Appreciation of calligraphy works in the Forbidden City
Pictures of calligraphy works in the Forbidden City 1
Pictures of calligraphy works in the Forbidden City 2
Figure 3 Calligraphy works in the Forbidden City
Figure 4 Calligraphy works in the Forbidden City
Calligraphy ink technology
When beginners learn calligraphy, people often think that using ink is not important. What is this? A misunderstanding. Calligraphy and Mohism are interdependent and complementary, as the saying goes? There are very few ink methods, all from pens? . The use of ink directly affects the appearance of the work. Calligraphers of all ages have thoroughly studied Mohism. In the Qing dynasty, I wrote:? Calligraphy, the original inch: pen, has become ink, then ink is a key to Shu Zhi. ? With the rise of literati painting in Ming Dynasty, the ink method of Chinese painting was integrated into calligraphy, which increased the interest of calligraphy works. The ancients said that ink is divided into five colors. The author talks about it as follows.
Thick ink is the most important ink method. The ink color is thick and black, and when writing, the pen power is solid and thick, and the ink does not float, so it can be used as paper, which has the effect of dignified and calm. Ancient calligraphers Yan Zhenqing and Su Shi both liked to use thick ink. Su Dongpo's requirements for ink are: light but not floating, and Zhan Ran is like a child's eye. It is considered that ink is light but not black, which loses the function of ink; Black but not straight? Plain and unpretentious . A closer look at Su Shi's ink paintings has a strong artistic effect. Liu Yong used a lot of ink in Qing Dynasty. This book has a lot of style and strength, doesn't it? Prime minister thick ink? The antonym of thick ink is light ink. Light ink is between black and white, with gray tone as the main color, giving people the elegant aesthetic feeling of Qingyuan. Call Dai, make good use of light ink, and pursue the artistic conception of mistress in calligraphy. Judging from the whole work, it is rich in shades, ethereal and transparent, quiet and elegant. Immortals live in "Essays on Painting Zen Rooms" and say: Ink must be used; Leap, don't make it boring, especially avoid being thick and fat, which is a great evil. ? Is Shang Wenzhi in Qing Dynasty called "Shang Wenzhi"? Looking for flowers in light ink? Calligraphy originated from Dong Xiangguang and spread its charm, but its works are sparse and beautiful. In fact, Sichuan thick and light ink has its own charm, and the key lies in mastering it. If the ink is too light, it will hurt your spirit. Too thick is just not good. As Zhou Xinglian said in Qing Dynasty:? The method of using ink, strong desire for its life, light desire for its Chinese life and China, not ink width. If you don't use ink well, it's easy to dry when it's thick, and it's nearly thin when it's light. In a few years, they will die. .
Moistening ink refers to the phenomenon that too much ink on rice paper overflows beyond strokes. Has the ink gone up? The ink won't come out? The orthodox Mohist concept does not hold water. However, the beauty of ascending ink is that it not only maintains the basic form of strokes, but also has hazy ink interest and blending lines and surfaces. Wang Duo used ink to enlarge the expression level of lines. In his works, dry, light, thick and wet are combined, and the ink color is rich, which sweeps away the boring ink method of predecessors and forms a strong visual artistic effect. Huang is even more unique in the study of Mohism. Five strokes of l ink? The theory of. Occasionally, he applied the brushwork method to the creation of seal script, showing some curiosity.
Thirst pen and dry pen refer to the effect of writing on paper after the ink contained in the pen is lost or most of the ink is lost. The thirsty pen sees moisture in the pallor; See the old in the dark. In writing, when using thirsty pen and dry pen, we should properly control the amount of ink used. Mi Fei's Notes on Su Jing in Song Dynasty? I wanted to send it tomorrow, and the moon is in the sky, so I will send it to my ears tonight. ? A few words, with thirsty pen, dry pen performance, astringent pen lines, pale and vigorous.
Calligraphy has rich ink and wash expression skills, and water is the key to express every simple ink and wash method. Ink painting uses water, takes ink as shape, water as gas, gas is active and shape is alive. Is it reasonable to occupy ink painting? . In addition, the skill of using ink is closely related to the weight of brushwork and the quality of paper. The change of ink color in calligraphy works will enhance the rhythm of the works. Of course, the use of ink painting is natural, and we must not blindly pursue a certain ink painting effect and fall into a vulgar realm. When the ancients talked about painting, there were four elements in using ink: first, living? Put pen to paper, pay attention to ink color to moisten nature; And second? Fresh? Ink color should be beautiful, fresh and pleasant; Three is? Change? The combination of reality and reality is diverse; Four is? Pen and ink are consistent? Pen and ink reflect each other and complement each other. Calligraphy with ink should also be enlightening.