Tian Yingzhang's calligraphy has a unique artistic charm in China's modern calligraphy. His calligraphy is studied and imitated by
Tian Yingzhang's calligraphy has a unique artistic charm in China's modern calligraphy. His calligraphy is studied and imitated by many people. At the same time, his pen calligraphy font has been welcomed by many people. The following is what I arranged.
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The reading stage of learning pen calligraphy is mainly to have a sensory understanding of the selected copybook, which is a very important link for beginners. The so-called reading post, not only to read, but also to think and analyze. Through reading, we can initially appreciate the characteristics, style and charm of copybooks, and we can appreciate the external, overall and macro beauty. For example, exquisite strokes, symmetrical knots and proper composition are all realized in reading posts. At the same time, we should also accumulate some information about copybooks, understand the background and emotional state of calligraphers' works, and study how others judge them, which will help us to understand copybooks in all directions.
Reading posts can be the same as appreciating calligraphy works, first overall, then regional; Then from the local to the whole. Look at the big effect first, then go deep into the area. Start with the study of one stroke and one painting, and let your eyes swim down according to the writing order of strokes. The emphasis is on the length, thickness, straightness and back of stroke lines. Structurally, it focuses on the structural division of white cloth, width and density, length and fat and thin. Reading copybooks is actually a process of recognizing and memorizing the font characteristics of copybooks. It is no exaggeration to say that half of the words can be understood. Only by being familiar with copybooks carefully can we create the necessary basic conditions for copybooks, be confident and proactive. ?