European style: (italics) The brushwork is vigorous and implicit, and it is firm and straightforward. The brushwork is dangerous, the words are rigorous and solemn, the picture is solid and balanced, seeking change in the middle, precipitous and stable, and unique. Fang Bi is used horizontally and vertically, and the opening and closing are mostly triangular; Fiona Fang can be used at the same time, the shape is straight, flexible and vivid; Turn round, thick and powerful; Fang Bi is used for stippling, mostly triangular, hidden or exposed, which is natural; Hook painting should be short, but heavy and subtle, and hook throwing method should be used. The outer circle is round and the shape is full.
Style: (italics) The strokes are vigorous and heavy, vigorous and powerful, dignified and vigorous, and round pens are often used at turning points. The world thinks that he is not as good as a model as a grass. But his accomplishments in regular script are also very high.
Wang Xizhi: The brushwork is euphemistic and subtle, graceful and graceful, flowing, peaceful and natural. Book saint.
Su Huang Micai
Miffy: The body is unfolded, the brushwork is refreshing, and the dragon and phoenix dance, not sticking to one pattern.
Chu Suiliang: Inheriting Wang Xizhi's tradition, he is soft on the outside and firm on the inside, with fluent brushwork and strong opinions over the world. One of the four great calligraphers in the early Tang Dynasty.