Yu Shinan said that he "can get what he wants without choosing a pen and paper". Besides, he can write a good official script. In the fifth year of Zhenguan, the tablet of Xuzhou Cishifang was his official script. His calligraphy, with official script as the most. Examining its pen, it is both round and powerful. "Surprised in the grass, sending between clouds. Another example is King Kong glaring and Lux punching. " Among them, strokes such as vertical hook are still official strokes. The inscription he wrote on the Buddhist stupa of Huadu Temple, the inscription on the grandfather Wen Yanbo and the inscription on Huangfu's birthday are called "the first regular script in the Tang Dynasty". His regular script has a very serious procedure, both in pen and structure, which is most convenient for beginners. The Thirty-six Methods of Ouyang's Structure, which was circulated by later generations, is a structure writing method summarized from his regular script. His regular script "Zhang Hansi Sticking Bass" is long and vigorous. Ink handed down from generation to generation is especially precious. Ou Yangxun's son Ouyang Tong has a family of calligraphers. Both father and son are very famous in the book world and are called "Ouyang". Xiao Ouyang's "Taoist Monument" has a stronger sense of propriety, but it is too revealing and implicit.
Ou Yangxun's calligraphy was famous in the world as early as the Sui Dynasty, and spread abroad. When I entered the Tang Dynasty, people and books were old and perfect. However, Ou Yangxun himself was not satisfied with his achievements, and he continued to learn and improve.
On one occasion, Ou Yangxun went out for sightseeing and saw an inscription on Cao Zhang written by Suo Jing, a calligrapher in the Western Jin Dynasty. After reading it several times, he thought it was average. But on second thought, since Suo Jing is a generation of calligraphers, his books will also have their own characteristics. Why not let me get to the bottom of it? So I stood in front of the monument and looked at it several times, only to find the profound and wonderful place. Ou Yangxun sat down beside the stone tablet and groped for three days and nights. Ou Yangxun finally realized the spirit of Suo Jing's calligraphy pen, so calligraphy became more perfect.
Common European book inscriptions are:
1, Inscription of Liquan in Jiuchenggong: Regular script is Ou Yangxun's representative work and is often used as a model for learning European books. Wei Zhi wrote an article in which Emperor Taizong lived in Zhenguan for six years. A monument was erected. Calligraphy is rigorous and vigorous, and does not take a posture.
2. The full name of Yugong Gongbei is the official document of Yugong Gongbei, also known as Wenyanbo Gongbei, which was written in regular script at the age of 80. In the 11th year of Zhenguan in Tang Dynasty (AD 637), a monument was erected.
3. The full name of Huangfu Birthday Monument is Huangfu Prince Monument, which was written by Dr. Zuo Guanglu of Sui Dynasty. Also known as Huangfujun tablet. Regular script is Ou Yangxun's work when he was young, and there is no date on the tablet. This monument is hidden in Xi City, Shaanxi Province.
4. The full name of the inscription on the pagoda of Huadu Temple is "Inscription on the Dead Buddhist Pagoda of Huadu Temple": Regular script is Ou Yangxun's masterpiece, which was established in the fifth year of Tang Zhenguan (AD 63 1).
Calligraphy theory, the "Eight Laws of Ou Yangxun", has unique opinions. Mason Lee's 84 laws in Ming Dynasty and Huang Zi's 92 laws in Qing Dynasty are instructive. Its "eight decisions" are: (points) such as the peak falling rocks; (Yoko) is like the new moon in the sky; (horizontal) like a thousand miles of clouds; (Vertical) Long live the withered vine; (Jiange) If Jinsong falls, it will fall on a cliff; (folded) like a crossbow of hosts; (left) If a sword breaks a rhinoceros horn; (4) The full name of the pen is "Buddha stupa Ming in Huadu Temple". Written by Tang Li Bai, The Book of Ou Yangxun. The monument was erected in the fifth year of Zhenguan in Tang Dynasty (AD 63 1 year), with 35 lines of regular script and 33 characters of running script. The original stone has been lost for a long time. This piece has strong pen power and compact structure. Jiuchenggong was written a year earlier, so the style is very similar, but it is more cautious than lengthening. Yuan Zhao Mengfu commented: "Ouyang was a man who could write in the Tang Dynasty, with Taming, a Zen Master as the most important." Weng Fanggang, a epigraphist in the Qing Dynasty, spoke highly of the calligraphy of this tablet, and thought it was better than the inscription of Jiuchenggong Liquan. Although there are too many praises, it can be said that the calligraphy of this monument is really unique. The inscription of liquan in Jiucheng Palace was written by Wei Zhi and Ou Yangxun. It is recorded that Emperor Taizong discovered spring water during his summer vacation in Jiucheng Palace. This monument was erected in the sixth year of Zhenguan in Tang Dynasty (AD 632). Regular script has 24 lines and 49 words. This monument is square with