19 years old entered the First Normal School of Zhejiang Province. Under the guidance of Chen Ziyuan, Li Shutong and others, he studied hard and practiced hard. He combined painting, poetry, calligraphy and epigraphy in one furnace, and calligraphy and painting reached a perfect state. At the age of 27, he became a professor of Chinese painting at Shanghai Academy of Fine Arts and Xinhua Art School, and later served as the president of Zhejiang Academy of Fine Arts. Mr. Pan's Chinese painting has profound attainments, has a profound and comprehensive traditional foundation, absorbs the essence from others, and then develops his own personality and unique talent, creating his own unique way. He gave full play to the line-based characteristics of Chinese painting, and used the calligraphy techniques of "missing marks" and "breaking the thread" for reference. His brushwork is vigorous and powerful, he pays attention to the contrast between black and white with ink, and his composition is rough and bold, with appropriate density. The mountains, rivers, plants, birds, animals, insects and fish in his works are full of vigorous and tenacious vitality, vigorous and poetic; Refers to the unique circle of ink painting, which is gloomy and magnificent in Gu Zhuo; Calligraphy style is bold and simple, it is really cursive, and it is all refined. He is also proficient in the history and theory of painting, and his works are quite abundant, including History of Painting in China, Examination of China Painting Academy and History of Calligraphy in China. He has been engaged in teaching Chinese painting all his life and made outstanding contributions to the development of art education in China.
Mr. Pan's representative works include Song Ying, Autumn Night, The Picture of a Dove of Peace, Sleeping Cat, The Sailing of Iron Stone, Dew in the Air, Longing for Snow, The Story of Baizhangyan, The Small Canopy Boat, Flowers in Yandang Mountain, Rain Ji and the Picture of Mount Tai.