research and enables readers to learn new knowledge in many aspects and fields.
The aesthetic viewpoint of "Calligraphy and Etiquette" put forward by Jing Shunyi has been guided and affirmed by many calligraphy predecessors in academic circles. He believes that calligraphy etiquette is not only the rule of calligraphy, but also the rule of being a man. Calligraphy etiquette is mainly reflected in the structure, pen use and composition of calligraphy, such as the density, width, height, vertical and horizontal retraction when using the pen, poor pressing, thickness, rigidity, linearity, shade, tilt up and down, left and right scanning, rhythm ups and downs, slowing down, etc., which are the mutual relations between calligraphy and etiquette. In addition, the aesthetic view of combining the art of war with calligraphy in the book is also very unique. The author points out that when a calligrapher creates a work, it is like a strategist fighting with the art of war. For example, Wei Shuo, the first teacher of Wang Xizhi, a famous calligrapher in the Eastern Jin Dynasty, wrote a book "Bi Tu", comparing the writing requirements of seven strokes of calligraphy with the arrangement of soldiers on the battlefield to illustrate the rules of calligraphy.
Jing Shunyi teaches China calligraphy etiquette in Beijing.
Jing Shunyi, a famous calligrapher and calligraphy educator, edited and taught the ordinary and advanced classes of China Calligraphy Etiquette in Xicheng District Youth Science and Technology Museum. The content of the lecture is the calligraphy etiquette of official script, regular script, seal script, running script and cursive script.
Mr. Jing Shunyi explained the profound truth that "calligraphy education is etiquette education" in vivid and concise language, and pointed out: "Respecting, learning and abiding by the law means respecting, learning and observing the etiquette. Learning calligraphy, knowing etiquette, and being a man are the way to be a man, so calligraphy must be learned. "
Jing Shunyi is an influential calligrapher with certain attainments in contemporary calligraphy. Researcher Hu Houyi, the late president of China Yin Shang Culture Society, commented, "Fresh and beautiful, very beautiful, worthy of our admiration and learning." Professor Qi Gong praised, "Wu Changshuo is the best writer in Shi Guwen in Qing Dynasty, and Jing Shunyi is the best writer in contemporary Shi Guwen."
Jing Shunyi, a native of Renqiu, Hebei Province, was born in Baotou City, Inner Mongolia from 65438 to 0959. He grew up in Beijing and loved painting and calligraphy since childhood. He is studying at Beijing Normal University. He studied calligraphy under the famous painter Na Qixian, and then studied calligraphy with Professor Qi Gong for many years. He dabbled in seal script, official script, calligraphy and cursive script, especially in Shi Guwen, Zhong Dingwen and Oracle Bone Inscriptions. 1987, 28-year-old Jing Shunyi held a painting and calligraphy exhibition, and Professor Qi Gong wrote the title of the exhibition.
1990, Jing Shunyi, who was 3 1 year old, published a full-length work-A Study of Shi Guwen. Professor Hu Houxuan, the master of ancient Chinese prose and president of China Yin Shang Culture Society, praised after reading it: "Unique insights, quite innovative!"
Later, Jing Shunyi published "Jing Shunyi on Shi Guwen", which is China's first monograph on Shi Guwen's theory and creation. After reading it carefully, Professor Qi Gong praised again and again: "Shi Guwen wrote well! Well written, how good! "
From 65438 to 0993, the "Jing Shunyi Shi Guwen Calligraphy Exhibition" sponsored by the Yinshang Historical and Cultural Research Center of China Academy of Social Sciences was the first special calligraphy exhibition held by China in Shi Guwen. Gu Mu, Liu Yandong and others watched the exhibition and were full of praise.
Shunyi is an influential calligrapher and has certain attainments in contemporary calligraphy. Researcher Hu Houyi, the late president of China Yin Shang Culture Society, commented that it is fresh and beautiful, very beautiful and worthy of our admiration and study. Professor Qi Gong said approvingly, "Wu Changshuo is the best writer in Shi Guwen in Qing Dynasty, and Jing Shunyi is the best writer in Shi Guwen today." As a calligraphy educator, Jing Shunyi adheres to the educational philosophy that "art education is love education". The Dictionary of Qigong Calligraphy, edited by him, is called "the first analytical dictionary of contemporary celebrity calligraphy in China". It is reported that Jing Shunyi's "China Calligraphy Etiquette and Sinology Series Textbooks" was published, and Professor Peking University and Wang Shouchang, Dean of China Institute of Culture, wrote an inscription for the textbook.
The Forum on Culture and Education of University Presidents in the World was held.
The International Forum on Culture and Education for Presidents of World National Universities is sponsored by the International Association of Culture and Arts and is headquartered in the Russian National University of Culture and Arts and held once a year. This is the third forum after Russia and Vietnam. The next forum will be held in France.