a stroke of a pen, and you can also see it in the square. The arrangement of calligraphy and painting is compact and symmetrical, and the shelves are open and steady. Chen Ming Jiru once commented: "This outpost is deep in the mountains and forests, thin, hard and cold, but full of air, which can make the king bend his knees. It is impossible for him to drive." The graphite engraving of Zhao Han in Ming Dynasty called this tablet "the first official book". The full name is "Tang Gu Te Jin Shangshu right servant shooting official document public monument", also known as "Wen Yanbo monument". Written by Cen Wenben and written by Ou Yangxun, it was established in October of the 11th year of Tang Zhenguan (AD 637). There are 36 lines of regular script and 77 words of running script, and the inscription is Yang Wen's seal script "Tang Gu devoted himself to the right servant of Shangshu to shoot the monument of Yugong and Wengong" 16 words. Zhao Minghan's "Graphite Engraving" commented: "This tablet is better than Huangfu and Jiucheng, but the calligraphy is neat and not under the two tablets." And sighed: "When the letter is over 80, the law is exquisite." It is true that Ou Yangxun's book "Yugong Gongbei" has reached the artistic height, and Zibei's calligraphy has also broken away from the heavy and rigorous characteristics of Jiuchenggong and Huadu Temple, and tends to be natural and fluent. At this time, Ou Yangxun has been able to write regular script freely, also known as Ying Ji Tie and Ou Yangxun Shu. Regular script, no money. Paper book, 25.2 cm long and 33 cm wide. On the back of the paper, there is a thin line of gold: "Lead the Prince to send a letter to Hans to affix it. The brushwork is steep, sharp and long-driven, and the wisdom and courage also avoid the front. Ji Lin wanted to make people ask about books, and when he heard about them, he sighed, "Asking about books spread widely. In his later years, he was vigorous and vigorous, and he had the wind of law enforcement and litigation. It is not a hollow reputation that the butte rises and is cut on all sides. The style of this post is basically the same as that of Ou Yangxun's regular script, and both win by risks. The center of gravity of the word is on the left, and thousands of strokes are pressed to the right, so that the structure of each word forms a rebellious trend, and then the right force is used to turn the tide. It can be said that "seeking stability in danger is endless fun." Emperor Qianlong of the Qing Dynasty commented: "It is wonderful and more than enough to take advantage of the situation. "Very eye. This discount is kept in the Palace Museum in Beijing. The full name is "Dr. Sui Zuo Guanglu's Comment on the Ming Huangfuyun Monument", also known as "Huangfuyun Monument". Written by Don Yu Zhining, written by Ou Yangxun. This stone tablet is now in Xi city, Shaanxi province, and there is no written date. Regular script has 28 lines and 59 words. Inscription seal script "Sui Zhu Guo Hongyi Gong Ming Huangfujun Monument" is twelve characters. "The Joy of Moline" said that this monument was built in the Sui Dynasty and was written by Ou Yangxun in his early years. This monument was divided into two parts in the Ming Dynasty.
"Huangfushengchen Monument" is tightly restrained with a pen, firm and unyielding. The emphasis of stippling is brush and engraving, which is the unique brushwork feature of the thin and vigorous calligraphy style of Weibei and Sui monuments in the early Tang Dynasty. Yang Shiqi said: "The book search is vigorous and the statutes are strict. Commentators say that Yu (south of the city) gets the legacy of gold, while Europe () gets the strictness of gold. Isn't it easy to see Huangfu's birthday tablet, full of turmoil? Isn't it the so-called insurmountable? " Weng Fanggang said, "That monument belongs to a Li Dynasty, and it was corrected because of danger. It is the best way to learn from the Tang Dynasty. " This monument was polished with a pen. Although this is Ou Yangxun's early work, it has the basic characteristics of "European style", that is, strictness and danger. Wang Mingshizhen said: "The inscription on Huangfu House is more dangerous than other stickers. It is the origin of Yijia Lantai (Ouyang Tong). " Bin Yang said in "The Big Spoon Pen": "There is nothing more rigorous than harmony, beauty and Huangfu's birthday tablet, and it is especially difficult to be dangerous. This Huangfu tablet is so expensive. " Ou Yangxun is famous for his regular script, but his running script is also excellent, among which Meng Diantie is the best. The full name of "Dream Diantie" is "Zhong Ni Dream Diantie", with 78 characters, no money, but orderly circulation. Guo Tianxi said in the postscript: "This is a bold and dangerous calendar, as dense as the halberd of the armory. He has turned back and won the ethos of two kings. His trip to Europe is also the first book. " Ou Yangxun's son Ouyang Tong has a family of calligraphers. Both father and son are very famous in the book world and are called "Ouyang". Xiao Ouyang's "Taoist Monument" has a stronger sense of propriety, but it is too revealing and implicit.