1, the main stroke is more important than the secondary stroke: in short, there are obvious primary and secondary strokes, so the main stroke is more important than the secondary stroke, such as the word "Feng Ye". The word "feng" can be regarded as a left-handed painting, and the right-handed painting is the main pen. The contrast is obvious. Among the many horizontal lines of the same word "Ye", the first horizontal line is the main pen, which is heavier, and the rest are the second horizontal lines, which are lighter.
2. Pay more attention to the outside than the inside: Chinese characters that are surrounded or semi-surrounded, or have similar structures, tend to write the strokes in the outer frame heavier, while the enclosed strokes are lighter, such as the word "Guo Er".
3. Weight of density: In short, there are density and density. The Shu Lang part of the strokes should be written heavily, and the dense parts of the strokes should be written lightly. For example, the word "Sun left sparse and right dense" actually adjusts the balance through the weight of strokes.
4. Less weight and more light: in a text or a line of text, the strokes of words with fewer strokes are heavier, and the strokes of words with more strokes are lighter. The greater the gap between strokes, the greater the disparity between light and heavy, such as the word "trivial".
5, the left is heavy and the right is light: in a word, the left and right are opposite, and the conventional writing is left light and right heavy. In the regular script of Qigong, the left is more important than the right, such as the word "from the inside".
6, vertical weight and horizontal light: within one word, horizontal painting is lighter, especially multi-horizontal strokes are lighter, vertical painting is heavier, especially middle, round and full, which plays the role of a pillar, a typical "painting" word.